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"In Madre Maria's prose, a down-to-earth treatment of daily life both on a provincial hacienda and in a cloistered convent moves into passages rendering deep mystical absorption. As a charismatic woman living according to Counter Reformation guidelines in the New World, Maria de San Jose, through her writings, illuminates how class, race, gender - even birth order and convent prestige - helped shape the roles people played in society and the ways in which they contributed to community belief and identity." --Book Jacket.
This book brings together the portraits and autobiographical texts of six 17th-century Latin American women, drawing on primary sources that include Inquisition and canonization records, confessional and mystic journals, and legal defenses and petitions.
This is the account of the social and spiritual difficulties of an aspirant nun in Mexico at the end of the seventeenth century. In an extensive introduction, Myers discusses the chronology and provenance of Madre Maria’s manuscript and gives biographical details of her life; surveys literary aspects of the text; and seeks to show the socio-historical value of the striking scenes of family life which the text offers. Notes and guidance are given on style, orthography and pronunciation; and a bibliographical essay complements a selected bibliography.
Each of the book's five chapters evokes a colonial Mexican cultural and intellectual sphere: the library, anatomy and medicine, spirituality, classical learning, and publishing and printing. Using an array of literary texts and historical documents and alongside secondary historical and critical materials, the author Stephanie Kirk demonstrates how Sor Juana used her poetry and other works to inscribe herself within the discourses associated with these cultural institutions and discursive spheres and thus challenge the male exclusivity of their precepts and precincts. Kirk illustrates how Sor Juana subverted the masculine character of erudition, writing herself into an all-male community of ...
An award-winning historian’s examination of impossible events at the dawn of modernity and of their enduring significance Accounts of seemingly impossible phenomena abounded in the early modern era—tales of levitation, bilocation, and witchcraft—even as skepticism, atheism, and empirical science were starting to supplant religious belief in the paranormal. In this book, Carlos Eire explores how a culture increasingly devoted to scientific thinking grappled with events deemed impossible by its leading intellectuals. Eire observes how levitating saints and flying witches were as essential a component of early modern life as the religious turmoil of the age, and as much a part of history ...
Print Culture Through the Ages: Essays on Latin American Book History, is a compendium of specialized essays by renowned scholars from Mexico, the United States, Argentina, Uruguay, France, and Colombia that focuses on various topics involving the evolution of printing, reading publics, the publishing process and literary development during periods of political and cultural change in Latin America. The volume has four primary areas of concern, namely “Labors of the Printing Press, Typography and Editing”; “Books and Readers in the Colonial Period”; “New Forms of Literary Consumption”; “The Press and Its Readers”. It will be of particular interest to scholars in the areas of literature, book history, print culture and images.
Brides of Christ invites the modern reader to follow the histories of colonial Mexican nuns inside the cloisters where they pursued a religious vocation or sought shelter from the world. Lavrin provides a complete overview of conventual life, including the early signs of vocation, the decision to enter a convent, profession, spiritual guidelines and devotional practices, governance, ceremonials, relations with male authorities and confessors, living arrangements, servants, sickness, and death rituals. Individual chapters deal with issues such as sexuality and the challenges to chastity in the cloisters and the little-known subject of the nuns' own writings as expressions of their spirituality. The foundation of convents for indigenous women receives special attention, because such religious communities existed nowhere else in the Spanish empire.
"Offering a pioneering interpretation of the "crowned nun" portrait, this book explores how visual culture contributed to local identity formation in Mexico"--