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Focus and Background in Romance Languages
Focus–background structure has taken center stage in much current theorizing about sentence prosody, syntax, and semantics. However, both the inventory of focus expressions found cross-linguistically and the interpretive consequences associated with each of these continue to be insufficiently described. This volume aims at providing new observations on the availability and the use of focus markings in Romance languages. In doing so, it documents the plurality of research on focus in Spanish, Portuguese, French, Italian, and Romanian. Topics covered include constituent fronting and clefting, the position of subjects and focus particles, clitic doubling of objects, and information packaging in complex sentences. In addition, some contributions explore focus–background structure from acquisitional and diachronic angles, while others adopt a comparative perspective, studying differences between individual Romance and Germanic languages. Therefore, this volume is of interest to a broad audience within linguistics, including syntacticians, semanticists, and historical linguists.
Loving Peter
Judy Huxtable, a beautiful Swinging Sixties model and actress, met and fell in love with Peter Cook in 1967. They were together during the memorable hit shows 'Behind the Fridge' and 'Derek and Clive', divorcing in 1989. Being intimate with Peter meant that Judy was inevitably close to Peter's comic partner, Dudley Moore, and they all formed an extraordinary bond. She was in a unique position to observe the special relationship that Peter and Dud shared, and the rivalry that existed between them. In LOVING PETER, Judy gives a perceptive and poignant account of the Peter Cook that only she knew. She writes with a mix of humour, insight and sadness about one of the funniest, most enigmatic and troubled men on the planet. She describes what he was like as a husband, performer, friend, father and man and gives an inside view of what really made him tick; why he seemed to want to destroy those he loved the most; how he succumbed to the destructive forces of drink and drugs; and how he and Dudley really got on.
Epistemic Modality, Language, and Conceptualization
The relationship between language and conceptualization remains one of the major puzzles in language research. This monograph addresses this issue by means of an in depth corpus based and experimental investigation of the major types of expressions of epistemic modality in Dutch, German and English. By adopting a systematic functional orientation, the book explains a whole range of peculiarities of epistemic expression forms (synchronically and diachronically), and it offers a clear perspective on which cognitive systems are needed to get from the concept of epistemic modality to its linguistic expression. On that basis the author postulates a sophisticated, layered view of human conceptualization. This book is of interest both to scholars working on modality and related semantic dimensions, and to the interdisciplinary field of researchers concerned with the cognitive systems involved in language use.
Stephens Plays: 3
Harper Regan follows a woman's road trip through the heart of England in a violent and comic exploration of the moralities of sex and death. Quietly harrowing, this play is a barometer for our times exploring dark secrets and familial estrangement. Marine Parade is a musical about sex, betrayal and hope, set in a run-down B&B on Brighton's waterfront. A moving and poignant play, it 'captures the peculiar aroma of Brighton, with its mix of the bracing and the melancholy' (Guardian). Olivier award-winning play On the Shore of the Wide World is an epic piece about love, family, Roy Keane and the size of the galaxy. Punk Rock is based on Simon Stephens's experience as a teacher and he describes this play as 'The History Boys on crack'. It explores the underlying tensions and potential violence in a group of affluent, articulate seventeen year old students.
The Complete Correspondence and Works; with an Essay on His Life and Genius ... Aided by the Recollections of the Author's Adopted Daughter
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