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From the author of Louder Than Love comes a story that proves you have to find yourself before you can find love... As rock star “Riff Rotten”, Rick Rottenberg has enjoyed all the perks that fame can offer, especially now that he’s reunited with his former band mate, Adrian “Digger” Graves. But despite his success, Rick is a mess. Still reeling from the death of his wife years ago and terrified his demons will end his career, he agrees to seek help for his anxiety. The last place he expects to find sanctuary is in a yoga studio - especially one that he discovers was a former Jewish synagogue on the Lower East Side of Manhattan. Burned by a musician in the past, Sidra Sullivan has c...
In Woody Allen's 1973 film, Sleeper, a character wakes up in the future to learn that civilization was destroyed when "a man by the name of Albert Shanker got hold of a nuclear warhead." Shanker was condemned by many when he shut down the New York City school system in the bitter strikes of 1967 and 1968, and he was denounced for stirring up animosity between black parents and Jewish teachers. Later, however, he built alliances with blacks, and at the time of his death in 1997, such figures as Bill Clinton celebrated Shanker for being an educational reformer, a champion of equality, and a promoter of democracy abroad. Shanker lived the lives of several men bound into one. In his early years,...
A Coach in Progress depicts the catastrophe of the Southern Airways flight that crashed en route to Huntington, West Virginia, in 1970, killing all seventy-five passengers on board: players, coaches, and boosters of the Marshall University football team, as well as the flight crew. From this tragedy, the foundation of the Marshall football program was laid, and it has thrived ever since, culminating with the Thundering Herd being the winningest team in the NCAA Division I program in the 1990s, portrayed in the hit movie We Are Marshall, and currently under the direction of head coach Doc Holliday. This book is written from the viewpoint of Red Dawson, a former Marshall assistant football coa...
Political Philosophy Comes to Rick's focuses on reading one of the world's most watched films, Casablanca, politically. Contributors contend that the popularity of the film lies in its ability to present American civic culture, the American character, if you will, in a thoughtful, dramatic, and enduring way.
Family tried to seperate a happily wed couple. But sudden wealth levels the playing field. Family drama tries to come between them, but their love will survive.
Analyzing crime movies set in Detroit, Miami, Boston, Las Vegas, and the fictional Gotham City, this book examines the role that American cities play as characters in crime films. Furthering our awareness of how popular media shapes public understanding of crime and justice in American cities, this book contributes to scholarship in popular criminology by providing insight into the development of criminological theory in cinematic representations of crime and urban space. Each chapter focuses on a different city, starting with an overview of the social, economic, and political history of the city and proceeding to discuss the cinematic depiction of crime and justice in the city. At the heart of each chapter is a discussion of themes that are common across films set in each city. For each theme, the book makes connections to the criminological theory discussed in that chapter and concludes by focusing on real-world implications that stem from the social construction of urban crime in crime films. Bridging the gap between criminology and media studies, The American City in Crime Films will appeal to students of criminology and media studies, and urban sociology/criminology.
Casablanca is one of the most celebrated Hollywood films of all time, its iconic romance enshrined in collective memory across generations. Drawing from archival materials, industry trade journals, and cultural commentary, Barbara Klinger explores the history of Casablanca's circulation in the United States from the early 1940s to the present by examining its exhibition via radio, repertory houses, television, and video. By resituating the film in the dynamically changing industrial, technological, and cultural circumstances that have defined its journey over eight decades, Klinger challenges our understanding of its meaning and reputation as both a Hollywood classic and a cult film. Through this single-film survey, Immortal Films proposes a new approach to the study of film history and aesthetics and, more broadly, to cinema itself as a medium in constant interface with other media as a necessary condition of its own public existence and endurance.
Conflict and Communication introduces students to important theories, key concepts, and essential research in the study of conflict, along with practical skills for managing conflict in their daily lives. Author Fred E. Jandt illustrates how effective communication can be used to manage conflict in relationships and within organizational and group contexts. Along with foundational coverage of conflict styles, mediation, and negotiation skills, the text also features new and emerging models of conflict management, including chapters examining the challenges of conflict between cultures, a chapter on family and organizations, information on both face-to-face and online bullying, a detailed step-by-step guide for mediation, and more emphasis on online dispute resolution.
Rick “Moneyman” Attison wants out of the Black Knights, a vicious teen gang led by the notorious Johnny “Blade” Chilton and his friends at Colonial High School. Rick’s life isn’t easy; his mother and brother have left the family, he rarely sees his father, who’s addicted to gambling and is spending a large chunk of the family fortune, his girlfriend is the daughter of the local police chief, who will stop at nothing to put an innocent Rick in jail, his girlfriend’s brother doesn’t trust him and his uncle and cousin barely know him. After being ordered by the courts into counselling, Rick meets Tony Whitefish, a quiet and reserved Cree police constable who is also a youth counselor and who is determined to keep Rick safe. The Black Knights will do anything to make Rick stay. What is Rick willing to do to leave?