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Typologies for Big Words is a collection of projects redesigning traditional building and landscape types as openings within the interiority of the current politico-economic global system. Architecture's original project was the invention of interiority, an enclosed area delimited from its context and made available for a narrowly defined public, function, and meaning. This original project was expanded during the Enlightenment with the invention of type to establish architectural and social institutions for molding subjectivities. The quest for interiority has reached its completion with world capitalism and its associated complexes, the ultimate interior without any possible or imaginable ...
Open urban spaces are an ideal stage for public events. An important prerequisite for their design in an increasingly heterogeneous multicultural cityscape is the relationship between design, use, and social function.The book documents both temporary as well as permanent installations of various kinds – from the open-air courtyard of a museum to the design of a river bank promenade, through to a city park.
Globalization, technology, and politics have altered the definition and expectations of citizenship and the right to place. 'Dimensions of Citizenship' documents contributions from the seven firms selected to represent the United States in the 2018 Venice Architecture Biennale. This paperback volume profiles and illustrates each of the US Pavilion contributions and contextualizes them in terms of scale.0Drawing inspiration from the Eames? Power of Ten, 'Dimensions of Citizenship' will provide a view of belonging across seven stages starting with the individual (Citizen), then the collective (Civic, Region, Nation), and expanding to include all phases of contemporary society, real and projected (Globe, Network, Cosmos). Additional essays?by Ingrid Burrington, Ana María León, and Nicholas de Monchaux, among others?will offer essential and enquiring responses to these themes. 00Exhibition: US Pavilion, Venice Architecture Biennale, Italy (16.05.-25.11.2018).
Countries have been competing against each other in order to attract financial investment and human capital for decades. However, emerging economies have a long way to go before they achieve the same levels of competitiveness as a developed economy. Lack of firm institutions, inadequate infrastructure, and a lack of trust in the legal system are urgent and unavoidable factors that emerging economies must address. The Handbook of Research on Increasing the Competitiveness of SMEs provides innovative insights on integrating, adapting, and building models and strategies compatible with the development of competitiveness in small and medium enterprises in emerging countries. The content within this publication examines quality management, organizational leadership, and digital security. It is designed for policymakers, entrepreneurs, managers, executives, business professionals, academicians, researchers, and students.
For thousands of years humans have experimented with various methods of waste disposal—from burning and burying to simply packing up and moving in search of an unscathed environment. Habits of disposal are deeply ingrained in our daily lives, so casual and continual that we rarely ever stop to ponder the big-picture effects on social, spatial and ecological orders. Rethinking the ways in which we produce, collect, discard and reuse our waste, whether it’s materials, spaces or places, is essential to ensure a more feasible future. Waste Matters: Adaptive Reuse for Productive Landscapes presents a series of historical and contemporary design ideas that reimagine a range of repurposed materials at diverse scales and in various contexts by exploring methods of hacking, disassembly, reassembly, recycling, adaptive reuse and preservation of the built environment. Waste Matters will inspire designers to sample and rearrange bits of artifacts from the past and present to produce culturally relevant and ecologically sensitive materials, objects, architecture and environments.
"This volume began life as a conference on 'Empty Spaces' held at the Institute of Historical Research in London in 2015"--Page vii.
"This is an exciting epistemological experiment. It is wonderful to see how intelligent philosophers can take a modest concept, such as that of the hole, as a starting point for an immense and brilliant exercise.... The writing is delightful." -- Valentino Braitenberg, Director, Max-Planck-Institut fü r Biologische Kybernetick "The idea of "Holes and Other Superficialities" is wonderfully counterintuitive: The authors want us to think of absences as full-fledged cognitive entities. The book describes a grand variety of holes -- holes in doughnuts, tunnels through blocks, flowing gaps in regularly-spaced flowerbed, and hundreds more. There are an enormous number of beautifully-rendered illus...
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Enmeshed in Hong Kong's densely woven urban fabric, wedged between its towering mixed-use complexes and perched along its steep hillsides, sits a network of more than 500 miniature public parks comprising the smallest unit of the city's public open space network. Though plentiful, these so-called Sitting-out Areas - referred to locally as 三角屎坑 (literally: a "three-cornered shit pit") - have never been considered in terms of the collective resource they have the potential to be. This book presents a series of critical essays revealing the city's Sitting-out Areas in relation to Hong Kong's planning histories and shifting terrains, while also tracking how these spatial fragments have been shaped by concepts of publicness, accessibility and regulation. The second half of the book presents 44 richly illustrated case studies revealing the variety and idiosyncrasies of Hong Kong's smallest open spaces. Ultimately, the book argues that we can understand the high-density city not only through its buildings, but through the character and potency of its interstitial landscapes.
The Infatuations is a metaphysical murder mystery and a stunningly original literary achievement by Javier Marías, the internationally acclaimed author of A Heart So White and Your Face Tomorrow. Every day, María Dolz stops for breakfast at the same café. And every day she enjoys watching a handsome couple who follow the same routine. Then one day they aren't there, and she feels obscurely bereft. It is only later, when she comes across a newspaper photograph of the man, lying stabbed in the street, his shirt half off, that she discovers who the couple are. Some time afterwards, when the woman returns to the café with her children, who are then collected by a different man, and Maria app...