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Mark Wilson's whole life has been about the moment when he steps on to Old Trafford to make his first appearance for Man Utd. But when a wayward pass from Ryan Giggs leads to THE WORST DEBUT EVER, Mark's schoolboy obsession with him develops into something more dangerous. Fifteen years later, after a career interrupted by drinking, injury, gambling, RESTRAINING ORDERS and burglary, Mark is now sober, gainfully-employed and looking forward to watching United at their CHAMPIONS LEAGUE-WINNING BEST. Most importantly for Mark, he is reconciled with the mother of his son, little Ryan. But as the old urges continue to struggle for voice in his head, can he keep his eye on the goal?
Twenty-nine-year-old Lewis's family are the definition of dysfunctional: his brothers, living estranged and unknown lives in Texas and Toronto, his mother, confined in her self-imposed silent state in a room full of fish and amphibians and his father, at work in the Victory Barber Shop where customers are surrounded by souvenirs of wartime Europe. And Lewis, caught between working at a recruitment agency, helping his father out in the barbers and keeping his mother in touch with world news. But when he receives an email out of the blue from Christy, an old school friend, he is intrigued by her society for Hope for Newborns. Compared with the murkiness of home, the promises of her manifesto - freedom through friendship and love through sacrifice - appear so luminous, and the chance of romance so tangible.
Alasdair Gray, author of the modern classics Lanark, Poor Things and 1982, Janine, is without doubt Scotland's greatest living novelist. Since trying (unsuccessfully) to buy him a drink in 1998, Rodge Glass, first tutee and then secretary to the author, takes on the role of biographer, charting Gray's life from unpublished and unrecognised son of a box-maker to septuagenarian "little grey deity" (as Will Self has called him). A Jewish Mancunian Boswell to Gray's Johnson, Glass seamlessly weaves a chronological narrative of his subject's life into his own diary of meeting, getting to know and working with the artist, writer and campaigner, to create a vibrant and wonderfully textured portrait of a literary great.
A lads' weekend in Eastern Europe spirals out of control. A bleeding tourist is rescued by a stranger in downtown Toronto. A middle-aged woman holidaying in Tunisia considers the local options for love. An unemployed man shares his fantasies of a sex tour of Arizona with his long-suffering girlfriend. A woman is drawn into an impromptu but life-changing football game in the heart of the Amazon. Following his universally acclaimed third novel, Bring Me the Head of Ryan Giggs, Somerset Maugham Award-winner Rodge Glass has created a themed, contemporary story collection like no other. With wit, wisdom, insight and pathos, he examines men and women of all ages who, through the advent of discount air travel, play out their lives and loves across the globe. Glass brilliantly captures the isolation, dislocation and occasional epiphanies of those who find themselves a thousand miles from home, and those who long to be.
Louisa and Clem: two sisters who love each other more the further they move apart Louisa is the elder one, the conscientious student, precise and careful, who yearns for a good marriage, a career, a family. Clem, the archetypal younger sibling, is the rebel: uncontainable, iconoclastic, committed to her work but not to the men who fall for her. Alternating between their voices, I See You Everywhere opens when the sisters are in their early twenties and unfolds through their lives in a vivid, heart-rending story of what we can and cannot do for those we love. Their complex bond, Louisa observes, is 'like a double helix, two souls coiling around a common axis, joined yet never touching.' Alive with the same sensual detail and riveting characterization that marks Julia Glass's previous novels, I See You Everywhere is a powerful and moving double portrait that reveals the very nature of sisterhood.
Love—if only there was an escape. Set against a backdrop of menial employment, escape into alcohol, and an unflinching belief that life has the potential to offer so much more, this collection explores the tragedy and humor that exists in the everyday lives we lead. Whether they are starting out in life or having a cold moment of realization, Allan Wilson’s poignant vignettes are powerful, unflinching in their honesty, and full of dark humor. We see the real world of love; couples fight, break-up, make-up, and fall in and out of love. Lies, suspicion, and betrayal haunt them. But when they come together in love, can they escape and rise above their problems? Wasted in Love explodes onto the page with vivid, heartbreaking stories and stunning prose. This much-anticipated and praised collection is a brave exploration of the human condition from one of the UK’s most exciting writers.
Writers of creative non-fiction are often expected to be able to recreate reality, to deal with, or even access, a singular truth. But the author, like any human, is not an automaton remotely tasked with capturing a life or an event. Whether we tell stories and understand them as fiction or non-fiction, or whether we draw away from these classifications, writers craft and shape writing all writing. No experience exists on a flat plane, and recounting or interpreting events will always involve some element of artistic manipulation: every instance, exchange, discussion, event is open to multiple interpretations and can be described in many ways, all of which are potentially truthful. Writing C...
The Mercy Boys are four Dundee men who meet every day in their local pub and drink: first to find order, then oblivion. Each has his own ghosts, his dreams of escape. But when death comes to the Mercy Boys it comes suddenly and with staggering violence, and their dreams of leaving bleed into nightmares.
'Powerful' Closer 'A darkly quirky story of love, obsession and fear . . . a beautiful story hung around the enchanting and heartbreaking voice of teenager Greg' Anna James Miss Hayes has a new theory. She thinks my condition's caused by some traumatic incident from my past I keep deep-rooted in my mind. As soon as I come clean I'll flood out all these tears and it'll all be ok and I won't be scared of Them anymore. The truth is I can't think of any single traumatic childhood incident to tell her. I mean, there are plenty of bad memories - Herb's death, or the time I bit the hole in my tongue, or Finners Island, out on the boat with Sarah - but none of these are what caused the phobia. I've always had it. It's Them. I'm just scared of Them. It's that simple. For fans of Sarah Winman, Junot Diaz and Maria Semple, Alice and the Fly is an unforgettable book about phobias and obsessions, isolation and dark corners, families, friendships, and carefully preserved secrets. But above everything else it's about love. Finding love - in any of its forms - and nurturing it.
Approval is a powerful meditation on judgment, the adoption process, and fatherhood, told from a perspective rarely explored in fiction: a man’s response to a couple’s infertility. Approval follows would-be parents David and Cici through a series of forays into the past as they go through the motions of applying to adopt a child. Their story builds a picture of hope, vulnerability and fear as David is put under intense and intrusive scrutiny during their battle against faceless bureaucracy. From family background and early experiences to adult relationships, he is forced to revisit uncomfortable – sometimes painful – episodes, in the hope of meeting the authority’s requirements. Confronting a lonely, difficult and uncertain path to family life, and raising questions about how much intervention and judgement is necessary for the state to ascertain fitness to parent, Approval ultimately invites the reader to decide.