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The Man Who Made Wall Street
After decades of detective work, Dan Rottenberg has succeeded in writing the first biography of this exceptionally influential and elusive man.
The Son that Elizabeth I Never Had
Sir Robert Dudley, the handsome ‘base born’ son of Elizabeth I’s favourite, was born amidst scandal and intrigue. The story of his birth is one of love, royalty and broken bonds of trust. He was at Tilbury with the Earl of Leicester in 1587; four years later he was wealthy, independent and making a mark in Elizabeth’s court; he explored Trinidad, searched for the fabled gold of El Dorado and backed a voyage taking a letter from the queen to the Emperor of China. He took part in the Earl of Essex’s raid on Cadiz and was implicated in the earl’s rebellion in 1601 but what he wanted most was to prove his legitimacy. Refusing to accept the lot Fate dealt him after the death of the Qu...
Historical Portraits of the Tudor Dynasty and the Reformation Period
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Jury of One
Inspector Robin Bright is enjoying a quiet Saturday with his lover, Adam Matthews, when murder strikes in nearby Abbotston, and he’s called in to investigate. He hopes for a quick resolution, but as the case builds, he’s drawn into a tangled web of crimes, new and old, that threatens to ensnare him and destroy his fledgling relationship. Adam is enjoying his final term teaching at Lindenshaw School, and is also delighted to be settling down with Robin at last. Only Robin doesn’t seem so thrilled. Then an old crush of Adam’s shows up in the murder investigation, and suddenly Adam is yet again fighting to stay out of one of Robin’s cases, to say nothing of trying to keep their relationship from falling apart. Between murder, stabbings, robberies, and a suspect with a charming smile, the case threatens to ruin everything both Robin and Adam hold dear. What does it take to realise where your heart really lies, and can a big, black dog hold the key?
Age in Love
The title Age in Love is taken from Shakespeare’s sonnet 138, a poem about an aging male speaker who, by virtue of his entanglement with the dark lady, “vainly” performs the role of “some untutor’d youth.” Jacqueline Vanhoutte argues that this pattern of “age in love” pervades Shakespeare’s mature works, informing his experiments in all the dramatic genres. Bottom, Malvolio, Claudius, Falstaff, and Antony all share with the sonnet speaker a tendency to flout generational decorum by assuming the role of the lover, normally reserved in Renaissance culture for young men. Hybrids and upstarts, cross-dressers and shape-shifters, comic butts and tragic heroes—Shakespeare’s ol...
The Progresses, Processions, and Magnificent Festivities, of King James the First, His Royal Consort, Family, and Court
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