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On Vision and Colors; Color Sphere
During the first two decades of the nineteenth century, two of the most significant theoretical works on color since Leonardo da Vinci's Trattato della Pittura were written and published in Germany: Arthur Schopenhauer's On Vision and Colors and Philipp Otto Runge's Color Sphere. For Schopenhauer, vision is wholly subjective in nature and characterized by processes that cross over into the territory of philosophy. Runge's Color Sphere and essay "The Duality of Color" contained one of the first attempts to depict a comprehensive and harmonious color system in three dimensions. Runge intended his color sphere to be understood not as a product of art, but rather as a "mathematical figure of various philosophical reflections." By bringing these two visionary color theories together within a broad theoretical context—philosophy, art, architecture, and design—this volume uncovers their enduring influence on our own perception of color and the visual world around us.
Great Works
The best of Tom Lubbock, one of Britain's most intelligent, outspoken and revelatory art critics, is collected here. Ranging with passionate perspicacity over 800 years of Western art, Tom Lubbock writes with immediacy and authority about the 50 works which most gripped his imagination.
Aesthetic Vision and German Romanticism
Crosses disciplinary boundaries to explore German Romantic writing about visual experience and the interplay of text and image in Romantic epistemology. The work of the groundbreaking writers and artists of German Romanticism -- including the writers Tieck, Brentano, and Eichendorff and the artists Caspar David Friedrich and Philipp Otto Runge -- followed from the philosophical arguments of the German Idealists, who placed emphasis on exploring the subjective space of the imagination. The Romantic perspective was a form of engagement with Idealist discourses, especially Kant's Critique of Pure Reason and Fichte's Science of Knowledge. Through an aggressive, speculative reading of Kant, the R...
German Romantic Painting Redefined
The modernist aesthetic and, later, Nazi ideology split German Romantic painting into two opposed phases, an early progressive movement, represented by Caspar David Friedrich (1774-1840) and Philipp Otto Runge (1777-1810), and a later reactionary one - epitomized by Friedrich Overbeck (1789-1869) and Peter von Cornelius (1783-1867). In this rich and engaging book, Mitchell Frank explores the continuities between these two phases to reconstruct the historical position that existed in the nineteenth century and to look once again at the Nazarenes - and Overbeck in particular - as a fully integrated part of the Romantic movement. His innovative book is crucial to an understanding of German Romanticism and the legacy of this period in European art.
Ornament and Abstraction
"This book is an in-depth study of this major theme in 20th century art history. It begins with the innovative pictorial conception of Philipp Otto Runge, whose early 19th century paintings featured the last genuine form in the history of ornament, the arabesque. The arabesque had an influence via Symbolism (Maurice Denis, Paul Gauguin) and Art Nouveau (Henry van de Velde, Gustav Klimt, Josef Hoffmann) on painting's move towards abstraction (Vasily Kandinsky, Frantisek Kupka, Adolf Hoelzel), which resulted on the one hand in a non-figurative, geometric structure of lines (Mondrian), and on the other, in the swirls of Matisse and Jackson Pollock. Side by side with the "royal way" of Cubism, a...
