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When Sacvan Bercovitch’s The American Jeremiad first appeared in 1978, it was hailed as a landmark study of dissent and cultural formation in America, from the Puritans’ writings through the major literary works of the antebellum era. For this long-awaited anniversary edition, Bercovitch has written a deeply thoughtful and challenging new preface that reflects on his classic study of the role of the political sermon, or jeremiad, in America from a contemporary perspective, while assessing developments in the field of American studies and the culture at large.
The Rites of Assent examines the cultural strategies through which "America" served as a vehicle simultaneously for diversity and cohesion, fusion and fragmentation. Taking an ethnographic, cross-cultural approach, The Rites of Assent traces the meanings and purposes of "America" back to the colonial typology of mission, and specifically (in chapters on Puritan rhetoric, Cotton Mather, Jonathan Edwards, and the movement from Revival to Revolution) to the legacy of early New England.
Sacvan Bercovitch's subject is the development of the concept of American identity. Centering upon the interaction of language, myth and society, he explores the Puritan achievement in its broadest cultural context.
Volume I of The Cambridge History of American Literature was originally published in 1997, and covers the colonial and early national periods and discusses the work of a diverse assemblage of authors, from Renaissance explorers and Puritan theocrats to Revolutionary pamphleteers and poets and novelists of the new republic. Addressing those characteristics that render the texts distinctively American while placing the literature in an international perspective, the contributors offer a compelling new evaluation of both the literary importance of early American history and the historical value of early American literature.
"The Scarlet Letter has proved our most enduring classic," writes Sacvan Bercovitch, "because it is the liberal example par excellence of art as ideological mimesis. To understand the office of the A is to see how culture empowers symbolic form, including forms of dissent, and how symbols participate in the dynamics of culture, including the dynamics of constraint."With an approach that both reflects and contests developments in literary studies, Bercovitch explores these connections from two perspectives: first, he examines a historical reading of the novel's unities; and then, a rhetorical analysis of key mid-nineteenth-century issues, at home and abroad. In order to highlight the relation...
Over the last two decades a major revaluation has been taking place of the colonial Puritan imagination. With the growth of interest in early American literature has come increasing recognition of its quality and a better understanding of its place in the continuity of American culture. However, much of the best critical work to date has been published as articles in scholarly journals, and in bringing together for the first time the best work in this growing field the present anthology fills a number of important needs. It is at once a valuabale and accessible introduction for students, a summing-up of a new enterprise, and a guide for further studies.
For more than a decade, Americanists have been concerned with the problem of ideology, and have undertaken a broad reassessment of American literature and culture. This volume brings together some of the best work in this area.
"This is a dazzling performance. It supplies conceptual links between phenomena where historians have often sensed a connection without being able to describe it adequately. . . [Bercovitch] has written intellectual history at the highest level."—Edmund S. Morgan, New York Review of Books
Playing on the frequently used metaphors of the 'turn toward' or 'turn back' in scholarship on religion, The Turn Around Religion in America offers a reading of religion that moves reciprocally between these poles. With essays on a variety of genres from fiction to film and that range from the Puritans to contemporary ethnic writers, this volume builds on Sacvan Bercovitch's foundational insights into how religion works in American literature and culture.
This is the first complete narrative history of nineteenth-century American poetry. Barbara Packer explores the neoclassical and satiric forms mastered by the early Federalist poets; the creative reaches of once-celebrated, and still compelling, poets like Longfellow and Whittier; the distinctive lyric forms developed by Emerson and the Transcendentalists. Shira Wolosky provides a new perspective on the achievement of female poets of the period, as well as a close appreciation of African-American poets, including the collective folk authors of the Negro spirituals. She also illuminates the major works of the period, from Poe through Melville and Crane, to Whitman and Dickinson. The authors of this volume discuss this extraordinary literary achievement both in formal terms and in its sustained engagement with changing social and cultural conditions. In doing so they recover and elucidate American poetry of the nineteenth century for our twenty-first century pleasure, profit, and renewed study.