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Pre-colonial Africa in Colonial African Narratives
Donald Wehrs explores pioneering narrative representations of pre-colonial African history and society in texts by Casely Hayford, Alhaji Sir Abubaker Tafawa Balewa, Paul Hazoumé, D.O. Fagunwa, Amos Tutuola, and Chinua Achebe. By highlighting the role of pre-colonial political economies and articulations of state power on colonial-era considerations of ethical and political issues, his book supplements recent work on the importance of indigenous contexts and discourses in situating colonial-era narratives.
The Habit of Lying
Lying appears to be ubiquitous, what Franz Kafka called "a universal principle”; yet, despite a number of recent books on the subject, it has been given comparatively little genuinely systematic attention by philosophers, social scientists, or even literary theorists. In The Habit of Lying John Vignaux Smyth examines three forms of falsification—lying, concealment, and fiction—and makes a strong critique of traditional approaches to each of them, and, above all, to the relations among them. With recourse to Rene Girard, Paul de Man, Theodor Adorno, Leo Strauss, and other theoreticians not usually considered together, Smyth arrives at some surprising conclusions about the connections be...
Oscillation in Literary Modernism
While the two modernist novels considered in this book, Samuel Beckett's Murphy and Malcolm Lowry's Under the Volcano, were initially understood within the categories of stoic and tragic despair, more recent criticism has focused upon their carnivalesque dimension. The identification of these hermeneutic polarities presented the author with the challenging problem which underlies the present analysis, namely the question concerning the structural relationship between the contesting thematics. Drawing upon the paradigm of oscillation as established within the natural sciences, and adding a figurative dimension to the concept, the author has adapted this model as a key to unravelling the narrative buoyancy and structural coherence which sustain these novels of Modernism. The book elucidates how the carnivalesque challenge to despair contributes towards innovative narrative configurations, galvanizing the thematic antipodes into vertiginous microcosms of defiant selfhood.
Samuel Beckett and the Politics of Aftermath
Samuel Beckett and the Politics of Aftermath explores Beckett's literary responses to the political maelstroms of his formative and middle years: the Irish civil war and the crisis of commitment in 1930s Europe, the rise of fascism and the atrocities of World War II. Archive yields a Beckett who monitored propaganda in speeches and newspapers, and whose creative work engages with specific political strategies, rhetoric, and events. Finally, Beckett's political aesthetic sharpens into focus. Deep within form, Beckett models ominous historical developments as surely as he satirizes artistic and philosophical interpretations that overlook them. He burdens aesthetic production with guilt: imagination and language, theater and narrative, all parallel political techniques. Beckett comically embodies conservative religious and political doctrines; he plays Irish colonial history against contemporary European horrors; he examines aesthetic complicity in effecting atrocity and covering it up. This book offers insightful, original, and vivid readings of Beckett's work up to Three Novels and Endgame.
Unseasonable Youth
Unseasonable Youth examines a range of modernist-era fictions that cast doubt on the ideology of progress through the figure of stunted or endless adolescence. Novels of youth by Oscar Wilde, Olive Schreiner, Rudyard Kipling, Joseph Conrad, H.G. Wells, James Joyce, Virginia Woolf, Jean Rhys, and Elizabeth Bowen disrupt the inherited conventions of the bildungsroman in order to criticize bourgeois values and to reinvent the biographical plot, but also to explore the contradictions inherent in mainstream developmental discourses of self, nation, and empire. The intertwined tropes of frozen youth and uneven development, as motifs of failed progress, play a crucial role in the emergence of dilat...
A Modernist Cinema
In A Modernist Cinema, sixteen distinguished scholars in the field of the New Modernist Studies explore the interrelationships among modernism, cinema, and modernity. Focusing on several culturally influential films from Europe, America, and Asia produced between 1914 and 1941, this collection of essays contends that cinema was always a modernist enterprise. Examining the dialectical relationship between a modernist cinema and modernity itself, these essays reveal how the movies represented and altered our notions and practices of modern life, as well as how the so-called crises of modernity shaped the evolution of filmmaking. Attending to the technical achievements and formal qualities of t...
Shakespeare and Beckett
'The danger is in the neatness of identifications', Samuel Beckett famously stated, and, at first glance, no two authors could be further distant from one another than William Shakespeare and Samuel Beckett. This book addresses the vast intertextual network between the works of both writers and explores the resonant correspondences between them. It analyses where and how these resonances manifest themselves in their aesthetics, theatre, language and form. It traces convergences and inversions across both œuvres that resound beyond their conditions of production and possibility. Uncovering hitherto unexplored relations between the texts of an early modern and a late modern author, this study seeks to offer fresh readings of single passages and entire works, but it will also describe productive tensions and creative incongruences between them.
Zone of Evaporation
Annotation "From the comic incongruities of Watt to the ontological gaps of The Unnameable, Zone of Evaporation demonstrates the crucial consistent role disjunction played in Beckett's novels. The book describes Beckett's divergence from Proustian metaphor and the revelation of the "real" towards an art which exploited the gaps and fissures within language and narrative and, ultimately, to an art which would go on to upset the post-structuralism of Jacques Derrida."--Jacket.
Decolonizing Modernism
James Joyce's Ulysses (1922) has been recognized as a central model for the Spanish American 'New Narrative'. Joyce's linguistic and technical influence became the unequivocal sign that literature in Spanish America had definitively abandoned narrow regionalist concerns and entered a global literary canon. In this bold and wide-ranging study, Jose Luis Venegas rethinks this evolutionary conception of literary history by focusing on the connection between cultural specificity and literary innovation. He argues that the intertextual dialogue between James Joyce and prominent authors such as Argentines Jorge Luis Borges and Julio Cortazar, Cuban Guillermo Cabrera Infante, and Mexican Fernando d...
