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This book examines the ways in which fiction has addressed the continent since the Second World War. Drawing on novelists from Europe and elsewhere, the volume analyzes the literary response to seven dominant concerns (ideas of Europe, conflict, borders, empire, unification, migration, and marginalization), offering a ground-breaking study of how modern and contemporary writers have participated in the European debate. The sixteen essays view the chosen writers, not as representatives of national literatures, but as participants in transcontinental discussion that has occurred across borders, cultures, and languages. In doing so, the contributors raise questions about the forms of power operating across and radiating from Europe, challenging both the institutionalized divisions of the Cold War and the triumphalist narrative of continental unity currently being written in Brussels.
This volume offers the reader a unique possibility to obtain a concise introduction to dependency linguistics and to learn about the current state of the art in the field. It unites the revised and extended versions of the linguistically-oriented papers to the First International Conference on Dependency Linguistics held in Barcelona. The contributions range from the discussion of definitional challenges of dependency at different levels of the linguistic model, its role beyond the classical grammatical description, and its annotation in dependency treebanks to concrete analyses of various cross-linguistic phenomena of syntax in its interplay with phonetics, morphology, and semantics, including phenomena for which classical simple phrase-structure based models have proven to be unsatisfactory. The volume will be thus of interest to both experts and newcomers to the field of dependency linguistics and its computational applications.
Dutch is a West-Germanic language closely related to English and German, but its special properties have long aroused interest and debate among students of syntax. This is an informative guide to the syntax of Dutch, offering an extensive survey of both the phenomena of Dutch syntax and their theoretical analyses over the years. In particular the book discusses those aspects of Dutch syntax that have played an important role in the development of syntactic theory in recent decades. Presupposing only a basic knowledge of syntax and complete with an extensive bibliography, this survey will be an important tool for students and linguists of all theoretical persuasions, and for anyone working in Germanic linguistics, linguistic typology and linguistic theory.
Since the publication of the first edition over 50 years ago, Introduction to Solid State Physics has been the standard solid state physics text for physics students. The author's goal from the beginning has been to write a book that is accessible to undergraduates and consistently teachable. The emphasis in the book has always been on physics rather than formal mathematics. With each new edition, the author has attempted to add important new developments in the field without sacrificing the book's accessibility and teachability. * A very important chapter on nanophysics has been written by an active worker in the field. This field is the liveliest addition to solid state science during the past ten years * The text uses the simplifications made possible by the wide availability of computer technology. Searches using keywords on a search engine (such as Google) easily generate many fresh and useful references
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically chan...
Indiana University Research Center In Anthropology, Folklore, And Linguistics, No. 12.