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Useful Objects
"Useful Objects: Museums, Science, and Literature in Nineteenth-Century America explores the debates that surrounded the development of American museums during the nineteenth century. Throughout this period, museums included a wide range of objects, from botanical and zoological specimens to antiquarian artifacts and technological models. Intended to promote "useful knowledge," these collections generated broader discussions about how objects were selected, preserved, and classified. In guidebooks and periodicals, visitors described their experiences within museum galleries and marveled at the objects they encountered. And in fiction, essays, and poems, writers embraced the imaginative possibilities represented by collections and proposed alternative systems of arrangement. These conversations spanned across spheres of American culture, raising deeper questions about how objects are valued-and who gets to decide"--
Useful Objects
'Useful Objects' examines the cultural history of nineteenth-century American museums through the eyes of writers, visitors, and collectors. Throughout this period, museums gradually transformed from encyclopedic cabinets to more specialized public institutions. These changes prompted wider debates about how museums determine what objects to select, preserve, and display-and who gets to decide. Drawing on a wide range of archival materials and accounts in fiction, guidebooks, and periodicals, this text shows how the challenges facing nineteenth-century museums continue to resonate in debates about their role in American culture today.
Henry David Thoreau
"When I wrote the following pages, or rather the bulk of them, I lived alone, in the woods, a mile from any neighbor, in a house which I had built myself, on the shore of Walden Pond..." Henry David Thoreau (1817-1862) was a leading figure in the American Transcendentalist movement and the era of U. S. literary emergence, an intellectual with worldwide influence as essayist, social thinker, naturalist-environmentalist, and sage. Thoreau's Walden, an autobiographical narrative of his two-year sojourn in a self-built lakeside cabin, is one of the most widely studied works of American literature. It has generated scores of literary imitations and thousands of neo-Walden experiments in back-to-b...
Melville’s Philosophies
Melville's Philosophies departs from a long tradition of critical assessments of Melville that dismissed his philosophical capacities as ingenious but muddled. Its contributors do not apply philosophy to Melville in order to detect just how much of it he knew or understood. To the contrary, they try to hear the philosophical arguments themselves-often very strange and quite radical-that Melville never stopped articulating and reformulating. What emerges is a Melville who is materialistically oriented in a radical way, a Melville who thinks about life forms not just in the context of contemporary sciences but also ontologically. Melville's Philosophies recovers a Melville who is a thinker of great caliber, which means obliquely but dramatically reversing the way the critical tradition has characterized his ideas. Finally, as a result of the readings collected here, Melville emerges as a very relevant thinker for contemporary philosophical concerns, such as the materialist turn, climate change, and post-humanism.
Modelwork
How making models allows us to recall what was and to discover what still might be Whether looking inward to the intricacies of human anatomy or outward to the furthest recesses of the universe, expanding the boundaries of human inquiry depends to a surprisingly large degree on the making of models. In this wide-ranging volume, scholars from diverse fields examine the interrelationships between a model’s material foundations and the otherwise invisible things it gestures toward, underscoring the pivotal role of models in understanding and shaping the world around us. Whether in the form of reproductions, interpretive processes, or constitutive tools, models may bridge the gap between the t...
Mindprints
A rediscovery of Thoreau’s interactions with everyday objects and how they shaped his thought. Though we may associate Henry David Thoreau with ascetic renunciation, he accumulated a variety of tools, art, and natural specimens throughout his life as a homebuilder, surveyor, and collector. In some of these objects, particularly Indigenous artifacts, Thoreau perceived the presence of their original makers, and he called such objects “mindprints.” Thoreau believed that these collections could teach him how his experience, his world, fit into the wider, more diverse (even incoherent) assemblage of other worlds created and re-created by other beings every day. In this book, Ivan Gaskell explores how a profound environmental aesthetics developed from this insight and shaped Thoreau’s broader thought.
Toward a Female Genealogy of Transcendentalism
The first large-scale, collaborative study of women's voices and their vital role in the American transcendentalist movement. Many of its seventeen distinguished scholars work from newly recovered archives, and all offer fresh readings of understudied topics and texts, shedding light on female contributions.
Classical Hollywood, American Modernism
Classical Hollywood, American Modernism charts the entwined trajectories of the Hollywood studio system and literary modernism in the United States. By examining the various ways Hollywood's industry practices inflected the imaginations of authors, filmmakers, and studios, Jordan Brower offers a new understanding of twentieth-century American and ultimately world media culture. Synthesizing archival research with innovative theoretical approaches, this book tells the story of the studio system's genesis, international dominance, decline, and continued symbolic relevance during the American postwar era through the literature it influenced. It examines the American film industry's business practices and social conditions, demonstrating how concepts like anticipated adaptation, corporate authorship, systemic development, and global distribution inflected the form of some of the greatest works of prose fiction and nonfiction by modernist writers, such as Anita Loos, F. Scott Fitzgerald, William Faulkner, Patsy Ruth Miller, Nathanael West, Parker Tyler, Malcolm Lowry, and James Baldwin.
The Garden Politic
How worldwide plant circulation and new botanical ideas enabled Americans to radically re-envision politics and society The Garden Politic argues that botanical practices and discourses helped nineteenth-century Americans engage pressing questions of race, gender, settler colonialism, and liberal subjectivity. In the early republic, ideas of biotic distinctiveness helped fuel narratives of American exceptionalism. By the nineteenth century, however, these ideas and narratives were unsettled by the unprecedented scale at which the United States and European empires prospected for valuable plants and exchanged them across the globe. Drawing on ecocriticism, New Materialism, environmental histo...
Against Self-Reliance
Individualism is arguably the most vital tenet of American national identity: American cultural heroes tend to be mavericks and nonconformists, and independence is the fulcrum of the American origin story. But in the late eighteenth and early nineteenth centuries, a number of American artists, writers, and educational philosophers cast imitation and emulation as central to the linked projects of imagining the self and consolidating the nation. Tracing continuities between literature, material culture, and pedagogical theory, William Huntting Howell uncovers an America that celebrated the virtues of humility, contingency, and connection to a complex whole over ambition and distinction. Agains...
