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Whoever said life is a bowl of cherries was an idiot. Life is a minefield strewn with disappointment and death, a veritable hell on earth. The only proper response I can think of is to laugh my way through it all. - Max Grimes The Sunny Side of Hell frolics through the minefield of life, revealing in its blackly humorous tales the myriad ways humans attempt to navigate their way through the explosions of fate, chance and happenstance. From deadly juveniles and octogenarian rebels to pixilated spinsters and a boy who has lost his puppy, these tales reveal the dark humor inherent in the human condition. If life is a veritable hell on earth as Max Grimes claims, then what better way to respond to it than by taking his advice and laughing through it all. So read these tales, keep laughing and stay on The Sunny Side of Hell. * Bonus content this edition only, Professor's X's Famous Existential Quiz: Should I Be?
Reprint of the original, first published in 1876.
Discourses of Heimat and of migration both negotiate questions of identity, belonging, and integration; moreover, despite the reemergence of right-wing, racist, and exclusionary uses of the term Heimat, there are in fact more recent German-language cultural texts that problematize and challenge a view of Heimat as a community that excludes the Other than there are promulgating it. This volume addresses the parallel proliferation of discourses of Heimat and of migration in contemporary German-language culture and demonstrates that the entanglement of migration and Heimat can be productive: it can help us to reframe what it means to have a home, to lose one, find one, or belong to one.
Historical Turns reassesses Weimar cinema in light of the "crisis of historicism" widely diagnosed by German philosophers in the early twentieth century. Through bold new analyses of five legendary works of German silent cinema—The Cabinet of Dr. Caligari, Destiny, Rhythm 21, The Holy Mountain, and Metropolis—Nicholas Baer argues that films of the Weimar Republic lent vivid expression to the crisis of historical thinking. With their experiments in cinematic form and style, these modernist films revealed the capacity of the medium to engage with fundamental questions about the philosophy of history. Reconstructing the debates over historicism that unfolded during the initial decades of moving-image culture, Historical Turns proposes a more reflexive mode of historiography and expands the field of film and media philosophy. The book excavates a rich archive of ideas that illuminate our own moment of rapid media transformation and political, economic, and environmental crises around the globe.
“A compelling investigation of the pasts and possible futures of a critical ecosystem in an era of globalization and rising nationalism.” —Andrew S. Mathews, author of Instituting Nature In Europe’s last primeval forest, at Poland’s easternmost border with Belarus, the deep past of ancient oaks, woodland bison, and thousands of species of insects and fungi collides with authoritarian and communist histories. Foresters, biologists, environmentalists, and locals project the ancient Bialowieza Forest as a series of competing icons in struggles over memory, land, and economy, which are also struggles about whether to log or preserve the woodland; whether and how to celebrate the mixed ...
In the early decades of the twentieth century, engagement with science was commonly used as an emblem of modernity. This phenomenon is now attracting increasing attention in different historical specialties. Being Modern builds on this recent scholarly interest to explore engagement with science across culture from the end of the nineteenth century to approximately 1940. Addressing the breadth of cultural forms in Britain and the western world from the architecture of Le Corbusier to working class British science fiction, Being Modern paints a rich picture. Seventeen distinguished contributors from a range of fields including the cultural study of science and technology, art and architecture, English culture and literature examine the issues involved. The book will be a valuable resource for students, and a spur to scholars to further examination of culture as an interconnected web of which science is a critical part, and to supersede such tired formulations as 'Science and culture'.