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Presents the intellectual world of early medieval Sichuan through a critical biography of historian and classicist Qiao Zhou.
"“Song Lyric,” ci, remains one of the most loved forms of Chinese poetry. From the early eleventh century through the first quarter of the twelfth century, song lyric evolved from an impromptu contribution in a performance practice to a full literary genre, in which the text might be read more often than performed. Young women singers, either indentured or private entrepreneurs, were at the heart of song practice throughout the period; the authors of the lyrics were notionally mostly male. A strange gender dynamic arose, in which men often wrote in the voice of a woman and her imagined feelings, then appropriated that sensibility for themselves. As an essential part of becoming literature, a history was constructed for the new genre. At the same time the genre claimed a new set of aesthetic values to radically distinguish it from older “Classical Poetry,” shi. In a world that was either pragmatic or moralizing (or both), song lyric was a discourse of sensibility, which literally gave a beautiful voice to everything that seemed increasingly to be disappearing in the new Song dynasty world of righteousness and public advancement."
Both Western and Chinese intellectuals have long derided filial piety tales as an absurd and grotesque variety of children’s literature. Selfless Offspring offers a fresh perspective on the genre, revealing the rich historical worth of these stories by examining them in their original context: the tumultuous and politically fragmented early medieval era (A.D. 100–600). At a time when no Confucian virtue was more prized than filial piety, adults were moved and inspired by tales of filial children. The emotional impact of even the most outlandish actions portrayed in the stories was profound, a measure of the directness with which they spoke to major concerns of the early medieval Chinese ...
Transforming Consciousness forces us to rethink the entire project in modern China of the "translation of the West." Taken together, the chapters develop a wide-ranging and deeply sourced argument that Yogacara Buddhism played a much more important role in the development of modern Chinese thought (including philosophy, religion, scientific thinking, social, thought, and more) than has previously been recognized. They show that Yogacara Buddhism enabled key intellectuals of the late Qing and early Republic to understand, accept, modify, and critique central elements of Western social, political, and scientific thought. The chapters cover the entire period of Yogacara's distinct shaping of mo...
The Ben cao gang mu, compiled in the second half of the sixteenth century by a team led by the physician Li Shizhen (1518–1593) on the basis of previously published books and contemporary knowledge, is the largest encyclopedia of natural history in a long tradition of Chinese materia medica works. Its description of almost 1,900 pharmaceutically used natural and man-made substances marks the apex of the development of premodern Chinese pharmaceutical knowledge. The Ben cao gang mu dictionary offers access to this impressive work of 1,600,000 characters. This second book in a three-volume series verifies and localizes all 2,158 geographical and associated administrative names referred to in the Ben cao gang mu in connection with the origin and use of pharmaceutical substances.
Authentic regional singings and sayings feature folklore from the Ndau tribe of Portuguese East Africa and Zulus of South Africa: labor chants, dances, laments, songs of war, meditation, and love, plus proverbs, legends, fables. Extensive editorial commentary, metrical and literal translations, notes on pronunciation.
At the age of sixteen, Shen Shuo met the person that gave her warmth, arrogance, indifference, and deep affection. At eighteen, they fell in love, and at twenty-eight, they finally lived together for a lifetime.Shen Shu loves Lu Xi An's humble and stubborn love. Lu Kun An can put down all of his arrogance for Shen Shu. They love each other very much. Fate had played them in circles. From meeting each other, getting to know each other, falling in love, and accompanying them for the rest of their lives, they had spent thirteen years.Shen Shu said: "Love is two people's business, if one of them does not love, then this love is over.""I have loved only one person in my life, and ever since she entered my world, she has been my only and fatal weakness.[Previous Chapter] [Table of Contents] [Next Chapter]
Destroying one's face and killing one's heart; these three years of trekking on the thorny path; this was a plan between his sister and his husband. Sobbing Blood Nirvana, rebirth, she was no longer the weak Direct Daughter that anyone could bully. She had killed the Zhenguo Mansion, destroyed the Song Manor, turned over the clouds and turned the rain, shocking the entire city. As for him, a good-for-nothing, a living ancestor who was sighing, what he did not know was that this game of chess that he had casually picked up was shaking the world around him. She wanted to kill him, but she walked step by step into his trap. Later on, there were people who praised him for his bravery in traversing the chaotic times and fighting in wars. His Majesty truly deserved to be called a hero when mountains and rivers were shattered. Little bun chuckled: "Mother, are you sure you want to hide here?" Wait till Daddy finds her, her Northern Desert is going to be finished.