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The Reinvention of Mexico
This book examines a sophisticated effort by radical economic reformers to change the ideology of nationalism in Mexico from 1988-94 and so “reinvent” the country in a way that was more friendly to their market policies, and responses to this by opposition parties.
I Speak of the City
In this dazzling multidisciplinary tour of Mexico City, Mauricio Tenorio-Trillo focuses on the period 1880 to 1940, the decisive decades that shaped the city into what it is today. Through a kaleidoscope of expository forms, I Speak of the City connects the realms of literature, architecture, music, popular language, art, and public health to investigate the city in a variety of contexts: as a living history textbook, as an expression of the state, as a modernist capital, as a laboratory, and as language. Tenorio’s formal imagination allows the reader to revel in the free-flowing richness of his narratives, opening startling new vistas onto the urban experience. From art to city planning, from epidemiology to poetry, this book challenges the conventional wisdom about both Mexico City and the turn-of-the-century world to which it belonged. And by engaging directly with the rise of modernism and the cultural experiences of such personalities as Hart Crane, Mina Loy, and Diego Rivera, I Speak of the City will find an enthusiastic audience across the disciplines.
Mexico's Spiritual Reconquest
Mexico's Spiritual Reconquest brings to life a classically misunderstood pícaro: liberal soldier turned Catholic priest and revolutionary antipope, "Patriarch" Joaquín Pérez. Historian Matthew Butler weaves Pérez's controversial life story into a larger narrative about the relationship between religion, the state, and indigeneity in twentieth-century Mexico. Mexico's Spiritual Reconquest is at once the history of an indigenous reformation and a deeply researched, beautifully written exploration of what can happen when revolutions try to assimilate powerful religious institutions and groups. The book challenges historians to reshape baseline assumptions about modern Mexico in order to see a revolutionary state that was deeply vested in religion and a Cristero War that was, in reality, a culture clash between Catholics.
Home Grown
Historian Isaac Campos combines wide-ranging archival research with the latest scholarship on the social and cultural dimensions of drug-related behavior in this telling of marijuana's remarkable history in Mexico. Introduced in the sixteenth century by t
The Peyote Effect
The hallucinogenic and medicinal effects of peyote have a storied history that begins well before Europeans arrived in the Americas. While some have attempted to explain the cultural and religious significance of this cactus and drug, Alexander S. Dawson offers a completely new way of understanding the place of peyote in history. In this provocative new book, Dawson argues that peyote has marked the boundary between the Indian and the West since the Spanish Inquisition outlawed it in 1620. For nearly four centuries ecclesiastical, legal, scientific, and scholarly authorities have tried (unsuccessfully) to police that boundary to ensure that, while indigenous subjects might consume peyote, others could not. Moving back and forth across the U.S.–Mexico border, The Peyote Effect explores how battles over who might enjoy a right to consume peyote have unfolded in both countries, and how these conflicts have produced the racially exclusionary systems that characterizes modern drug regimes. Through this approach we see a surprising history of the racial thinking that binds these two countries more closely than we might otherwise imagine.
Problems in Modern Mexican History
Mexicans, since national independence, have defined their challenges as problems or dimensions in their lives. They have faced these issues alone or with others through politics, security (the military, police, or even public health squads), religion, family, and popular groups. This unique reader collects documents—texts, visuals, videos, and sounds—from organizational reports, popular expressions, and ephemeral creations to express these concerns, reveal responses, and measure successes. They allow readers to consider and discuss how these documents enabled Mexicans to evaluate their history and culture from 1810 to the present. Offering a wide variety of materials that can be tailored to the needs of individual instructors, these rich sources will stimulate critical thinking and give students new insights and often surprising respect and understanding for the ways Mexicans have managed to find humor, even magic, in their lives.
Mexico in Verse
The history of Mexico is spoken in the voice of ordinary people. In rhymed verse and mariachi song, in letters of romance and whispered words in the cantina, the heart and soul of a nation is revealed in all its intimacy and authenticity. Mexico in Verse, edited by Stephen Neufeld and Michael Matthews, examines Mexican history through its poetry and music, the spoken and the written word. Focusing on modern Mexico, from 1840 to the 1980s, this volume examines the cultural venues in which people articulated their understanding of the social, political, and economic change they witnessed taking place during times of tremendous upheaval, such as the Mexican-American War, the Porfiriato, and the...
Science, Religion and Nationalism
“Science” and “Religion” have been two major elements in the building of modern nation-states. While contemporary historiography of science has studied the interactions between nation building and the construction of modern scientific and technological institutions, “science-and-religion” is still largely based on a supposed universal historiography in which global notions of “science” and of “religion” are seldom challenged. This book explores the interface between science, religion and nationalism at a local level, paying attention to the roles religious institutions, specific confessional traditions, or an undefined notion of “religion” played in the construction o...
Cinesonidos
During Mexico's silent (1896-1930) and early sound (1931-52) periods, cinema saw the development of five significant genres: the prostitute melodrama (including the cabaretera subgenre), the indigenista film (on indigenous themes or topics), the cine de añoranza porfiriana (films of Porfirian nostalgia), the Revolution film, and the comedia ranchera (ranch comedy). In this book, author Jacqueline Avila looks at examples from all genres, exploring the ways that the popular, regional, and orchestral music in these films contributed to the creation of tropes and archetypes now central to Mexican cultural nationalism. Integrating primary source material--including newspaper articles, advertisem...
Mexican Icarus
The development of aviation in Mexico reflected more than a pragmatic response to the material challenges brought on by the 1910 Revolution. It was also an effective symbol for promoting the aspirations of the new elite who attained prominence during the war and who fixated on technology as a measure of national progress. The politicians, industrialists, and cultural influencers in the media who made up this group molded the aviator into an avatar of modern citizenship. The figure of the pilot as a model citizen proved an adept vessel for disseminating the values championed by the official party of the Revolution and validating the technological determinism that underpinned its philosophy of development. At the same time, the archetype of the aviator camouflaged problematic aspects of the government’s unification and development plans that displaced and exploited poor and Indigenous communities.
