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Abstract Expressionism, the Formative Years
Reissue. Originally published: Ithaca, N.Y. : Herbert F. Johnson Museum of Art, Cornell University, 1978.
Lee Krasner
This is a complete reappraisal of Lee Krasner (1908-1984), who, along with her husband, Jackson Pollock, was among the artists who launched the New York School of painting after World War II. One of the few critically recognized female Abstract Expressionists of her generation, she has emerged as an essential figure in postwar American art. This lavishly illustrated book, the companion to a major traveling exhibition, takes a fresh look at Krasner and highlights the striking originality and complexity of her work. Krasner saw her art as an open-ended exploration and a dialogue with a wide range of artistic, literary, and cultural voices. Complete with never-before-published excerpts from the diary of writer B. H. Friedman, a longtime associate of Krasner's who provides priceless insights into this pivotal period of American history, this book is essential for any art library. This book and the exhibition it accompanies were developed by Independent Curators International (ICI), a non-profit organization, that creates innovative, provocative traveling exhibitions of contemporary art that have been presented in museums and university galleries worldwide
Earl Cunningham
Earl Cunningham's intensely colored landscapes are American Edens filled with wonder.
Robert Smithson--sculpture
"Serves as a record of Smithson's known three-dimensional works ... strikingly illustrated with color plates and more than 225 black and white illustrations"--Dustjacket.
Mark Lombardi
Functional organic and organometallic polymers and materials have gained much attention as versatile materials for energy interconversions and optoelectronic/photonic applications, including electrical energy generation in photovoltaic cells and light generation in organic light-emitting diodes, as they offer a low cost, light weight and simple option for device fabrication.Molecular Design and Applications of Photofunctional Polymers and Materials, presents a critical perspective of the current field, with emphasis on fundamental concepts and current applications in optoelectronics, electronics and nanotechnology. The book also covers photochemically degradable polymers, electrochromic and photochromic materials, biosensing and bioimaging materials, and low- and high-refractive index materials.With contributions from leading experts in the field, this timely book will provide a valuable contribution to the community enabling new synthetic methods to be developed to produce new materials with specific functional roles.
Milton Avery
Milton Avery chronicles the work of an artist who, although he did not become a serious, full-time painter until after he moved to New York at the age of 40, managed to carve out a unique position for himself in the art world over the next thirty-five years. A friend and colleague of the Abstract Expressionists who nevertheless maintained his commitment to representation, Avery was enormously important to several succeeding generations of artists and produced some of the most resonant and beloved images in American art history. Avery's work reflects the concerns he shared with the pioneer French modernists including Matisse, Dufy, and Picasso: saturated colour in distinctly new combinations ...
Memento Mori in Contemporary Art
This book explores how four contemporary artists—Francis Bacon, Joseph Beuys, Robert Gober, and Damien Hirst—pursue the question of death through their fraught appropriations of Christian imagery. Each artist is shown to not only pose provocative theological questions, but also to question the abilities of theological speech to adequately address current attitudes to death. When set within a broader theological context around the thought of death, Bacon’s works invite fresh readings of the New Testament’s narration of the betrayal of Christ, and Beuys’ works can be appreciated for the ways they evoke Resurrection to envision possible futures for Germany in the aftermath of war. Gob...
Three Artists (three Women)
Art historian Wagner looks at the imagery and careers of three important figures in the history of twentieth-century art: Eva Hesse, Lee Krasner, and Georgia O'Keeffe, relating their work to three decisive moments in the history of American modernism: the avant-garde of the 1920s, the New York School of the 1940s and 1950s, and the modernist redefinition undertaken in the 1960s. Their artistic contributions were invaluable, Wagner demonstrates, as well as hard-won. She also shows that the fact that these artists were women--the main element linking the three--is as much the index of difference among their art and experience as it is a passkey to what they share.--From publisher description.
Modern in the Making
Today the Museum of Modern Art is widely recognized for establishing the canon of modern art; yet in its early years, the museum considered modern art part of a still unfolding experiment in contemporary visual production. By bracketing MoMA's early history from its later reputation, this book explores the ways the Museum acted as a laboratory to set an ambitious agenda for the exhibition of a multidisciplinary idea of modern art. Between its founding in 1929 and its 20th anniversary in 1949, MoMA created the first museum departments of architecture and design, film, and photography in the country, marshaled modern art as a political tool, and brought consumer culture into a versatile yet institutional context. Encompassing 14 essays that investigate the diversity of modern art, this volume demonstrates how MoMA's programming shaped a version of modern art that was not elitist but fundamentally intertwined with all levels of cultural production.
