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The best contemporary American poets are represented in this essential anthology.
The inspiration for the acclaimed OWN TV series produced by Oprah Winfrey and Ava DuVernay "Queen Sugar is a page-turning, heart-breaking novel of the new south, where the past is never truly past, but the future is a hot, bright promise. This is a story of family and the healing power of our connections—to each other, and to the rich land beneath our feet." —Tayari Jones, author of An American Marriage Readers, booksellers, and critics alike are embracing Queen Sugar and cheering for its heroine, Charley Bordelon, an African American woman and single mother struggling to build a new life amid the complexities of the contemporary South. When Charley unexpectedly inherits eight hundred acres of sugarcane land, she and her eleven-year-old daughter say goodbye to smoggy Los Angeles and head to Louisiana. She soon learns, however, that cane farming is always going to be a white man’s business. As the sweltering summer unfolds, Charley struggles to balance the overwhelming challenges of a farm in decline with the demands of family and the startling desires of her own heart.
Resisting Rape Culture through Pop Culture: Sex After #MeToo provides audiences with constructive models of affirmative consent, tender masculinity, and pleasure in popular culture that work to challenge toxic dominant and hegemonic constructions. While numerous scholars have illustrated the many ways mediated culture shape social understandings of sexual violence, this book analyzes texts that might serve to resist rape culture. This project locates how these texts manufacture cinematic or televisual narratives and in turn work to create new realities that encourage cultural and social change. Kelly Wilz analyzes the ways in which we, as a culture, tend to understand sex through visual medi...
This critical study interrogates the intersection of race and gender media representations on screen and behind the scenes. The thought-provoking investigation on the Oprah Winfrey Network’s Queen Sugar series shows the ways in which the television drama is a significant contribution to mainstream media that creates in-depth conversations concerning African American women’s social roles, social class, and social change. Ollie L. Jefferson provides a unique analysis of the television production by using the exemplary representations conceptual framework to contextualize and theorize research contributing to systemic change. Jefferson highlights the best practices used by African American ...
Black women's work in television has been, since the beginning, a negotiation. Black Women and the Changing Television Landscape explores the steps black women, as actors, directors, and producers, have taken to improve representations of black people on the small screen. Beginning with The Beulah Show, Anderson articulates the interrelationship between US culture and the televisual, demonstrating the conditions under which black women particularly, and black people generally, exist in popular culture.
A history of prestige television through the rise of the “black-market melodrama.” In Second Lives, Michael Szalay defines a new television genre that has driven the breathtaking ascent of TV as a cultural force over the last two decades: the black-market melodrama. Exemplified by the likes of The Sopranos and Breaking Bad, the genre moves between a family’s everyday life and its secret second life, which may involve illegal business, espionage, or even an alternate reality. Second lives allow characters (and audiences) to escape what feels like endless work into a revanchist vision of the white middle class family. But there is for this grimly resigned genre no meaningful way back to the Fordist family wage for which it longs. In fact, Szalay argues, black-market melodramas lament the very economic transformations that untethered TV viewing from the daily rhythms of the nine-to-five job and led, ultimately, to prestige TV.
Poets of the New Century picks up the thread of contemporary American verse where our earlier anthology, New American Poets of the '90s, left off.
A groundbreaking look at the history of transgender representation in TV and film, by an of-the-moment and in-demand culture reporter. WE SEE EACH OTHER is a personal history of trans visibility since the beginning of moving images. A literary reckoning, it unearths a transcestry that's long existed in plain sight and in the shadows of history's annals, and further contextualizes our present moment of increased representation. The films and television shows that Tre'vell covers include: Midnight In The Garden Of Good And Evil, Psycho, Holiday Heart, Boy's Don't Cry, America's Next Top Model, Some Like It Hot, Survivor, Tangerine, Pose, RuPaul's Drag Race and much more. Though there have been trans memoirs and histories, there has never been a book quite like this, nor is anyone more suited to write it than Tre'vell. "I don't remember exactly when I was taught to hate myself," says Tre'vell Anderson in We See Each Other's introduction. As the narrative unfolds, Tre'vell knits together the history of trans people on screen with stories of their life growing up and their formative experiences as a Black, trans journalist.
Poetry. "Ralph Angel possesses what every poet dreams of a warm heart and a cold eye and all of his poems have a foothold between Everything and Nothing, the place each of us lives in day in and day out, though we seldom recognize or admit it the way these poems do. Many of them unfold like a ravishing film to which a voice-over adds such haunting commentary we are surprised to reach the end and realize we have been reading. His vernacular arrests me. A thread of wild and somber beauty runs through this book by one of America's most original poets." Mary Ruefle"