You may have to register before you can download all our books and magazines, click the sign up button below to create a free account.
A history of Peter Nagy's work as an artist and a dealer from 1982 to the present, in New York and India.
Funny Peter Nagy Lined Tennis Notebook A Perfect Baseball Tennis Journal For All Peter Nagy Lovers. Makes a perfect gift for all your friends who love Peter Nagy. Specifications : Cover Finish: Matte Dimensions: 6 x 9 (15.24cm x 22.86cm) Interior: Lined White Paper Pages: 110 Very Unique,Cute And Funny Peter Nagy Notebook
For over forty years, Theories of Human Communication has facilitated the understanding of the theories that define the discipline of communication. The authors present a comprehensive summary of major communication theories, current research, extensions, and applications in a thoughtfully organized and engaging style. Part I of the extensively updated twelfth edition sets the stage for how to think about and study communication. The first chapter establishes the foundations of communication theory. The next chapter reviews four frameworks for organizing the theories and their contributions to the nature of inquiry. Part II covers theories centered around the communicator, message, medium, a...
“A frightening story told with skill and cunning… strong stuff.” – Peter Straub Featuring a new introduction by Billy Martin. Deep in the bowels of the dark, desolate warehouse, the terror lay waiting. It had waited for a hundred years. It could wait a few more days. And when the boy came—so young, so blissfully ignorant of the twisted secrets he disturbed—it would embrace him with sickening perfume and breathe unspeakable horrors into his ear! SEEDS OF DEATH! Lewis knew that something in that place wanted him—wanted to crawl into his mind. It knew his innermost fears and could twist his soul with its demented whispering. But most terrifying of all was that even as he ran screaming from its grasp, he knew he would have to go back…
American art of the 1980s is as misunderstood as it is notorious. Critics of the time feared that market hype and self-promotion threatened the integrity of art. They lashed out at contemporary art, questioning the validity of particular media and methods and dividing the art into opposing camps. While controversies have since subsided, critics still view art of the 1980s as a stylistic battlefield. Alison Pearlman rejects this picture, which is truer of the period's criticism than of its art. Pearlman reassesses the works and careers of six artists who became critics' biggest targets. In each of three chapters, she pairs two artists the critics viewed as emblematic of a given trend: Julian ...
The Ethics of Artificial Intelligence has two goals. The first goal is meta-theoretical and is fulfilled by Part One, which comprises the first three chapters: an interpretation of the past (Chapter 1), the present (Chapter 2), and the future of AI (Chapter 3). Part One develops the thesis that AI is an unprecedented divorce between agency and intelligence. On this basis, Part Two investigates the consequences of such a divorce, developing the thesis that AI as a new form of agency can be harnessed ethically and unethically. It begins (Chapter 4) by offering a unified perspective on the many principles that have been proposed to frame the ethics of AI. This leads to a discussion (Chapter 5) ...
Detailed discussion of the history, current status and significance of ART media and the culture systems for their use.