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How I Learned to Swim
Shortlisted for the Popcorn Writing Award 2024 Grieving is weird and expensive. Jamie can't swim. Fuelled by guilt and a need to mend her broken family, at 30 years old, she's taking on her biggest fear - the ocean. With the help of a chipper swim instructor, a shady spiritual guide, and one cathartic crab sandwich, she questions, 'How many lengths does it take to wash away regret?' Brilliantly witty, deeply heartfelt, this play explores what lies beneath the surface of the Black diasporic relationship to water. Somebody Jones's searing debut How I Learned to Swim is 'funny with fear, liberating with grief' (Fringe Review) and impossible to walk away from unchanged. This edition was published to coincide with the Prentice Productions show at Summerhall's Roundabout, at the Edinburgh Fringe Festival in August 2024.
The Pursuit of Pleasurable Work
Against the backdrop of an alienating, technologizing and ever-accelerating world of material production, this book tells an intimate story: one about a community of woodworkers training at an historic institution in London’s East End during the present ‘renaissance of craftsmanship’. The animated and scholarly accounts of learning, achievement and challenges reveal the deep human desire to create with our hands, the persistent longing to find meaningful work, and the struggle to realise dreams. In its penetrating explorations of the nature of embodied skill, the book champions greater appreciation for the dexterity, ingenuity and intelligence that lie at the heart of craftwork.
Black Everyday Lives, Material Culture and Narrative
This book is a ground-breaking exploration of everyday life as experienced through the lens of Black British cultural history and creative practice, through a multiplicity of voices and writing styles. The structure of Black Everyday Lives, Material Culture and Narrative examines life through a personal study of the family home – room by room, object by object – as a portal through which to examine the intricacies and nuances of daily considerations of African heritage people living in Britain in the modern era (post-1950). Using Small Anthropology methodology, this book foregrounds the experiences of Black British lives by bringing the threads of history and culture into the relevancy of the present day and demonstrates how the personal sphere directly links to wider public and political concerns. This book will be of interest to a wide range of disciplines, including Black studies, anthropology, cultural studies, history, visual culture, photography, media communication, sociology, community development, art and design, and by any course that studies ethnographic methodologies, material culture, migration, everyday life, and British society.
Records of the Bailey Family
William Bailey became a resident of Newport, Rhode Island soon after its settlement. He married Grace Parsons and they had six children. Tradition holds that William was a weaver of silk ribbon. He died before July, 1670. Descendants listed lived in Rhode Island, Ohio, Connecticut, and elsewhere.
Castoffs of Capital
Dispelling stereotypes about garment workers in the global apparel industry Castoffs of Capital examines how female garment workers experience their work and personal lives within the stranglehold of global capital. Drawing on fieldwork in Bangladesh, anthropologist Lamia Karim focuses attention onto the lives of older women aged out of factory work, heretofore largely ignored, thereby introducing a new dimension to the understanding of a female-headed workforce that today numbers around four million in Bangladesh. Bringing a feminist labor studies lens, Castoffs of Capital foregrounds these women not only as workers but as mothers, wives, sisters, lovers, friends, and political agents. Focu...
Multi-Sited Ethnography
This collection of essays emerged out of intense conversations on multi-sited ethnography, prompted by a workshop held at the University of Sussex that brought together researchers from different institutional backgrounds and affiliations in Europe, the United States and Africa – including George Marcus himself, the person most associated with the term and the method. These researchers were brought together not only to discuss the shifting meaning of the concept in anthropology, but also to see how it has influenced actual research projects that have spanned the world. The volume that has resulted is not meant to be read as a program but as an extended provocation, an argument that multi-sitedness can be good not only to think, but also to act, both with and through. Arguably, this creation of a dynamic, shifting perspective is not so different from anthropology itself – a discipline dependent on the cultivation of aesthetic, embodied and intellectual sensibilities in relation to the world at large.
The Birth, Marriage, and Death Register, Church Records and Epitaphs of Lancaster, Massachusetts
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Networks, Labour and Migration among Indian Muslim Artisans
Networks, Labour and Migration among Indian Muslim Artisans provides an ethnography of life, work and migration in a North Indian Muslim-dominated woodworking industry. It traces artisanal connections within the local context, during migration within India, and to the Gulf, examining how woodworkers utilise local and transnational networks, based on identity, religiosity, and affective circulations, to access resources, support and forms of mutuality. However, the book also illustrates how liberalisation, intensifying forms of marginalisation and incorporation into global production networks have led to spatial pressures, fragmentation of artisanal labour, and forms of enclavement that persi...
