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Young and penniless, Kif Kehlmann, is rung in the middle of the night by notorious con man and corporate criminal, Siegfried Heidl. About to go to trial for defrauding the banks of $700 million, Heidl proposes a deal: $10,000 for Kehlmann to ghostwrite his memoir in six weeks. Kehlmann accepts but soon begins to fear that he is being corrupted by Heidl. Is he ghostwriting a memoir, or is Heidl is rewriting him? As the deadline draws closer everything that is certain grows uncertain as he begins to wonder: who is Ziggy Heidl - and who is Kif Kehlmann?
FROM THE WINNER OF THE MAN BOOKER PRIZE 2014 Once upon a time that was called 1828, before all fishes in the sea and all living things on the land were destroyed, there was a man named William Buelow Gould, a white convict who fell in love with a black woman and discovered too late that to love is not safe. Silly Billy Gould, invader of Australia, liar, murderer and forger, condemned to the most feared penal colony in the British Empire and there ordered to paint a book of fish.
'This moving book masterfully gets to the heart of what makes Jane Tewson and Igniting Change such unique, uniting powers. I’ve never met anyone quite like Jane. She is an unassuming force of nature who quietly goes about transforming the world and lighting up lives wherever she goes.' – Sir Richard Branson In the early 1980s, Jane Tewson transformed how charity worked in Britain, giving status to people who had previously been given to. The cream of English comedy gathered around her vision, bringing about Comic Relief, now a British institution; and brilliant, fun ideas like Red Nose Day. In 1999, Jane moved to Australia and started her 'intentionally tiny charity', Igniting Change. In The Art of Pollination, Martin Flanagan tells Jane Tewson's inspirational story as a spark for social change.
In this evocative work of what the author in his afterword calls “a kindof novelistic memoir,” Jay Parini takes us back fifty years, when he fled the United States for Scotland—in flight from the Vietnam War and desperately in search of his adult life. There, through unlikely circumstances, he meets the famed Argentinian author Jorge Luis Borges. Borges—visiting his translator in Scotland—is in his seventies, blind and frail. When Borges hears that Parini owns a 1957 Morris Minor, he declares a long-held wish to visit the Highlands, where he hopes to meet a man in Inverness who is interested in Anglo-Saxon riddles. As they travel, stopping at various sites of historical interest, t...
In a triumph of marketing, the Tasmanian salmon industry has for decades succeeded in presenting itself as world’s best practice and its product as healthy and clean, grown in environmentally pristine conditions. What could be more appealing than the idea of Atlantic salmon sustainably harvested in some of the world’s purest waters? But what are we eating when we eat Tasmanian salmon? Richard Flanagan’s exposé of the salmon farming industry in Tasmania is chilling. In the way that Rachel Carson took on the pesticide industry in her ground-breaking book Silent Spring, Flanagan tears open an industry that is as secretive as its practices are destructive and its product disturbing. From the burning forests of the Amazon to the petrochemicals you aren’t told about to the endangered species being pushed to extinction you don’t know about; from synthetically pink-dyed flesh to seal bombs . . . If you care about what you eat, if you care about the environment, this is a book you need to read. Toxic is set to become a landmark book of the twenty-first century.
FROM THE WINNER OF THE MAN BOOKER PRIZE 2014 Trapped within a waterfall on the wild Franklin River, Tasmanian river guide, Aljaz Cosini, lies drowning. As the tourists he has been guiding down the river seek to save him, Aljaz is beset by visions horrible and fabulous. As the rapids rise, Aljaz relives not just his own life but also his country’s dreaming.
FROM THE WINNER OF THE MAN BOOKER PRIZE 2014 Mathinna, an Aboriginal girl from Van Diemen’s Land, is adopted by nineteenth-century explorer, Sir John Franklin, and his wife, Lady Jane. Franklin is confident that shining the light of reason on Mathinna will lift her out of savagery and desire. But when Franklin dies on an Arctic expedition, Lady Jane writes to Charles Dickens, asking him to defend Franklin’s reputation amid rumours of his crew lapsing into cannibalism. Dickens responds by staging a play in which he takes the leading role as Franklin, his symbol of reason’s triumph, only to fall in love with an eighteen-year-old actress. As reason gives way to wanting, the frontier between civilisation and barbarity dissolves, and Mathinna, now a teenage prostitute, goes drinking on a fatal night.
"In a world of perennial fire and growing extinctions, Anna's aged mother is dying-if her three children would just allow it. Condemned by their pity to living she increasingly escapes through her hospital window into visions of horror and delight. When Anna's finger vanishes and a few months later her knee disappears, Anna too feels the pull of the window. She begins to see that all around her others are similarly vanishing, but no one else notices. All Anna can do is keep her mother alive. But the window keeps opening wider, taking Anna and the reader ever deeper into a strangely beautiful story about hope and love and orange-bellied parrots."--Back cover.
This book chronicles how the "forgotten borough" has grappled with its uneasy relationship with the rest of the City of New York since the 1920s. The authors analyze the politics behind events that have shaped Staten Island.
Non-freedom to the Western mind is inevitably linked with images of backwardness – Soviet tractors, East German Trabants, Kim Jong Il’s haircut. But non-freedom these days is also iPads, iPhones and a dazzling array of less iconic but ubiquitous consumer goods that flood our stores, our homes and which increasingly are used to define our ideas of worth and happiness. It is a full-lipped smile achieved with the aid of collagen made from skin flensed from dead Chinese convicts. The Australian Disease is Richard Flanagan’s perceptive, hilarious, searing exposé of the conformity that afflicts our public life. From Weary Dunlop to Vassily Grossman, from David Hicks to Craig Thomson, Flanagan takes us on a wildly entertaining and unsettling trip. If we are to find hope, he says, we must take our compass more from ourselves and less from the powerful.