You may have to register before you can download all our books and magazines, click the sign up button below to create a free account.
I am shirking off the chains that have shackled me for so long – I have suddenly come to realise that I am a woman – a living, passionate, pulsating woman – it never occurred to me before. Janet Ebony and her best friend, Peter Chelsworth, are innocently sharing a sleeping compartment when their train to Paris is involved in a disastrous railway accident. Outrage and scandal ensue as Janet's husband, Paul, and her fearsome mother-in-law accuse Janet and Peter of adultery. Aghast at their families' accusations, Janet and Peter decide to take revenge by inventing an adulterous affair ... Written with Noël Coward's trademark wit and insight, Home Chat is a distinctly modern comedy about female sexuality and fidelity in a society rigidly governed by decorum and reputation. This edition was published to coincide with the first revival of the play since its premiere in 1927.
From Sean Connery to Roy Rogers, from comedy to political satire, films that include espionage as a plot device run the gamut of actors and styles. More than just "spy movies," espionage films have evolved over the history of cinema and American culture, from stereotypical foreign spy themes, to patriotic star features, to the Cold War plotlines of the sixties, and most recently to the sexy, slick films of the nineties. This filmography comprehensively catalogs movies involving elements of espionage. Each entry includes release date, running time, alternate titles, cast and crew, a brief synopsis, and commentary. An introduction analyzes the development of these films and their reflection of the changing culture that spawned them.
The interwar English playwright Noël Coward is best known for his highly polished comedies of manners, including the enduring masterpieces ‘The Vortex’, ‘Hay Fever’, ‘Present Laughter’ and ‘Blithe Spirit’. His plays caught the clipped speech and brittle disillusion of the generation that emerged from the Great War, while his popular songs and revues struck the world-weary note of his times. An indefatigable genius, he performed almost every function in the theatre, including producing, directing, dancing, singing and acting, as well as directing motion pictures. This eBook presents Coward’s collected works, with numerous illustrations, rare texts, informative introductions...
DIVA newspaperman investigates the strange case of a murdered society clown/divDIV Howie Rook does not care for the police. After a long career in newspapers, he has seen too many cases loused up by unimaginative detectives to have any faith in by-the-book investigation. Recently retired, he spends his leisure hours writing letters to the editor regarding police stupidity. He’s so good at pointing out the department’s screw-ups that it has decided to reach out to him. They have an impossible crime, and it requires an amateur’s eye./divDIV /divDIVReal estate magnate James McFarley is found dead in a locked room, a bullet in his chest, and clown make-up on his face. The police have no suspects, no witnesses, and no hope but Rook. The amateur’s skill is about to be put to the test. Will he find the killer, or will he end up looking sillier than a murdered clown?/divDIV /divDIVUnhappy Hooligan is part of the Howie Rook Mysteries series, which also includes Rook Takes Knight./div
Both in life and death, Queen Victoria is among the most popular monarchs to be committed to film. Her reign was characterized by an explosion in media coverage that began to rely on images rather than words to tell her story. Even though Victoria has been labeled the "first media monarch," the sheer magnitude of her screen presence has been neither chronicled nor fully appreciated until now. This book examines the growth and evolution of Queen Victoria's on-screen image. From the satirical cartoons and silent films of the 19th century to the television shows, video games, and webcomics of the 21st, it demonstrates how the protean Victoria character has evolved, ultimately meaning many different things to many different people in many different ways. Each chapter looks at a facet of her character and includes analysis of how these media present Queen Victoria as a real person and shape her as a character acting within a narrative. The book includes a comprehensive and international filmography.
This collection offers close readings on Hammer’s cycle of horror films, analysing key films and placing particular emphasis on the narratives and themes present in the works discussed. Ranging from the studio’s first horror outing, The Mystery of the Mary Celeste (1935) to Hammer’s last contemporary film, Doctor Jekyll (2023), the collection celebrates cult-favourites such as The Quatermass Experiment, the films of Terence Fisher, to overlooked classics such as Captain Clegg or The Mummy franchise. This volume also delves into Hammer’s psychological thrillers, the studio’s venture into TV with Hammer’s House of Horrors, with theoretical frameworks varying from queer studies to postcolonial readings. This volume will appeal to scholars and students of film studies, international cinema, film history and horror studies.
Wes Britton's Spy Television (2004) was an overview of espionage on the small screen from 1951 to 2002. His Beyond Bond: Spies in Fiction and Film (2004) wove spy literature, movies, radio, comics, and other popular media together with what the public knew about actual espionage to show the interrelationships between genres and approaches in the past century. Onscreen and Undercover, the last book in Britton's Spy Trilogy, provides a history of spies on the large screen, with an emphasis on the stories these films present. Since the days of the silent documentary short, spying has been a staple of the movie business. It has been the subject of thrillers, melodramas, political films, romances...
One Tough Dame: The Life and Career of Diana Rigg offers a sweeping portrait of the revered performer’s life and career. Deemed a Dame Commander of the Order of the British Empire in 1994, Diana Rigg (1938–2020) initially found fame as super sleuth Mrs. Emma Peel in the 1960s BBC/ABC-TV espionage series The Avengers. A classically trained and multi-award-winning thespian, Rigg is known for her diverse body of work — from her big-screen debut in 1969 as Countess Teresa di Vincenzo, wife of James Bond in On Her Majesty’s Secret Service, to her Tony Award–winning, leading role in Medea on Broadway, culminating with her Emmy-nominated portrayal as Lady Olenna Tyrell on the heralded sma...
description not available right now.
Glamour, power, champagne breakfasts in satin sheets--welcome to television's most dazzling and overlooked genre: women-centric melodrama miniseries of the 1980s and 1990s. Decades before Real Housewives, rags-to-riches fantasies depicting strong women overcoming tragedy to take charge of their destinies were a big hit with TV audiences. Reflecting the "greed is good" ethos of the day and encoded with feminist messaging, these glitzy, often camp stories depicted statuesque superwomen facing off with square-jawed men in boardrooms and bedrooms. This book explores the shows that epitomized the prime-time soap era and gave us such memorable scenes as Stefanie Powers trading lovers with her twin sister, Joan Collins fighting Nazis in haute couture and Phoebe Cates demanding, "Which one of you bitches is my mother?"