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"Rosa Barba's work is grounded in a careful exploration of the materiality, the devices, the production conditions, and the grammar of cinema. The monograph From Source to Poem is an entrancing account of the main motives that drive the artist's practice, underscoring the context in which the artworks are presented at both architectural and conceptual levels. Besides numerous films, sculptures, and works composed of light, the catalogue accompanying the exhibition at Pirelli HangarBicocca in Milan, and other recent exhibition venues, also features the new 35mm film From Source to Poem from 2016 for the first time in Italy. Hundreds of images from historical archives in the United States evolve into a kind of collage of the cultural legacy of a Western civilization in the twentieth century. "I would like," says Barba, "to continue to explore the geographies that we create around us.""--Publisher description.
"Rosa Barba works with the basic elements of the cinema: celluloid, light, projector, and sound. She dissects the structure of the narrative and plays with the often improbable characters, places, and stories of the medium of film. Her exploration of space, time, and language is crucial to the process. This publication presents her new project, which, like a story or a play in different acts, stretches out across two exhibition chapters. The project revolves around a 35mm film, Time as Perspective, which Barba shot during the spring in Texas--fascinated by the desert landscape, which she approaches from an almost archaeological perspective on a quest for inscribed signs and times." --Publisher description.
This publication engages with a futuristic progressive vision on the condition of cinema. By questioning and analyzing cinema's past and present industry with respect to various forms of staging from the perspective of artistic practice and research, a new space beyond is formulated. The author takes on a journey to reveal an imaginary—astronomical—political trope on and through what can be called the cinema of the present.
Extensive work is a result of four year research within the international project Women's Creativity since the Modern Movement, and brings new insights into women in architecture, construction, design, urban planning and landscape architecture in Europe and in the rest of the world. It is divided into eight chapters that combine 116 articles on topics: A. Women’s education and training: National and international mappings; B. Women’s legacy and heritage: Protection, restoration and enhancement; C. Women in communication and professional networks; D. Women and cultural tourism; E. Women’s achievements and professional attainments: Moving boundaries; F. Women and sustainability: City and...
Artist Rosa Barba (*1972 in Agrigento) has earned an international reputation with her films. She sounds out the movie industry with respect to various forms of staging, such as gesture, genre, and information, taking them out of the context in which they are normally seen and reshaping and representing them anew. According to Ian White: "The effect of this contests and recasts truth and fiction, myth and reality, metaphor and material, to a disorienting degree that ultimately extends into a conceptual practice . . . ."A purely documentary publication would not be in the spirit of the artist, which is why besides expert knowledge, comprehensive essays by well-known authors bring personal experience into play. Above all, however, the selection of film stills, preproduction sketches, and pictures by Barba herself help to turn this book, as it were, into a work of art in its own right. Exhibition schedule: Museo di arte moderna e contemporanea di Trento e Rovereto, May 25-August 28, 2011 | Fondazione Galleria Civica-Centro di Ricerca sulla Contemporaneità di Trento, May 28-August 28, 2011
The issue of gender inequality in architecture has been part of the profession’s discourse for many years, yet the continuing gender imbalance in architectural education and practice remains a difficult subject. This book seeks to change that. It provides the first ever attempt to move the debate about gender in architecture beyond the tradition of gender-segregated diagnostic or critical discourse on the debate towards something more propositional, actionable and transformative. To do this, A Gendered Profession brings together a comprehensive array of essays from a wide variety of experts in architectural education and practice, touching on issues such as LGBT, age, family status, and gender biased awards.
Artworks: Rosa Barba, Carol Bove, Anna Craycroft, Rachel Harrison, Louise Lawler, Mark Lackey, Pierre Leguillon, Goshka Macuga, Christian Marclay, Xaviera Simmons, Rosemarie Trockel, Sara VanDerBeek.
Bringing together cultural history, visual studies, and media archaeology, Bruno considers the interrelations of projection, atmosphere, and environment. Projection has long been transforming space, from shadow plays to camera obscuras and magic lantern shows. Our fascination with projection is alive on the walls of museums and galleries and woven into our daily lives. Giuliana Bruno explores the histories of projection and atmosphere in visual culture and their continued importance to contemporary artists who are reinventing the projective imagination with atmospheric thinking and the use of elemental media. To explain our fascination with projection and atmosphere, Bruno traverses psychoan...
Teaching Landscape: The Studio Experience gathers a range of expert contributions from across the world to collect best-practice examples of teaching landscape architecture studios. This is the companion volume to The Routledge Handbook of Teaching Landscape in the two-part set initiated by the European Council of Landscape Architecture Schools (ECLAS). Design and planning studio as a form of teaching lies at the core of landscape architecture education. They can simulate a professional situation and promote the development of creative solutions based on gaining an understanding of a specific project site or planning area; address existing challenges in urban and rural landscapes; and often ...
One of her central aims is to create a tension between atmospheric impressions of light and illusion and the material nature of color and paint. Translations between the theoretical and tangible, between the virtual and physical, are central to her work. These would be very different 0paintings if there were no excess, no errata, or no corruption. These interruptions read simultaneously as painterly gesture, material accident, and electro-magnetic corruption, crucially animating her paintings.0Her book?The Visible Spectrum? emphasizes the visuality of her recent paintings, their visual and material influences and inspirations, as well as a preoccupation with color. The idea of a spectrum or continuum is also a philosophical counterpoint to polarities. The source imagery in the book is wide ranging and their connections are unexpected.