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Borders and border regions are shaped by many phenomena connected with both co-operation and conflict. The neighbourhood, cross-border contacts, illegal migration, border crossings, prejudices and stereotypes, border guards, and perceptions of borders are some of the key words that characterize the articles in this volume. The book deals with European border regions that have experienced numerous changes over the 20th century. Because of this changeable, frequently painful past, different human stories – mostly tragic or romanticized – individual and collective memories, mythologies with heroes, and divergent perceptions of history developed. Most authors in this volume deal with conflicts and co-operation that can either be remembered or forgotten.
Classical Concert Studies: A Companion to Contemporary Research and Performance is a landmark publication that maps out a new interdisciplinary field of Concert Studies, offering fresh ways of understanding the classical music concert in the twenty-first century. It brings together essays, research articles, and case studies from scholars and music professionals including musicians, music managers, and concert designers. Gathering both historical and contemporary cases, the contributors draw on approaches from sociology, ethnology, musicology, cultural studies, and other disciplines to create a rich portrait of the classical concert’s past, present, and future. Based on two earlier volumes published in German under the title Das Konzert (The Concert), and with a selection of new chapters written for the English edition, this companion enables students, researchers, and practitioners in the classical and contemporary music fields to understand this emerging field of research, go beyond traditional disciplinary boundaries and methodologies, and spark a renaissance for the classical concert.
Franz Kafka is by far the Prague author most widely read and admired internationally. However, his reception in Czechoslovakia, launched by the Liblice conference in 1963, has been conflicted. While rescuing Kafka from years of censorship and neglect, Czech critics of the 1960s “overwrote” his German and Jewish literary and cultural contexts in order to focus on his Czech cultural connections. Seeking to rediscover Kafka’s multiple backgrounds, in Franz Kafka and His Prague Contexts Marek Nekula focuses on Kafka’s Jewish social and literary networks in Prague, his German and Czech bilingualism, and his knowledge of Yiddish and Hebrew. Kafka’s bilingualism is discussed in the contex...
It has been shown that the total number of women who published in German in the 18th and 19th centuries was approximately 3,500, but even by 1918 only a few of them were known. The reason for this lies in the selection processes to which the authors have been subjected, and it is this selection process that is the focus of the research here presented. The selection criteria have not simply been gender-based but have had much to do with the urgent quest for establishing a German Nation State in 1848 and beyond. Prutz, Gottschall, Kreyßig and others found it necessary to use literary historiography, which had been established by 1835, in order to construct an ideal of ‘Germanness’ at a ti...
In times of resurgence of ultra-nationalistic and xenophobic tendencies across Europe, education and awareness-raising for all age groups about the history of the Holocaust are of paramount for agency and civil engagement. Stefan Sonvilla-Weiss examines commemorative culture and its transformation towards interactive and participatory experiences through a novel form of visitor engagement at the Mauthausen memorial visiting center. This unique space from an arts-based and media research project builds on human-centered design and individual and collective experiences of contributing to a living memory culture.
Music festivals have become important events for people to experience music collectively and take a break from their everyday lives. Companies and institutions like to use music festivals as opportunities for advertising their products and services through sponsorship. Dominik Nösner examines professional stakeholder's assessments of the market as well as patterns of existing procedural elements of sponsorship culture, factors determining existing communication and decision-making culture and interrelations between sponsors and audience with emphasis on university popular music festivals. Building on that, he further explores motivational constructs for popular music festival attendance via a survey study.
This book on Jewish culture and literature focuses on the “quiet” decades of the nineteenth century, a scarcely written-about period of time in Bohemian Jewish history. Using a myriad of sources, including travelers’ accounts, poems, essays, short stories, guides, and newspaper articles, the volume explores Jewish expression, Jewish-Czech relations, and the changing attitudes toward Jews between the 1820s and 1880s. It offers close readings of writers like Karel Havlíček Borovský, Ján Kollár, Siegfried Kapper, and Jan Neruda, as well as lesser-known authors and sources. Combining skillful sustained analysis, judicious argumentation, and elegant writing, the book is a truly enriching reading experience.
This innovative volume analyzes historical, strategic and domestic political influences on the character and dynamics of the European Union's eastern enlargement. Its main focus is on interactions between Germany, Poland, the Czech Republic and Hungary, in political-diplomatic, commercial-economic and socio-cultural fields. The book also examines the wider European and international contexts to show that as enlargement advanced, we also witnessed an increase in the potential for conflict among EU members, old and new. Steve Wood provides an eclectic and topical appraisal, which identifies the German state as the crucial actor in both the enlargement venture and parallel processes of bilateral reconciliation. The book is recommended to those with interests in contemporary Germany, Central and Eastern Europe, and European integration.
This volume makes an important intercultural and interdisciplinary contribution to intercultural communications in Europe. The publication links linguistic aspects with psychological, social, economic, political, and cultural issues and creates a wide perspective encompassing the European heterogeneity of languages, cultures, traditions, and developments.
The Position of the German Language in the World focuses on the global position of German and the factors which work towards sustaining its use and utility for international communication. From the perspective of the global language constellation, the detailed data analysis of this substantial research project depicts German as an example of a second-rank language. The book also provides a model for analysis and description of international languages other than English. It offers a framework for strengthening the position of languages such as Arabic, Chinese, French, Portuguese, Spanish and others and for countering exaggerated claims about the global monopoly position of English. This comprehensive handbook of the state of the German language in the world was originally published in 2015 by Walter de Gruyter in German and has been critically acclaimed. Suitable for scholars and researchers of the German language, the handbook shows in detail how intricately and thoroughly German and other second-rank languages are tied up with a great number of societies and how these statistics support or weaken the languages’ functions and maintenance.