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The complex relationship between heritage places and people, in the broadest sense, can be considered dialogic, a communicative act that has implications for both sides of the ‘conversation’. This is the starting point for Heritage and Tourism . However, the ‘dialogue’ between visitors and heritage sites is complex. ‘Visitors’ have, for many decades, become synonymous with ‘tourists’ and the tourism industry and so the dialogic relationship between heritage place and tourists has produced a powerful critique of this often contested relationship. Further, at the heart of the dialogic relationship between heritage places and people is the individual experience of heritage where...
Online activities present a unique challenge for museums as they harness the potential of digital technology for sustainable development, trust building, and representations of diversity. This volume offers a holistic picture of museum online activities that can serve as a starting point for cross-disciplinary discussion. It is a resource for museum staff, students, designers, and researchers working at the intersection of cultural institutions and digital technologies. The aim is to provide insight into the issues behind designing and implementing web pages and social media to serve the broadest range of museum stakeholders.
Handbook of Research on Technologies and Cultural Heritage: Applications and Environments covers the many important uses information communication technology in enhancing the experience at cultural environments. From museums, to archaeological sites, to festivals and artistic events to even government institutions and public buildings, information communication technology is revolutionizing the way the public participates at and with these cultural sites, and this reference source provides both a thorough exploration of this revolution and springboard for future discoveries.
Curating Pop speaks to the rapidly growing interest in the study of popular music exhibitions, which has occurred alongside the increasing number of popular music museums in operation across the world. Focusing on curatorial practices and processes, this book draws on interviews with museum workers and curators from twenty museums globally, including the Country Music Hall of Fame in Nashville, the Experience Music Project in Seattle and the PopMuseum in Prague. Through a consideration of the subjective experiences of curators involved in the exhibition of popular music in museums in a range of geographic locations, Curating Pop compares institutional practices internationally, illustrating the ways in which popular music history is presented to visitors in a wider sense.
This book explores how digital culture is transforming museums in the 21st century. Offering a corpus of new evidence for readers to explore, the authors trace the digital evolution of the museum and that of their audiences, now fully immersed in digital life, from the Internet to home and work. In a world where life in code and digits has redefined human information behavior and dominates daily activity and communication, ubiquitous use of digital tools and technology is radically changing the social contexts and purposes of museum exhibitions and collections, the work of museum professionals and the expectations of visitors, real and virtual. Moving beyond their walls, with local and globa...
This multidisciplinary work celebrates Wayne Orchiston's career and accomplishments in historical and cultural astronomy on the occasion of his 80th birthday. Over thirty of the world’s leading scholars in astronomy, astrophysics, astronomical history, and cultural astronomy have come together to honor Wayne across a wide range of research topics. These themes include: • Astronomy and Society • Emergence of Astrophysics • History of Radio Astronomy • Solar System • Observatories and Instrumentation • Ethnoastronomy and Archeoastronomy This exceptional collection of essays presents an overview of Wayne’s prolific contributions to the field, along with detailed accounts of the book’s diverse themes. It is a valuable and insightful volume for both researchers and others interested in the fields of historical astronomy and cultural astronomy.
"Feet haven't changed much over the centuries but shoes certainly have. Stepping out: three centuries of shoes - a selection of the Powerhouse Museum's extraordinary collection of shoes dating from the 1700s to today - reveals foot fetishes and fantasies as well as changes in fashion, society and shoe making."--BOOK JACKET.
This guide is intended for anyone involved in the creation, development and management of museums in the 21st century--both those working inside museums and those working outside museums, such as government and foundation agency staff responsible for museums or grant-aid to them, designers and other museum service providers, and teachers and students in museum studies and related programs. Coverage includes the objectives, structure, and methods of museum management. Chapter concepts are illustrated by twelve case studies of contemporary museums and galleries contributed by specialists from the UK, the U.S., and Australia. This is a reprint of the text previously published by The Stationery Office in 1997. Distributed by Rowman and Littlefield. Annotation copyrighted by Book News, Inc., Portland, OR
Our Friend the Enemy is the first detailed history of the Gallipoli campaign at Anzac since Charles Bean’s Official History. Viewed from both sides of the wire and described in first-hand accounts. Australian Captain Herbert Layh recounted that as they approached the beach on 25 April that, once we were behind cover the Turks turned their .. [fire] on us, and gave us a lively 10 minutes. A poor chap next to me was hit three times. He begged me to shoot him, but luckily for him a fourth bullet got him and put him out of his pain. Later that day, Sergeant Charles Saunders, a New Zealand engineer, described his first taste of battle, The Turks were entrenched some 50-100 yards from the edge o...
The Italian violinist and composer Giovanni Battista Viotti (1755-1824) is considered today to have been one of the most significant forces in the history of violin playing. In 1792 he met Margaret and William Chinnery, a wealthy English couple with strong connections in the world of arts and letters. From that point onwards Viotti's life became inextricably bound up with theirs; he moved into their home and became a second father to their children, forming a remarkably successful m gerois. Henceforth, all Viotti's career decisions were taken with this family's welfare in mind. The Chinnery Family Papers feature over 100 Viotti letters and other documents. Drawing extensively on these papers, this book investigates the new light that they cast on Viotti's life and career, as well as the context in which he lived and worked. Fresh insights are given into the reception of Viotti's concertos in London and the solo performances he gave while in England, together with new information on his role as a music teacher in the Chinnery household, and his relationship with Mme de Sta and the Philharmonic Society.