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"I think it is fair to say that, in Richard, the 20th Century Church of England - and the 21st Century Church of England for that matter - has had one of its truly great and memorable figures".The Archbishop of Canterbury, Rowan Williams Whether as broadcaster, writer, campaigner, or, above all, as Bishop, Richard Harries has established a solid reputation in public life. But, paradoxically, few people really know the person behind this very public expression. After a rather bleak childhood, Harries was heading for a career in the army when he realised he had a vocation to the ordained ministry of the Church of England. He emerged as a forthright liberal thinker whose heart beats firmly on t...
W. H. Auden, T. S. Eliot, William Golding, Elizabeth Jennings, C. S. Lewis, Flannery O’Connor, Stevie Smith . . . These are some of the great poets and novelists whose struggles with faith find expression in their works, and who demonstrate the fascinatingly different forms that faith can take in different times and places. Richard Harries considers the work of twenty of these writers, painting vivid pictures of their lives and times. He also provides numerous critically sympathetic insights into the spiritual dimension of their writings. The result is a book for readers of all religious persuasions, especially those who are fascinated by the ways in which faith is refracted through the le...
Jesus was not depicted on the cross until the early fifth century. Since then this scene has been painted or carved in sharply differing ways. With the aid of over thirty full-page plates, The Passion in Art explores the historical contexts and theologies that led to such differing depictions. Because the first Christians saw the Crucifixion and Resurrection of Jesus as different aspects of a unified victory over sin and death, scenes of the Passion are juxtaposed with some of the Resurrection, which again are highly varied in what they do and do not show. This is the first book to consider the Passion as portrayed in the whole sweep of Christian history. Each picture is considered both from...
The Image of Christ in Modern Art explores the challenges, presented by the radical and rapid changes of artistic style in the 20th century, to artists who wished to relate to traditional Christian imagery. In this highly illustrated book, Richard Harries
This text develops the work of Jewish scholarship to discern resonances between central Christian and Jewish beliefs. Offering fresh approaches to contentious and sensitive issues, it argues that God's basic covenant is not with either Judaism or Christianity, but with humanity.
A sequence of insightful meditations evoking the essence of Christianity, depicted in some of the world's great paintings.
The work of Richard Harries, Bishop of Oxford from 1987 to 2006, has been highly distinctive for the consistency of its engagement with contemporary society. It represents a model of the Church which is outward-looking, a Church which is as ready to learn from others as it is to offer its own wisdom and resources. This book reflects on Richard Harries' ministry in the 'borderlands' of society and Church, and engages deeply with the nature of modern society and the place of the Church within it. Taking Richard Harries' contributions as their inspiration, key figures, each of them major commentators on areas of pressing contemporary concern, probe the important questions which people are askin...
Life is at once wonderful and appalling, beautiful and horrific. Although we can all give meaning to our lives by trying to live well, is there some given meaning to be discovered? Science cannot answer this question, and philosophical arguments leave the issue open. The monotheistic religions claim that the meaning has been revealed to us, and Christians see this is above all in the life, death and resurrection of Jesus. Described by Rowan Williams as ‘that rarity, a Christian public intellectual’, Richard Harries considers the Christian claim in the context of an in-depth discussion of the nature of evil and how this is to be reconciled with a just and loving God. Drawing on a wide range of modern literature, he argues that belief in the resurrection and hope in the face of death is fundamental to faith, and suggests that while there is no final intellectual answer to the problem of evil, we must all, believer and nonbeliever alike, protest against the world and seek to change it, rather than accept it as it is.
Abraham's Children brings together essays by leading scholars of each faith to address key issues for the faiths and to collaboratively identify common ground and pose challenges for the future. The book will inspire readers in the process of inter-faith dialogue, contribute clearly to vital religious issues of contemporary world concern and help readers to understand faiths that are different from their own.