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Arguing the Apocalypse
Apocalyptic expectations of Armageddon and a New Age have been a fixture of the American cultural landscape for centuries. With the approach of the year 2000, such millennial visions seem once again to be increasing in popularity. Stephen O'Leary sheds new light on the age-old phenomenon of the End of the Age by proposing a rhetorical explanation for the appeal of millennialism. Using examples of apocalyptic argument from ancient to modern times, O'Leary identifies the recurring patterns in apocalyptic texts and movements and shows how and why the Christian Apocalypse has been used to support a variety of political stances and programs. The book concludes with a critical review of the recent appearances of doomsday scenarios in our politics and culture, and a meditation on the significance of the Apocalypse in the nuclear age. Arguing the Apocalypse is the most thorough examination of its subject to date: a study of a neglected chapter of our religious and cultural history, a guide to the politics of Armageddon, and a map of millennial consciousness.
The Films of Robin Williams
From his first appearance as Mork from Ork on the 1970s sitcom Happy Days, Robin Williams was heralded as a singular talent. In the pre-cable television era, he was one of the few performers to successfully transition from TV to film. An Oscar-winning actor and preternaturally quick-witted comedian, Williams became a cultural icon, leaving behind a large and varied body of work when he unexpectedly took his own life in 2014. This collection of new essays brings together a range of perspectives on Williams and his oeuvre, including beloved hits like Mrs. Doubtfire, Good Morning, Vietnam, Good Will Hunting, The Fisher King, Dead Poets Society and Aladdin. Contributors explore his earlier work (Mork and Mindy, The World According to Garp) and his political and satirical films (Moscow on the Hudson, Toys). Williams's darker, less well-known fare, such as Being Human, One Hour Photo, Final Cut and Boulevard, is also covered. Williams's artistry has become woven into the fabric of our global media culture.
Religion and Cyberspace
In the twenty-first century, religious life is increasingly moving from churches, mosques and temples onto the Internet. Today, anyone can go online and seek a new form of religious expression without ever encountering a physical place of worship, or an ordained teacher or priest. The digital age offers virtual worship, cyber-prayers and talk-boards for all of the major world faiths, as well as for pagan organisations and new religious movements. It also abounds with misinformation, religious bigotry and information terrorism. Scholars of religion need to understand the emerging forum that the web offers to religion, and the kinds of religious and social interaction that it enables. Religion...
Preview 2001+
A collection of essays on new directions and future trends in popular culture studies, with sections on parameters and dynamics of popular culture studies; leisure and recreation; sense of community; marketing cultures; and extension or circularity. Topics include the role of the university as an institution of popular culture; religious fervor; developing the place and role of community in society; and marketing the apocalypse. No index. Paper edition (unseen), $15.95. Annotation copyright by Book News, Inc., Portland, OR
Religion Online
Religion Online provides an accessible and comprehensive introduction to this burgeoning new religious reality, from cyberpilgrimages to neo-pagan chatroom communities. A substantial introduction by the editors presenting the main themes and issues is followed by sixteen chapters addressing core issues of concern such as youth, religion and the internet, new religious movements and recruitment, propaganda and the countercult, and religious tradition and innovation.
Christianity in the Modern World
What is the state of Christianity today, and what might it look like in the future? In the West, the story for a long time has revolved around decline and the loss of monopoly status, but how are these shifts changing the practice of Christianity or individual belief? Similarly, the rapid growth of Christianities in the Global South has been well reported, but the continuing complex intersections of mission Christianity with indigenous religions are less well known. Large-scale flows of people across increasingly fluid borders mean that not only does immigration sometimes significantly boost Christian numbers in a given country, but that different forms of Christianity shift traditional reli...
World without End
"In this compelling intellectual and social history, Moorhead argues that for mainline Protestants in the late 19th century, time became endless, human-directed and without urgency. . . . Moorhead offers some brilliant observations about the legacy of postmillennialism and the human need for a definitive eschaton." —Publishers Weekly In the 19th century American Protestants firmly believed that when progress had run its course, there would be a Second Coming of Christ, the world would come to a supernatural End, and the predictions in the Apocalypse would come to pass. During the years covered in James Moorhead's study, however, moderate and liberal mainstream Protestants transformed this postmillennialism into a hope that this world would be the scene for limitless spiritual improvement and temporal progress. The sense of an End vanished with the arrival of the new millennium.
The New Cambridge Companion to Biblical Interpretation
This Cambridge Companion offers an up-to-date and accessible guide to the fast-changing discipline of biblical studies. Written by scholars from diverse backgrounds and religious commitments – many of whom are pioneers in their respective fields – the volume covers a range of contemporary scholarly methods and interpretive frameworks. The volume reflects the diversity and globalized character of biblical interpretation in which neat boundaries between author-focused, text-focused, and reader-focused approaches are blurred. The significant space devoted to the reception of the Bible – in art, literature, liturgy, and religious practice – also blurs the distinction between professional and popular biblical interpretation. The volume provides an ideal introduction to the various ways that scholars are currently interpreting the Bible. It offers both beginning and advanced students an understanding of the state of biblical interpretation, and how to explore each topic in greater depth.
