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Moliére's anticlerical comedy Tartuffe is the unique prism through which Sheryl Kroen views postrevolutionary France in the years of the Restoration. Following the lead of the French men and women who turned to this play in the 1820s to make sense of their world, Kroen exposes the crisis of legitimacy defining the regime in these years and demonstrates how the people of the time made steps toward a democratic resolution to this crisis. Moving from the town squares, where state and ecclesiastical officials orchestrated their public spectacles in favor of the monarchy, to the theaters, where the French used Tartuffe to mock the restored monarch and the church, this cultural history of the Res...
Exploiting our boundless desire to access everything all the time, digital technology is breaking down whatever boundaries still exist between the state, the market, and the private realm. Bernard Harcourt offers a powerful critique of what he calls the expository society, revealing just how unfree we are becoming and how little we seem to care.
Cotton Trading Manual (CTM) is the first work to provide a comprehensive reference source to the conduct of the complex international cotton market. CTM begins by looking at the history of the cotton trade, and then moves on to assess the current global picture, including a discussion of trends in the market, as well as production and consumption analysis. The third and fourth parts focus on trading in physical cotton and futures respectively. Finally, the last section deals with administrative and management issues within the cotton trade as a whole, such as contracts, insurance and risk management. CTM is an indispensable practical companion for all those involved with trading in this commodity. - Comprehensive reference to the complex international cotton market - Discusses the history of the cotton trade - Assesses the global picture, looking at trends and production and consumption analysis
According to Vasari, the young Michelangelo often borrowed drawings of past masters, which he copied, returning his imitations to the owners and keeping originals. Half a millennium later, Andy Warhol made a game of "forging" the Mona Lisa, questioning the entire concept of originality. Forged explores art forgery from ancient times to the present. In chapters combining lively biography with insightful art criticism, Jonathon Keats profiles individual art forgers and connects their stories to broader themes about the role of forgeries in society. From the Renaissance master Andrea del Sarto who faked a Raphael masterpiece at the request of his Medici patrons, to the Vermeer counterfeiter Han...
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The Mediterranean is an invented cultural space, on the frontier between North and South, West and East. Modern Art and the Idea of the Mediterranean examines the representation of this region in the visual arts since the late eighteenth century, placing the 'idea of the Mediterranean' - a cultural construct rather than a physical reality - at the centre of our understanding of modern visual culture. This collection of essays features an international group of scholars who examine competing visions of the Mediterranean in terms of modernity and cultural identity, questioning and illuminating both European and non-European representations. An introductory essay frames the analysis in terms of...
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This thesis presents an exact theoretical study of dynamical correlation functions in different phases of a two-dimensional quantum spin liquid. By calculating the dynamical spin structure factor and the Raman scattering cross section, this thesis shows that there are salient signatures—qualitative and quantitative—of the Majorana fermions and the gauge fluxes emerging as effective degrees of freedom in the exactly solvable Kitaev honeycomb lattice model. The model is a representative of a class of spin liquids with Majorana fermions coupled to Z2 gauge fields. The qualitative features of the response functions should therefore be characteristic for this broad class of topological states.
Over the course of the twentieth century, Germans have venerated and maintained a variety of historical buildings--from medieval fortresses and cathedrals to urban districts and nineteenth-century working-class housing. But the practice of historic preservation has sometimes proven controversial, as different groups of Germans have sought to use historical architecture to represent competing versions of their nation's history. Transient Pasts is the first book to examine the role that the historic preservation movement has played in German cultural history and memory from the end of the nineteenth century to the early 1970s. Focusing on key public debates over historic preservation, Rudy Kos...