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In October 1947, more than twenty years after leaving Russia, Ayn Rand testified before the House Un-American Activities Committee (HUAC), which was investigating communist infiltration of the motion picture industry. The focus of that testimony was Song of Russia, a 1944 pro-Soviet film that Rand decried for its unrealistic, absurdly flattering portrait of life in the communist country. Ayn Rand scholar Robert Mayhew focuses on this controversial period of American and Hollywood history by examining both the film and the furor surrounding Rand's HUAC testimony. His analysis provides the first detailed history of any of the pro-Soviet films to come out of 1940s Hollywood. Mayhew begins by of...
Sometimes danger—and love—crash into your life when you least expect it… When Clare Decker sees a plane go down in the desert behind her remote home and goes to assist, the sexy pilot, Quade Bonahan, kidnaps her. Since the men who downed his plane are shooting at them, she has no choice but to go along with Quade, at least until she can escape. Clare has been punishing herself with her solitary life, her only friend is a sassy character from her books: Roxy. Now it’s as if she’s been thrust into one of her own books. Quade might embody the elusive mystery man in her current manuscript, but she doesn’t know if he’s one of the good guys. As she learns more about why they’re on ...
The English Civil War and its aftermath was a time of human devastation, political uncertainty and religious instability. Amid the turmoil of those times, however, the Church of England also saw intense liturgical inventiveness. The Directory for Public Worship, Jeremy Taylor's Communion Office, and Richard Baxter's Reformed Liturgy, are all examples of resourceful liturgies born out of the ashes of the English Civil War. The Church of England had not witnessed such liturgical innovation since Thomas Cranmer, and would not see such creativity again until the end of the twentieth century - at least in terms of liturgical texts. In Richard Baxter's Reformation of the Liturgy, Glen J. Segger examines the theology and ecclesiology of Baxter’s liturgical opus. While never approved for public use, the Reformed Liturgy remains an important and creative liturgy representative of those who fought for their Puritan convictions, but lost.
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