You may have to register before you can download all our books and magazines, click the sign up button below to create a free account.
This text tells the story of Polish teenager Stefan, who was deported with his family to the Soviet Union during World War II. Stefan recounts the hardships he faced, the squalid living conditions in nine-month-long winters, and his survival in the aftermath of the changed Soviet alliance.
It is one of the most perplexing paradoxes of modern life. As technology dramatically expands our ways of communicating, loneliness has become one of the leading causes of premature death in all technologically advanced nations. The medical toll is made heavier by powerful social forcesschool failure, family and communal disintegration, divorce, the loss of loved ones. And while loneliness, the lack of human companionship, the absence of face-to-face dialogue, and the disembodiment of human dialogue have all been linked to virtually every major diseasefrom cancer to Alzheimer's disease, from tuberculosis to mental illnessthe link is particularly marked in the case of heart disease, the natio...
From the Author Having spent nearly ten years writing my memoirs, originally in Polish, I hope that with this English edition they will reach a wider circle of readers. They span more than eighty years of turbulent world historyand when is such history not turbulent?--and include details which may not be familiar to many readers. Those acquainted with the epoch I am describing may wander, before picking up the book, whether it is yet another retelling of an often described drama, the subject already of myriad historical classics. I would say, yes, but it is a retelling with a twist. This book is, above all, a tale of exceptional good fortune, which, in contrast to the experiences of many oth...
As the title "The Myth of German Villainy" indicates, this book is about the mischaracterization of Germany as history's ultimate "villain." The "official" story of Western Civilization in the twentieth century casts Germany as the disturber of the peace in Europe, and the cause of both World War I and World War II, though the facts don't bear that out. During both wars, fantastic atrocity stories were invented by Allied propaganda to create hatred of the German people for the purpose of bringing public opinion around to support the wars. The "Holocaust" propaganda which emerged after World War II further solidified this image of Germany as history's ultimate villain. But how true is this "o...
This landmark book uncovers for the first time in detail one of the greatest horrors of the twentieth century: the vast system of Soviet camps that were responsible for the deaths of countless millions. Gulag is the only major history in any language to draw together the mass of memoirs and writings on the Soviet camps that have been published in Russia and the West. Using these, as well as her own original research in NKVD archives and interviews with survivors, Anne Applebaum has written a fully documented history of the camp system: from its origins under the tsars, to its colossal expansion under Stalin's reign of terror, its zenith in the late 1940s and eventual collapse in the era of glasnost. It is a gigantic feat of investigation, synthesis and moral reckoning.
In this groundbreaking investigation into the nature and meanings of melodrama in American culture between 1880 and 1920, Ben Singer offers a challenging new reevaluation of early American cinema and the era that spawned it. Singer looks back to the sensational or "blood and thunder" melodramas (e.g., The Perils of Pauline, The Hazards of Helen, etc.) and uncovers a fundamentally modern cultural expression, one reflecting spectacular transformations in the sensory environment of the metropolis, in the experience of capitalism, in the popular imagination of gender, and in the exploitation of the thrill in popular amusement. Written with verve and panache, and illustrated with 100 striking photos and drawings, Singer's study provides an invaluable historical and conceptual map both of melodrama as a genre on stage and screen and of modernity as a pivotal idea in social theory.
A time of great hardship, the Second World War became a consequential episode in the history of Soviet childhood policies. The growing social problem of juvenile homelessness and delinquency alerted the government to the need for a comprehensive child protection programme. Nevertheless, by prioritizing public order over welfare, the Stalinist state created conditions that only exacerbated the situation, transforming an existing problem into a nation-wide crisis. In this comprehensive account based on exhaustive archival research, Olga Kucherenko investigates the plight of more than a million street children and the state's role in the reinforcement of their ranks. By looking at wartime dislocation, Soviet child welfare policies, juvenile justice and the shadow world both within and without the Gulag, Soviet Street Children and the Second World War challenges several of the most pervasive myths about the Soviet Union at war. It is, therefore, as much an investigation of children on the margins of Soviet society as it is a study of the impact of war and state policies on society itself.
The most heinous Soviet crimes – the Red Terror, brutal collectivization, the Great Famine, the Gulag, Stalin's Great Terror, mass deportations, and other atrocities – were treated in the West as a controversial topic. With the Cold War dichotomy of Western democracy versus Soviet communism deeply imprinted in our minds, we are not always aware that these crimes were very often questioned, dismissed, denied, sometimes rationalized, and even outright glorified in the Western world. Facing a choice of whom to believe –the survivors or Soviet propaganda– many Western opinion leaders chose in favor of Soviet propaganda. Even those who did not believe it behaved sometimes as if they did. ...