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This anthology contains seventeen essays covering eighteenth-century agrarian unrest, the Revolutionary War, politics in the Jackson era, feminism and the women's movements, slavery from the seventeenth to the nineteenth centuries, strikes and labor struggles, land use and regional planning issues, Blacks in Newark, the current political state of New Jersey, and more. The contributors are Michal R. Belknap, Patricia U. Bonomi, Lyle W. Dorsett, John P. Dwyer, Jim Fisher, Charles E. Funnell, Steve Golin, Bradley M. Gottfried, Paul E. Johnson, David L. Kirp, Mark Edward Lender, Maxine N. Lurie, Richard P. McCormick, Mary R. Murrin, Larry A. Rosenthal, Amy Shapiro, Warren E. Stickle III, Lorraine E. Williams, Giles R. Wright
Responsible for hiring all members of cast and crew from the director onwards, the producer’s role is central to the making of any film and responsibilities can include everything from script development to securing financing to masterminding a film’s marketing campaign. While few film producers are household names, they wield a degree of control that only the biggest name directors can aspire to. As with all of the FilmCraft titles, this book is based on new indepth interviews and features such greats as Tim Bevan, Marin Karmitz, Jeremy Thomas, Jon Kilik, Lauren Shuler Donner, Jan Chapman, and Peter Aalbæk Jensen.
The Coordinating Council for Women in History evolved from a cohort of women historians who turned their scholarly focus to the recovery of women's experiences. In so doing, they created and legitimated the field of women's history. The contributors to this volume, former CCWH officers, mark the 30th anniversary of the organization while commemorating three decades of feminist activism and scholarship. Recording the diverse paths women have taken to become historians, the essays contained in this book describe how a particular group of women negotiated the often competing demands of being a woman, a professional, and a political activist from the turbulent 1960s through the challenges of the 1990s. But beyond the celebration of personal and professional progress, this collection contributes to the emerging historiography of women's history and the literature on women in the professions. - Publisher.
This edited collection is the first book to offer a wide-ranging examination of the interface between American independent film and a converged television landscape that consists of terrestrial broadcasters, cable networks and streaming providers, in which independent film and television intersect in complex, multifaceted and creative ways. The book covers the long history of continuities and connections between the two sectors, as seen in the activities of PBS, HBO or Sundance. It considers the movement of filmmakers between indie film and TV such as Steven Soderbergh, Rian Johnson, the Duplass brothers, Joe Swanberg, Lynn Shelton and Gregg Araki; details the confluence of aesthetic and the...
Italians were the largest group of immigrants to the United States at the turn of the twentieth century, and hundreds of thousands led and participated in some of the period's most volatile labor strikes. Jennifer Guglielmo brings to life the Italian working-class women of New York and New Jersey who helped shape the vibrant radical political culture that expanded into the emerging industrial union movement. Tracing two generations of women who worked in the needle and textile trades, she explores the ways immigrant women and their American-born daughters drew on Italian traditions of protest to form new urban female networks of everyday resistance and political activism. She also shows how their commitment to revolutionary and transnational social movements diminished as they became white working-class Americans.
Neil LaBute: A Casebook is the first book to examine one of the most successful and controversial contemporary American playwrights and filmmakers. While he is most famous, and in some cases infamous, for his early films In the Company of Men and Your Friends and Neighbors, Labute is equally accomplished as a playwright. His work extends from the critique of false religiosity in Bash to examinations of opportunism, irresponsible art, failed parenting, and racism in later plays like Mercy Seat, The Shape of Things, The Distance From Here, Fat Pig, Autobahn, and the very recent This Is How It Goes and Some Girls. Like David Mamet, an acknowledged influence on him, and Conor McPhereson, with wh...
“Essential for the aspiring filmmaker,” this is an inspiring, tell-all look at the independent film business from one of the industry’s most passionate supporters (Todd Solondz, director of Welcome to the Dollhouse) Hope for Film captures the rebellious punk spirit of the indie film boom in 1990s New York City and its collapse two decades later to its technology-fueled regeneration and continuing streaming-based evolution. Ted Hope, whose films have garnered 12 Oscar nominations, draws from his own personal experiences working on the early films of Ang Lee, Eddie Burns, Alan Ball, Todd Field, Hal Hartley, Michel Gondry, Nicole Holofcener, and Todd Solondz, as well as his tenures at the...
In 1913, silk mill workers in Paterson, New Jersey, went on strike, demanding an eight-hour work day and better working conditionsreasonable requests that nevertheless led to the arrest of over 1,800 people. Young Eleanor OBannion was not arrested, but she was there. Living in the tenements of Paterson, she survived near starvation, poverty, and illness. She survived with the yearnings of love. Her heart belongs to the charismatic and passionate Dante Ravelli, a union leader, supporting the workers at the Great Silk Strike. But can Eleanor trust him to love her back? Against her better judgment, she decides to marry Charles Lafferty, the wealthy son of a silk baron. Charles is stable, dependable, and safe. So why does she continue to think about the dashing Ravelli? Eleanor carries her own secret past, and this secret robs her of any happiness as she struggles to look to the future and find fulfilling love with her husband. She has survived so much; she knows she will continue to thrive. Any choice she makes will hurt a man she loves. Who will she choose in the end: Ravelli or Charlesor perhaps, her own liberation?
In the Beauty of the Lilies begins in 1910 and traces God’s relation to four generations of American seekers, beginning with Clarence Wilmot, a clergyman in Paterson, New Jersey. He loses his faith but finds solace at the movies, respite from “the bleak facts of life, his life, gutted by God’s withdrawal.” His son, Teddy, becomes a mailman who retreats from American exceptionalism, religious and otherwise, into a life of studied ordinariness. Teddy has a daughter, Esther, who becomes a movie star, an object of worship, an All-American goddess. Her neglected son, Clark, is possessed of a native Christian fervor that brings the story full circle: in the late 1980s he joins a Colorado sect called the Temple, a handful of “God’s elect” hastening the day of reckoning. In following the Wilmots’ collective search for transcendence, John Updike pulls one wandering thread from the tapestry of the American Century and writes perhaps the greatest of his later novels.
The long and prolific career of Steven Soderbergh (b. 1963) defies easy categorization. From his breakout beginnings in 1989 with sex, lies, and videotape to 2013, when he retired from big-screen studio movie making to focus on other pursuits including television, the director's output resembles nothing less than an elaborate experiment. Soderbergh's Hollywood vehicles such as the Ocean's Eleven movies, Contagion, and Magic Mike appear just as risky and outside-the-box as low-budget exercises such as Schizopolis, Bubble, and The Girlfriend Experience. This updated edition details key career moments: his creative crisis surrounding his fourth film, The Underneath; his rejuvenation with the ul...