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Born into a high-status family of the Batak ethnic group indigenous to North Sumatra, Sitor Situmorang (1924-2014) was a Dutch-educated Indonesian nationalist who experienced firsthand the transition from the Dutch East Indies of his youth to the modern Indonesia of his adulthood. The stories in this collection are a window into the world of a writer dedicated to exploration and change but resolutely attached to the land, people, and stories of his homeland. Set variously in western Europe, post-independence Jakarta, and modernizing communities in his native North Sumatra, the stories live in--as the translators put it--the "perpetual tension between the urge to wander and a longing for origins."
Recent scholarly work on nationalism has revealed the importance of the nation imagined as a community. The subjects of these works, however, have been largely political speeches, polemical essays, and radical journalism. Missing has been the one literary genre where the individual's commitment to the imagining of the nation is most explicitly addressed: autobiography. In looking critically at eight autobiographical works, all concerned in one way or another with the question of what it means to be an Indonesian in the twentieth century, C.W. Watson demonstrates the value of reading autobiographies as accounts of nation-building. Opening with a critique of a turn-of-the-century collection of...
Indonesian poetry, like the country and also the language, is basically a product of this century. Only in the twentieth century have the people of this vast archipelago begun to achieve a unified cultural identity and national spirit; only since 1928 has the possibility, and by now the reality, of a common language been realized; and only since World War II have Indonesians achieved nationhood. Yet Indonesia has already produced a highly individual, lyric poetry that s in many ways unusual. Reflecting the diverse heritage of the Orient and the WestMoslem, Buddhist, Hindu, and Christian; Malay, Chinese, Dutch, and othersa poetic expression is developing that is accessible to, and meaning...
The histQry of this book dates back exactly 20 years. When I first set foot on the shores O'f Indonesia in September 1947, I was, amongst other things, assigned the task 0'£ teaching Malay literature in an advanced teacher-training course, with the instructiOon to' lay stress on modern literature. This was easier said than done, as very little had been written Oon the subject, and few materials were available to me. From this period I recall with great gratitude the regular and friendly contacts I had with Mr. Sutan Takdir Alisjahbana, whO' in many ways me with information and documentatiO'n. helped The editQrs of the magazine "Kritiek en Opbouw" found my lecture nffies Qn some pre-war auth...
The memory of past atrocity lingers like a ghost at the table of democracy. Injustices carried out in the past - from massacres and murder to repression and detention - embitter societies and distort their structures so that the process of establishing and running a democracy carries an extra burden. This volume examines societies at various stages of dealing with the memory of the past, from China, Mongolia, Indonesia and the Baltic States, where bitter memories of death and persecution still intrude, to Finland, where the civil war of 1918 has finally been accepted as a distant national tragedy.