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As the new millennium poses even greater challenges to the relevance of the art form, legendary maestro Leonard Slatkin reflects on the modern evolution of classical music and offers his ideas to solve pressing issues faced by both music lovers and musicians alike. If there was ever a time for change in the industry, it is now.
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As a St. Louis resident, Brooke S. Foster knows the best ways to experience the Gateway City, from must-see sights like the Gateway Arch and the City Museum to great Northern Italian cuisine on the Hill. Foster provides travelers with unique trip strategies to help organize their visit, such as Blues, Barbecue, and Beer: A Legendary St. Louis Weekend; and From the Butterfly House to the Gigantic Slide: St. Louis with Kids. Including experienced advice on checking out the Victorian-era mansions in Lafayette Square, exploring the revived nightlife of downtown St. Louis, and seeing live music at the Blue Note in nearby Columbia, Moon St. Louis gives travelers the tools they need to create a more personal and memorable experience.
Reports for 1980-19 also include the Annual report of the National Council on the Arts.
The Cambridge History of American Music, first published in 1998, celebrates the richness of America's musical life. It was the first study of music in the United States to be written by a team of scholars. American music is an intricate tapestry of many cultures, and the History reveals this wide array of influences from Native, European, African, Asian, and other sources. The History begins with a survey of the music of Native Americans and then explores the social, historical, and cultural events of musical life in the period until 1900. Other contributors examine the growth and influence of popular musics, including film and stage music, jazz, rock, and immigrant, folk, and regional musics. The volume also includes valuable chapters on twentieth-century art music, including the experimental, serial, and tonal traditions.