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The Migration of Ghosts
In this collection of short stories, the author dabbles in and out of the occult. The reader meets Mrs Da Silva a 65-year-old matriarch of Carnival's Rebel War Band who wins the heart of a postman, and a widow who commemorates the death of her husband by winning a taverna's dance competition.
Shape-Shifter
From comrade Shakespeare McNab who enlists the help of La Diablesse to retrieve his faltering career at a Caribbean broadcasting station, to the fourteen year old English girl who develops a terror of infinity; from the electrifying description of a woman attacked as she lies sleeping, to the lyrical exploration of the myths of El Dorado, Pauline Melville lures the reader into the intriguing different worlds. The sheer malevolence of everyday life is offset with hilarity, making the stories in Shape-shifter both unsettling and funny. Shape-shifter is a collection of stories about the transformations that result from journeys and migrations, a restless text that moves to and fro between the C...
Eating Air
Ella de Vries, a dancer with the Royal Ballet, falls in love with Donny McLeod, a free spirit who draws her into a household of political radicals and extremism. A violent crime sends Ella into self-imposed exile in Brazil, and 30 years later she returns to find the economy is in freefall and another kind of terrorism is active.
The Master of Chaos and Other Fables
A Nobel laureate struggles to write a convincing suicide note; a hobo sings of hope in the darkest hours after the Grenfell disaster; in a strange post-death waiting room, Anna Karenina and Emma Bovary exchange confidences, and a scientist finally discovers the appalling truth about a boyhood friendship. Unpredictable, haunting, with a streak of black humour, this collection ranges across the world, from Petersburg to Guyana, Syria to London, Argentina to Edinburgh. Its diverse characters are caught up in wars or revolution, escaping the past or finally returning to confront it.
Caribbean Women Writers
Caribbean Women Writers is a collection of scholarly articles on the fiction of selected Caribbean women writers from Antigua, Barbados, Belize, Dominica, Grenada, Guyana, Jamaica and Trinidad. It includes not only close critical analysis of texts by Erna Brodber, Dionne Brand, Zee Edgell, Jamaica Kincaid, Paule Marshall, Pauline Melville, Jean Rhys and Olive Senior, but also personal statements from the writers Merle Collins, Beryl Gilroy, Vernella Fuller and Velma Pollard.
Caribbean Women Writers and Globalization
Caribbean Women Writers and Globalization offers a fresh reading of contemporary literature by Caribbean women in the context of global and local economic forces, providing a valuable corrective to much Caribbean feminist literary criticism. Departing from the trend towards thematic diasporic studies, Helen Scott considers each text in light of its national historical and cultural origins while also acknowledging regional and international patterns. Though the work of Caribbean women writers is apparently less political than the male-dominated literature of national liberation, Scott argues that these women nonetheless express the sociopolitical realities of the postindependent Caribbean, pr...
Borderlands
Boundaries, borderlines, limits on the one hand and rites of passage, contact zones, in-between spaces on the other have attracted renewed interest in a broad variety of cultural discourses after a long period of decenterings and delimitations in numerous fields of social, psychological, and intellectual life. Anthropological dimensions of the subject and its multifarious ways of world-making represent the central challenge among the concerns of the humanities. The role of literature and the arts in the formation of cultural and personal identities, theoretical and political approaches to the relation between self and other, the familiar and the foreign, have become key issues in literary an...
Pathologies of Paradise
Pathologies of Paradise presents the rich complexity of anglophone Caribbean literature from pluralistic perspectives that contest the reduction of the region to Edenic or infernal stereotypes. But rather than reiterate the familiar critiques of these stereotypes, Supriya Nair draws on the trope of the detour to plumb the depths of anti-paradise discourse, showing how the Caribbean has survived its history of colonization and slavery. In her reading of authors such as Jamaica Kincaid, Michelle Cliff, V. S. Naipaul, Zadie Smith, Junot Díaz, and Pauline Melville, among others, she examines dominant symbols and events that shape the literature and history of postslavery and postcolonial societies: the garden and empire, individual and national trauma, murder and massacre, contagion and healing, grotesque humor and the carnivalesque. In ranging across multiple contexts, generations, and genres, the book maps a syncretic and flexible approach to Caribbean literature that demonstrates the supple literary cartographies of New World identities.
Bodies and Bones
In Bodies and Bones, Tanya Shields argues that a repeated engagement with the Caribbean’s iconic and historic touchstones offers a new sense of (inter)national belonging that brings an alternative and dynamic vision to the gendered legacy of brutality against black bodies, flesh, and bone. Using a distinctive methodology she calls "feminist rehearsal" to chart the Caribbean’s multiple and contradictory accounts of historical events, the author highlights the gendered and emergent connections between art, history, and belonging. By drawing on a significant range of genres—novels, short stories, poetry, plays, public statuary, and painting—Shields proposes innovative interpretations of the work of Grace Nichols, Pauline Melville, Fred D’Aguiar, Alejo Carpentier, Edwidge Danticat, Aimé Césaire, Marie-Hélène Cauvin, and Rose Marie Desruisseau. She shows how empathetic alliances can challenge both hierarchical institutions and regressive nationalisms and facilitate more democratic interaction.
Madame Melville
"The General from America provides a rich portrait of Benedict Arnold, a man most often dismissed simply as a traitor (at least in the United States). Nelson's account of Arnold's search for love and country, and his discovery of only compromise and despair, will haunt readers and audiences."--BOOK JACKET.
