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There is no single volume which covers the Indian Army’s experiences during the two World Wars. And this is what the present edited volume attempts to do. This collection of 17 essays analyze the army as an institution and also touch upon the cultural ethos of the army and related social issues. Thus, this edited volume is a cross between ‘traditional military history’ (study of campaigns, tactics, leadership) and ‘new military history’ (impact of warfare on society and culture). While some of the essays take a pan Indian perspective, a few essays also focus on those regions within India (like Punjab) which were intimately related with the army. A few contributors also turn the spotlight on the overseas theatres like Mesopotamia, France and Burma, where the Indian Army played a very important role. Contributors are Alan Jeffreys, Andrew Syk, Daniel Marston, David Kenyon, Dennis Showalter, Gajendra Singh, Gavin Rand, James Kitchen, Nick Lloyd, Nikolas Gardner, Rajit K. Mazumder, Raymond Callahan, Rob Johnson, Ross Anderson, Tarak Barkawi and Tim Moreman.
While pre-modernity is often considered to be the 'time' of non-European regions and modernity is seen as belonging to the West, this book seeks to transcend the temporal bifurcation of that world history into 'pre-modern' and 'modern', as well as question its geographical split into two irreconcilable trajectories: the European and the non-European. The book examines shared experiences of modern transformation or modernity in three regions -- China, India and the Ottoman Empire -- which conventional historiography identifies as non-European, and therefore, by implication, outside of modernity or only tangentially linked to it as its victim. In other words, this work looks at modernity witho...
From the Treaty of Versailles to the 2018 centenary and beyond, the history of the First World War has been continually written and rewritten, studied and contested, producing a rich historiography shaped by the social and cultural circumstances of its creation. Writing the Great War provides a groundbreaking survey of this vast body of work, assembling contributions on a variety of national and regional historiographies from some of the most prominent scholars in the field. By analyzing perceptions of the war in contexts ranging from Nazi Germany to India’s struggle for independence, this is an illuminating collective study of the complex interplay of memory and history.
The volume situates itself within the growing field of research on the global social history of the World Wars. By investigating social and cultural aspects of these wars in African, South Asian and Middle Eastern societies it aims at recovering both the diversity of perspectives and their intersections. Drawing substantially on new sources such as oral accounts, propaganda material and artistic representations, the publication investigates the experiences of combatants and civilians on the frontline and in the rear of the front. It studies spontaneous and organized responses manifested in public debates, propaganda activities, and in individual and collective memories. Questioning conventional periodizations and discussing both wars together, the book analyses broader implications of the wars for African and Asian societies which resulted in significant social and political transformations.
The idea of modern terrorism and the practice of terrorist violence emerged in Britain’s first colony, Ireland, before spreading through imperial networks to South and East Asia, to Africa, and to the Middle East. Thus, empire not only birthed terror, but also made it global. And the sheer spread, diversity, and longevity of that empire produced multiple stages in the evolution of terrorism from rural intimidation to urban guerilla warfare to homegrown radicalism. Indeed, today’s global terror challenges—the ethics of counter-terrorism, the threats of Islamist and international terrorism, and the rise of homegrown right-wing extremism—all have roots in colonialism.
This book shows how railway technology, travel, and infrastructure became increasingly and inextricably woven into everyday life in colonial South Asia.
A provocative examination of how the British colonial experience in India was shaped by chronic unease, anxiety, and insecurity.
'An incredible and important story, finally being told' - Mishal Husain On 28 May 1940, Major Akbar Khan marched at the head of 299 soldiers along a beach in northern France. They were the only Indians in the British Expeditionary Force at Dunkirk. With Stuka sirens wailing, shells falling in the water and Tommies lining up to be evacuated, these soldiers of the British Indian Army, carrying their disabled imam, found their way to the East Mole and embarked for England in the dead of night. On reaching Dover, they borrowed brass trays and started playing Punjabi folk music, upon which even 'many British spectators joined in the dance'. What journey had brought these men to Europe? What became of them – and of comrades captured by the Germans? With the engaging style of a true storyteller, Ghee Bowman reveals in full, for the first time, the astonishing story of the Indian Contingent, from their arrival in France on 26 December 1939 to their return to an India on the verge of partition. It is one of the war's hidden stories that casts fresh light on Britain and its empire.
A number of studies of colonial Lahore in recent years have explored such themes as the city's modernity, its cosmopolitanism and the rise of communalism which culminated in the bloodletting of 1947. This first synoptic history moves away from the prism of the Great Divide of 1947 to examine the cultural and social connections which linked colonial Lahore with North India and beyond. In contrast to portrayals of Lahore as inward looking and a world unto itself, the authors argue that imperial globalisation intensified long established exchanges of goods, people and ideas. Ian Talbot and Tahir Kamran's book is reflective of concerns arising from the global history of Empire and the new urban history of South Asia. These are addressed thematically rather than through a conventional chronological narrative, as the book uncovers previously neglected areas of Lahore's history, including the links between Lahore's and Bombay's early film industries and the impact on the 'tourist gaze' of the consumption of both text and visual representation of India in newsreels and photographs.