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A Drowned Kingdom
Once Second Prince of the mightiest kingdom in the known world, Othrun now leads the last survivors of his exiled people into an uncertain future far across the Shimmering Sea from their ancestral home, now lost beneath the waves. With his Single God binding his knights to chivalric oaths, intent on wiping out idolatry and pagan worship, they will have to carve out a new kingdom on this mysterious continent―a continent that has for centuries been ravaged by warlords competing for supremacy and mages channeling the mystic powers of the elements―and unite the continent under godly rule. With a troubled past, a cursed sword, and a mysterious spirit guiding him, Othrun means to be that ruler, and conquer all. But with kingdoms fated on the edge of spears, alliances and pagan magic, betrayal, doubt, and dangers await him at every turn. Othrun will be forced to confront the truths of all he believes in on his journey to become a king, and a legend. When one kingdom drowns, a new one must rise in its place. So begins the saga of that kingdom, and the man who would rule it all.
The Sequence
Kit McKee is the world’s leading genetic editor. Having run from an America where she is no longer welcome, she now develops lucrative cosmetic edits to the human genome from her secure laboratory in northern China. She has been working on a side-project in her spare time, keeping it a secret—or so she thinks. Dallas Ward is a former civilian sub-orbital pilot who now flies contraband for a Hong Kong triad in a ground-effect stealth jet, not as a matter of choice. He has been tasked with a special delivery, this one with a time restriction. Fong and Woo are two Hong Kong police detectives investigating a series of homicides that appear to take place only during typhoons. The bodies are found to be genetically edited, leading the detectives toward Kit, who has suddenly gone missing. All three storylines weave together into a fast-paced, near-future techno thriller that raises intriguing ethical questions about genetics and the global distribution of power.
Place, Power, Situation, and Spectacle
A collection of 11 essays exploring the relationship between film and the politics of social and cultural representation from the perspective of geography. Without attempting to establish a theoretical consensus for the embryonic field, they discuss such places as the Third World, Jerusalem, Highway 66, and British new towns, and such movies as Chariots of Fire, Storm Boy, and Lawrence of Arabia. Annotation copyright by Book News, Inc., Portland, OR
Queen of None
First in a sumptuous, female-led Arthurian Fantasy Romance trilogy When Anna Pendragon was born, Merlin prophesied: "Through all the ages, and in the hearts of men, you will be forgotten." Married at twelve, and a mother soon after, Anna - the famed King Arthur's sister - did not live a young life full of promise, myth, and legend. She bore three strong sons and delivered the kingdom of Orkney to her brother by way of her marriage. She did as she was asked, invisible and useful for her name, her status, her dowry, and her womb. Twenty years after she left her home, Anna returns to Carelon at Arthur's bidding, carrying the crown of her now-dead husband, Lot of Orkney. Past her prime and confi...
Staging Power in Tudor and Stuart English History Plays
The first of its kind to situate the early modern debate on sovereignty within a 'popular culture' dramatic context, this project examines the changing ideological conceptions of sovereignty and their on-stage representations in public theaters from 1580 to 1642. The study examines the way in which the early modern stage presented a critical dialogue concerning the nature of sovereignty through the lens of specifically English history, focusing in particular on the representation of monarchy.
