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Angri
A highly original, insightful, thought-provoking and enjoyable novelKashim I. Tala, VC. American Institute of CameroonAn exciting, inspiring, and much anticipated novelAfrica Positive Magazine, GermanyWith her second novel Angri, Priscillia M. Manjoh fashions a contemporary narrative style that, not unlike Voltaires satirical eighteenth-century Candide: Or Optimism, straddles tonalities of epic and realist literaturea style she calls faction, a mix of fact and fiction. Moving through the landscape of her troubled, and traumatised country in Africa, the protagonist, Joey Muki, tries to make sense of division, disaster and atrocity, all the while working towards encouraging emerging solidarities, addressing justice and responsibility. Amidst the debris of armed insurrection, violence, and arrogance, Angri is about the will of women to act on their political cultures and social livelihoods.Dr. Norman Saadi Nikro, Leibniz-Zentrum Moderner Orient, Berlin Germany Priscillia M. Manjoh was born and raised in Cameroon and presently resides in Berlin Germany.
Representations and Renegotiations of the Nation in Anglophone Cameroonian Literature
Guided by postcolonial theory and the ideas of some Western and African philosophers this study's in-depth analysis of the novels of three Anglophone Cameroonian authors addresses the question of how principles of nation formation and nationalism are influenced by both colonialism and pre-colonial in situ constituents. The analysis focuses on how nations represented in the imaginary worlds constructed by the novelists are dominated by aspects such as ethnicity, corruption, authoritarianism, nepotism, solidarity and communitarianism which marginalize the masses, leaving them in misery and abject poverty. Tracing the historical settings of the novels from 1948 till present day, the study delineates the writers' representation of the Anglophones of Cameroon as being marginalized as well as suffering from self-marginalization and also demonstrates how postcolonial misery in Africa is not caused solely by colonialism but by several other aspects. This study reads the works of these Anglophone novelists not only as representing aspects in a nation but as tools of renegotiating a better society and a way forward for this nation.
Levant, Cradle of Abrahamic Religions
The volume is the result of a Lecture Series on The Levant, Cradle of Abrahamic Religions, which engaged scholars on topics related to the cultural and religious diversity of the historical Levant. Like a jigsaw, the studies contained within showcase interlock fragments of the historical encounters between faiths, religions and societies in a rich Levantine and Oriental space, in an attempt to render them more accessible to readers today by focusing both on broader religious phenomena as well as on the practical, liturgical and social interaction between traditions and mentalities, features representative of both faith and society at large.
Capturing Culture
The book identifies and critically analyses Hausa contemporary films known as Kannywood. The focus is on video films with particular emphasis on sources in oral literature. How traditional theatres are re-enacted and re-framed during filmmaking, and how far are traditional traits captured, changed, or enriched in video film are some issues the book negotiates on. The harmony between orature and technology, as generated by means of the transported film medium is expressed in the book. The new medium is integrated into the ongoing traditional and cultural surroundings, where native narrative traditions have been adopted into the global film medium, which is in alignment with contemporary medial culture.
Ways of Knowing Muslim Cultures and Societies
This volume showcases a variety of innovative approaches to the study of Muslim societies and cultures, inspired by and honouring Gudrun Krämer and her role in transforming the landscape of Islamic Studies. With contributions from scholars from around the world, the articles cover an extraordinarily wide geographical scope across a broad timeline, with transdisciplinary perspectives and a historically informed focus on contemporary phenomena. The wide-ranging subjects covered include among others a “men in headscarves” campaign in Iran, an Islamic call-in radio programme in Mombassa, a refugee-related court case in Germany, the Arab revolutions and aftermath from various theoretical perspectives, Ottoman family photos, Qurʾān translation in South Asia, and words that can’t be read.
An Ambazonian Liberation Theology?
The last 6 years have witnessed a period of considerable unrest in Cameroun. In 2016, protests within the minority Anglophone regions, against the obligatory use of French in court rooms and schools, were violently suppressed. This, combined with decades of marginalisation by successive Francophone governments, led to calls for secession – the creation of an independent nation of Ambazonia.This book offers a theological reflection on this escalating crisis, examining whether nationalism might be considered a tool of liberation in this particular African context.
Y? Gorógoró Yaa: Dagaare Folktales in Parallel Texts
Y? Gorógoró Yaa: Dagaare Folktales in Parallel Texts is a relevant book on Dagaare oral literature and complements earlier works. The most innovative feature of the book is the application of Parallel Text Theory in the organisation and translation of the folktales. This satisfies both foreign and local readers who speak and write Dagaare. The book will revive research interest among Dagaaba scholars and reveal more about the nature of Dagaaba Oral Traditions and the rich cultural and traditional values of the Dagaaba of West Africa. Y? Gorógoró Yaa: Dagaaba Sensell? P?retaa tori ne la ba Yelkããyelli nang wa paale danw?? deme puori. A gane nga y?mpaalaa kpongi la o nang de p?retaa tieori kp? ne a sensell? wuobu ane a le?roo po?. A ngaa na kyaane la nembolle ane tembiiri gangkanema zaa nang wono ky? kanna Dagaare ninge. A gane na senge la Dagaaba ganzanne karegyugiri pe?repe?reb? g?nzuuro ane enno? po? ky? maaleng yuo y?l? yaga nang be ba ban??y?l? ane ba yip?ge esonne nang be a Afereka Luou s?ng nga. Mark Ali is a Lecturer in Dagaare at the University of Education, Winneba, Ghana Adams Bodomo is a Professor of Afrcan Studies at the University of Vienna, Austria
GLOBALISATION AND TRANSITIONAL IDEOLOGIES
The papers in this volume define the departure from the margin to the centre, assess emerging literatures and shifting language concerns, dismantle the hegemony of colonial English, propose alternatives to the ‘imperialism’ that underlies globalisation, and question hegemonic assumptions in language and literature.
Snare
Juxtaposing scenes of life in Berlin with memories of Cameroon as well as with recent impressions of the protagonists who visit their former home country while residing abroad, the reader is drawn into the heartfelt and compelling narrative which does not only provide plenty of local colour but also does not shy away from providing a political background to the decisions the characters have to make... Dr. Anke Bartels, Potsdam &&&&& In SNARE, Priscillia Manjoh engages a diaspora narrative that reveals in graphic details some of the realities of living in a context and culture that is vastly different. The ugly realism of bushfalling (emigration) and the struggle to become documented immigran...
Mythen aus Togo
Die Sammlung von Mythen aus der Region des heutigen Togo ist ein Schatz an oralen Überlieferungen, die Gerhard Prilop in mehreren Jahrzehnten gesammelt hat bzw. hat sammeln lassen. Sie enthalten das kollektive Bewusstsein der Menschen vor Ort. Die Auswahl versammelt Mythen, in denen sich Anklänge zu Motiven finden, die aus alttestamentlichen Texten bekannt sind. Umstritten ist, wie dies zu erklären ist. Die Mehrheit der wissenschaftlichen Community geht davon aus, dass es sich um rezente Adaptionen handelt.
