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The Cambridge Companion to Shostakovich
As the Soviet Union's foremost composer, Shostakovich's status in the West has always been problematic. Regarded by some as a collaborator, and by others as a symbol of moral resistance, both he and his music met with approval and condemnation in equal measure. The demise of the Communist state has, if anything, been accompanied by a bolstering of his reputation, but critical engagement with his multi-faceted achievements has been patchy. This Companion offers a starting point and a guide for readers who seek a fuller understanding of Shostakovich's place in the history of music. Bringing together an international team of scholars, the book brings research to bear on the full range of Shostakovich's musical output, addressing scholars, students and all those interested in this complex, iconic figure.
Beyond Structural Listening?
Rose Subotnik criticized 'structural listening' as an attempt to situate musical meaning solely within the unfolding of the musical structure itself. The authors of this volume take up her challenge, writing on repertoires ranging from Beethoven to MTV.
Critical Theory in the Twenty-First Century
Critical Theory in the Twenty-First Century provides a thorough overview of critical theory, looking at its history and shortfalls. First, the book explains the developments from the Frankfurt School and from more recent schools of thought, including Derrida, Deleuze, deconstruction, and post-structuralism. Then it looks at how critical theory has not kept pace with the changes and conflicts brought on by the post-Cold War world and globalization and how its deficits can be addressed. For the author, more than ever critical theory needs to synthesize theoretical perspective and empirical research. It also needs to be reconfigured in the light of the demands of new social movements, post-colonialism, and globalization. This volume is part of Critical Theory and Contemporary Society, a series that uses critical theory to explore contemporary society as a complex phenomenon and includes works on democracy, social movements, and terrorism. A unique resource, Critical Theory in the Twenty First Century will interest anyone researching issues in political theory, international relations theory, social theory, and critical theory.
Shostakovich in Dialogue
A thorough examination of Shostakovich's string quartets is long overdue. Although they can justifiably lay claim to being the most significant and frequently performed twentieth-century oeuvre for that ensemble, there has been no systematic English-language study of the entire cycle. Judith Kuhn's book begins such a study, undertaken with the belief that, despite a growing awareness of the universality of Shostakovich's music, much remains to be learned from the historical context and an examination of the music's language. Much of the controversy about Shostakovich's music has been related to questions of meaning. The conflicting interpretations put forth by scholars during the musicologic...
Final Approval
Against a backdrop of murder, international skullduggery and Beltway intrigue, this political thriller set in an unhinged world that takes genetic experimentation, religious zealotry, germ warfare and urban riots for granted traces the ascent of Truth-Party nominee Thomas Reichardt. During his quest for the Presidency, he discovers the secret 21 File and the key to the country's social future, setting in motion an avalanche of confrontation, both armed and disarming. Reichardt's got powerful allies: Larry Blidener, the shrewd political warrior; retired General Roman, a brilliant soldier; a loving wife and family; Crystal Malone, a maverick empire-builder; and his corporate colleagues at R.S.T., developers of next-century computer technology. But he's also bedeviled by devious enemies: a ruthless Senator, a sleek seductress, and a well-oiled political machine that seeks to destroy him without prejudice. Only the Truth candidate understands the Final Approval that binds them all.
I Walked With a Zombie
I Walked with a Zombie (1943), Val Lewton's second feature for RKO Radio Pictures, was described by critic Robin Wood as 'perhaps the most delicate poetic fantasy in the American Cinema.' Following immediately in the wake of the groundbreaking Cat People (1942), Zombie pioneered an even more radical narrative approach yet proved to be the critical and commercial equal of its predecessor, cementing the reputation of both Lewton and his director, Jacques Tourneur. Despite the lurid, studio-imposed title, I Walked with a Zombie is a subtle and ambiguous visual poem that advanced a daring condemnation of slavery and colonialism at a time when such themes were being actively suppressed by governm...
Music behind the Iron Curtain
Complements the ongoing revival of Mieczyslaw Weinberg's music and explains its unique blend of Polish and Soviet Russian influences.
Tamil Folk Music as Dalit Liberation Theology
Zoe C. Sherinian shows how Christian Dalits (once known as untouchables or outcastes) in southern India have employed music to protest social oppression and as a vehicle of liberation. Her focus is on the life and theology of a charismatic composer and leader, Reverend J. Theophilus Appavoo, who drew on Tamil folk music to create a distinctive form of indigenized Christian music. Appavoo composed songs and liturgy infused with messages linking Christian theology with critiques of social inequality. Sherinian traces the history of Christian music in India and introduces us to a community of Tamil Dalit Christian villagers, seminary students, activists, and theologians who have been inspired by Appavoo's music to work for social justice. Multimedia components available online include video and audio recordings of musical performances, religious services, and community rituals.
Music, Sound and Filmmakers
Music, Sound and Filmmakers: Sonic Style in Cinema is a collection of essays that examine the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kieślowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music coursework, or stand on its own among a body of research.
Music—Psychoanalysis—Musicology
There is a growing interest in what psychoanalytic theory brings to studying and researching music. Bringing together established scholars within the field, as well as emerging voices, this collection outlines and advances psychoanalytic approaches to our understanding of a range of musics—from the romantic and the modernist to the contemporary popular. Drawing on the work of Freud, Lacan, Jung, Žižek, Barthes, and others, it demonstrates the efficacy of psychoanalytic theories in fields such as music analysis, music and culture, and musical improvisation. It engages debates about both the methods through which music is understood and the situations in which it is experienced, including those of performance and listening. This collection is an invaluable resource for students, lecturers, researchers, and anyone else interested in the intersections between music, psychoanalysis, and musicology.
