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The second edition of this textbook brings together general political theory and the comparative method to interpret socio-political phenomena and issues that have occupied the Indian state and society since 1947. It considers the progress that India has made in some of the most challenging aspects of post-colonial politics such as governance, democracy, economic growth, welfare, and citizenship. Looking at the changed global role of India, its standing in the G-20 and BRICS, as well as the implications of the 2014 Indian general elections for state and society, this updated edition also includes sections on the changing socio-political status of women in India, corruption and terrorism. The...
The book introduces central themes that have preoccupied the field of South Asian politics over the last few decades and identifies new, emerging areas of research. Presenting both general political theory and context-specific case studies, the collection draws attention to the methodological challenges of working on an area-specific theme and the importance of generating generalizable insights linked to theory. Hence it will be of interest for political scientists working on South Asian politics as well as on other non-Western societies. The collection represents an unusually broad survey of scholarship emerging from a range of leading academic centres in the field.
This book examines how India has been able to sustain democratic governance while undergoing substantial social, economic and political changes through a neo-institutional rational choice model of governance, bounded by local culture and context.
Satyajit Ray was India's first film-maker to gain international recognition as a master of the medium, and today he continues to be regarded as one of the world's finest directors of all time. This book looks at his work.
This book, first published in 1992, examines the attitudes of local elites – the hinge between Indian state and rural society – towards protest and participation in development, illuminating arguments about the nature of the state as well as the development process. It looks at the role of local elites in India both as the representatives of the state and of the rest of rural society, and explains their importance in the country’s development. The book deals with the elites’ contribution to the credibility of the state and examines the strategies through which they manipulate the allocation of resources and influence the pace and direction of social change. It contrasts the rural eli...
South Asian politics have been increasingly dominated by ethnic movements seeking control over parts of existing national states, each in the name of their own distinct identity. The leaders of these movements justify their claims by asserting the moral right of their "nation" to its homeland. Although the government usually treats these separatist movements as divisive threats to domestic stability, the movements express their legitimacy with the rhetoric of cultural nationalism. However, this book presents sub-nationalism not as a culturally specific phenomenon but as a politically convenient self-classification, used as an instrument of identity, mobilization, power, and counter-hegemony by political actors. Drawing on detailed analyses of seven South Asian cases-Kashmir, Punjab, Sindh, Baluchistan, Assam, Tamilnadu, and Sri Lanka-the contributors move beyond sociological and economic explanations of the origin and evolution of South Asian nationalism to formulate a political explanation based on theories of cultural nationalism and collective action.
This book provides a sustained engagement with contemporary Indian feature films from outside the mainstream, including Aaranaya Kaandam, I.D., Kaul, Chauthi Koot, Cosmic Sex, and Gaali Beeja, to undercut the dominance of Bollywood focused film studies. Gopalan assembles films from Bangalore, Chennai, Delhi, Kolkata, and Trivandrum, in addition to independent productions in Bombay cinema, as a way of privileging understudied works that deserve critical attention. The book uses close readings of films and a deep investigation of film style to draw attention to the advent of digital technologies while remaining fully cognizant of ‘the digital’ as a cryptic formulation for considering the sea change in the global circulation of film and finance. This dual focus on both the techno-material conditions of Indian cinema and the film narrative offers a fulsome picture of changing narratives and shifting genres and styles.
The two critical aspects that go mostly missing in experiencing our lives fully as we become more and more mature are slowness and silliness. There is not much literature on these two vital aspects of our lives that is mostly looked down upon in a world dominated by speed and seriousness, or the act of it. Yes, being dead serious or acting so is the only acceptable solution if you want to be taken seriously by your family, friends and peers. Along the way unwittingly your professional life has been mixed with your personal life. The concept of work from home has eliminated the blurred line between professional and personal space. Seriousness finds entry into a space that is meant to be silly, and the fast pace enters a life that is meant to be slow. Slowness and silliness thus have no room left in your office-home space. This book, in two parts, explores these two vital elements of our lives that are on the verge of extinction…being silly and being slow...that are mostly missing! #BeSilly #BeSlow