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Published in Germany in 1920, Sammy Gronemann’s satirical novel set in 1903 at the time of the Sixth Zionist Congress follows the life of a baptized Jew, Heinz Lehnsen, as he negotiates legal entanglements, German culture, religious differences, and Zionist aspirations. A chance encounter with a long-lost cousin from a shtetl in Russia further complicates the plot and challenges the characters’ notions of Jewish identity and their belief in the claims of the Zionist movement. Gronemann's humor and compassion slyly expose the foibles and contradictions of human behavior. With deep insight into German society, German-Jewish culture, and antisemitism, Utter Chaos paints a highly entertaining portrait of German Jews at the beginning of the twentieth century.
In 1953, Freud biographer Ernest Jones revealed that the famous hysteric Anna O. was really Bertha Pappenheim (1859-1936), the prolific author, German-Jewish feminist, pioneering social worker, and activist. Loentz directs attention away from the young woman who arguably invented the talking cure and back to Pappenheim and her post-Anna O. achievements, especially her writings, which reveal one of the most versatile, productive, influential, and controversial Jewish thinkers and leaders of her time.
Challenges the notion that Weimar Jews sought to be invisible or indistinguishable from other Germans by "passing" as non-Jews
Shortlisted for the Wolfson History Prize 2018 This book is the first to offer a full account of the varied contributions of German Jews to Imperial Germany’s endeavors during the Great War. Historian Tim Grady examines the efforts of the 100,000 Jewish soldiers who served in the German military (12,000 of whom died), as well as the various activities Jewish communities supported at home, such as raising funds for the war effort and securing vital food supplies. However, Grady’s research goes much deeper: he shows that German Jews were never at the periphery of Germany’s warfare, but were in fact heavily involved. The author finds that many German Jews were committed to the same brutal and destructive war that other Germans endorsed, and he discusses how the conflict was in many ways lived by both groups alike. What none could have foreseen was the dangerous legacy they created together, a legacy that enabled Hitler’s rise to power and planted the seeds of the Holocaust to come.
This multicultural reference work on Jewish folklore, legends, customs, and other elements of folklife is the first of its kind.
"Berlin emerged from the First World War as a multicultural European capital of immigration from the former Russian Empire, and while many Russian emigres moved to France and other countries in the 1920s, a thriving east European Jewish community remained. Yiddish-speaking intellectuals and activists participated vigorously in German cultural and political debate. Multilingual Jewish journalists, writers, actors and artists, invigorated by the creative atmosphere of the city, formed an environment which facilitated exchange between the main centres of Yiddish culture: eastern Europe, North America and Soviet Russia. All this came to an end with the Nazi rise to power in 1933, but Berlin remained a vital presence in Jewish cultural memory, as is testified by the works of Sholem Asch, Israel Joshua Singer, Zalman Shneour, Moyshe Kulbak, Uri Zvi Grinberg and Meir Wiener. This volume includes contributions by an international team of leading scholars dealing with various aspects of history, arts and literature, which tell the dramatic story of Yiddish cultural life in Weimar Berlin as a case study in the modern European culture."
This volume presents papers delivered at the 24th Annual Klutznick-Harris Symposium, held at Creighton University in October 2011. The contributors look at all aspects of the intimate relationship between Jews and clothing, through case studies from ancient, medieval, recent, and contemporary history. Papers explore topics ranging from Jewish leadership in the textile industry, through the art of fashion in nineteenth century Vienna, to the use of clothing as a badge of ethnic identity, in both secular and religious contexts.
This book provides in-depth investigation into the secret of Theodor Herzl’s success in changing the fate of the Jewish People. More than a biography, the book delves deep into Herzl’s personality and physique, which left a deep impression on his followers and opposers alike. The book traces Herzl’s transformation from a newspaper editor and playwright into a man of vision and action, the star in a drama he could never write for the stage.
Döblin’s texts, which range widely across contemporary discourses, are paradigms of the encounter between literary and scientific modernity. With their use of ‛Tatsachenphantasie’, they explode conventional language, seeking a new connection with the world of objects and things. This volume reassesses and reevaluates the uniquely interdisciplinary quality of Döblin’s interdiscursive, factually-inspired poetics by offering challenging new perspectives on key works. The volume analyses not only some of Döblin’s best-known novels and stories, but also neglected works including his early medical essays, political journalism and autobiographical texts. Other topics addressed are Döblin’s engagement with German history; his relation to medical discourse; his topography of Berlin; his aestheticisation of his own biography and his relation to other major writers such as Heine, Benn, Brecht and Sebald. With contributions in English and in German by scholars from Germany and the United Kingdom, the volume presents insights into Döblin that are of value to advanced researchers and to students alike.