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Origins of Futuristic Fiction
For nearly two thousand years, the future was a realm reserved for prophets, poets, astrologers, and practitioners of deliberative rhetoric. Then in 1659 the French writer Jacques Guttin published his romance Epigone, which carried the subtitle "the history of the future century." Unlike the stories of space travel that were popular at the time, or the tales of travel to distant earthly lands which had long been a familiar literary genre, Guttin's romance described human societies displaced by time as well as by space and heroes not of his own day but of a future age. Paul Alkon's Origins of Futuristic Fiction examines the earliest works of prose fiction set in future time, the forgotten wri...
Science Fiction Before 1900
Paul Alkon analyzes several key works that mark the most significant phases in the early evolution of science fiction, including Frankenstein, Twenty Thousand Leagues Under the Sea, A Connecticut Yankee in King arthur's Court and The Time Machine. He places the work in context and discusses the genre and its relation to other kinds of literature.
Defoe and Fictional Time
Defoe and Fictional Time shows Defoe's relevance to issues now central to criticism of the novel; relationships between narrative time and clock time, the influence of time concepts shared by writers and their audience, and above all the questions of how fiction shapes the phenomenal time of reading. Paul K. Alkon offers first a study of time in Defoe's fiction, with glances at Richardson, Fielding, and Sterne; and second a theoretical discussion of time in fiction. Arguing that eighteenth-century views of history account for the strange chronologies in Captain Singleton, Colonel Jack, Moll Flanders, and Roxana, Alkon explores Defoe's innovative use of narrative sequences, frequency, spatial form, chronology, settings, tempo, and the reader's cumulative memories of a text. Defoe's Journal of the Plague Year is the first portrayal of a public duration—passing time shared by an entire population during a crisis—ranking Defoe among the most creative writers who have explored the way in which fictional time may influence reading time.
Winston Churchill's Imagination
Although Churchill is a 1953 Nobel laureate in literature, his famous speeches have overshadowed his other writing. Winston Churchill's Imagination concentrates on key works in modes other than political rhetoric to show how Churchill engages readers with those words and ideas that are hallmarks of his imagination. Chapters take up his literary relationship with Lawrence of Arabia; Churchill's intense but little-known involvement with cinema in an essay on Charlie Chaplin and as a script writer and consultant in the 1930s for Alexander Korda's film studio; Churchill's evocation of paintings as templates for narrative in his first history and in his only novel; his imaginative engagement with science and science fiction; the depiction of time, duration, and alternative history in his biography of Marlborough; and Churchill's last testament in the realm of imagination, The Dream.
Science Fiction Before 1900
Paul Alkon analyzes several key works that mark the most significant phases in the early evolution of science fiction, including Frankenstein, Twenty Thousand Leagues Under the Sea, A Connecticut Yankee in King arthur's Court and The Time Machine. He places the work in context and discusses the genre and its relation to other kinds of literature.
Samuel Johnson and Moral Discipline
Paul Kent Alkon's Samuel Johnson and Moral Discipline provides reading of Johnson that emphasizes his moral discourse. Shortly after its publication, Alkon's book became first of all the standard reading of Johnson's essays, contrasting them with the moral ideas Johnson discussed in his sermons, as moral writings, and second, as one of the first books on Johnson to explore the essayist's focus on moral thinking as central to his writing.
The World as It Shall Be
The first future dystopia in modern European literature, now available in English.
H. G. Wells's Perennial Time Machine
This collection of essays offers a series of original, penetrating, and wide-ranging perspectives on Wells's masterpiece by an international group of major Wells and science fiction scholars. The authors explore such textual topics as the narrative techniques and mythological undertones.
Gregory Benford
Gregory Benford is perhaps best known as the author of Benford's law of controversy: "Passion is inversely proportional to the amount of real information available." That maxim is a quotation from Timescape, Benford's Nebula and Campbell Award-winning 1980 novel, which established his work as an exemplar of "hard science fiction," dedicated to working out the consequences of modern science rather than substituting pseudoscience for fantasy. An astrophysicist by training and profession, Benford published more than twenty novels, over one hundred short stories, some fifty essays, and myriad articles that display both his scientific rigor as well as a recognition of literary traditions. In this study, George Slusser explores the extraordinary, seemingly inexhaustible display of creative energy in Gregory Benford's life and work. By identifying direct sources and making parallels with other works and writers, Slusser reveals the vast scope of Benford's knowledge, both of literature and of the major scientific and philosophical issues of our time. Slusser also discusses Benford's numerous scientific articles and nonfiction books and includes a new interview with Benford.
Cephalopod Cognition
Focusing on comparative cognition in cephalopods, this book illuminates the wide range of mental function in this often overlooked group.
