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Sikh Achievers
An attempt to portray the well known Sikh achievers in their respective fields throughout the twentieth century and before.
Firaq Gorakhpuri: The Poet of Pain & Esctasy
One of contemporary India’s most prolific Urdu poets, Firaq Gorakhpuri was well known for his ghazals, nazms, rubaais and qat’aa. His magnum opus, Gul-e-Naghma, won him the Jnanpith Award (1969), India’s first highest literary honour for literature. The other awards bestowed upon him include the Sahitya Akademi Award (1960), and the Ghalib Academy Award (1981). In this personalized biography, Firaq’s nephew, Ajai Mansingh, tells the compelling tale of the poet's life, inspiration, and struggles – shedding light on the trials and tribulations of one of India’s greatest literary figures. ‘Firaq is a poet of the labyrinths of emotions, the sensuousness and transcendence of beauty, and the merging shades of pain and ecstasy. The softness and suppleness of his voice does not have a parallel in Urdu poetry.’ — Gopi Chand Narang
My Allahabad Story
My Allahabad Story recollects the author's privileged childhood in a prominent family of the city he is obsessed with. He traces his growing years in the large middle class Kayastha family bringing out in amusing detail, some quaint social customs and traditions that existed half a century ago. The author wonderfully describes the changed complexion of the city with a tinge of despair. Life and times and what happened to Allahabad has been graphically described with nostalgia. An interesting account of an Irish resident brings out the social life that prevailed in Allahabad hundred years ago, interlaced beautifully between the English, Anglo-Indians and Indians.
Indian Antiquary
"At a time when each Society had its own medium of propogation of its researches ... in the form of Transactions, Proceedings, Journals, etc., a need was strongly felt for bringing out a journal devoted exclusively to the study and advancement of Indian culture in all its aspects. [This] encouraged Jas Burgess to launch the 'Indian antiquary' in 1872. The scope ... was in his own words 'as wide as possible' incorporating manners and customs, arts, mythology, feasts, festivals and rites, antiquities and the history of India ... Another laudable aim was to present the readers abstracts of the most recent researches of scholars in India and the West ... 'Indian antiquary' also dealt with local legends, folklore, proverbs, etc. In short 'Indian antiquary' was ... entirely devoted to the study of MAN - the Indian - in all spheres ..."--Introduction to facsimile volumes, published 1985
