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This publication, published on the occasion of her exhibition at Miami Art Central, presents a survey of some of Tacita Dean's most compelling film works, dating from the 1990s to the present.
Tiré du site Internet http://www.mackbooks.co.uk: "St Francis of Assisi was the saint who humanised sainthood. He was a man with an ordinary body and ordinary desires. As Tacita Dean writes, 'He rolled naked in the snow to quell his urges and trod the land on paths and roads that are still wending their way through the hills and forests of Umbria today ... His concerns are contemporary : his love of the earth is ecology, his care for its creatures, animal welfare, and his understanding of his fellow humanity is modern-day social science. He is the saint whom mankind can realistically aspire to emulate, because his humanness, his humanity lies just within our mortal reach.' In her work, Buon...
Tacita Dean is considered among the most important living British artists. Best known for the films that have taken her all over the world, she is a passionate defender of analogue methods. This authoritative publication brings together her writings with a complete filmography. Dean's insightful and informative writing is key to understanding her works and interests. She reveals a wide range of influences, from seascapes to documentary, and an intimate study of the nature of film itself. Her projects are populated with the figures she admires, including the artists David Hockney OM CH RA and Cy Twombly, the poet Michael Hamburger and the legendary choreographer Merce Cunningham. Beautifully ...
Available for a limited time, this artist’s book by renowned visual artist Tacita Dean explores her chance encounters with objects in the archives of the Getty Research Institute. As the Getty Research Institute artist in residence in 2014–15, Tacita Dean was asked to define a subject and identify a path of research. What she proposed instead was a project titled “The Importance of Objective Chance as a Tool of Research.” Her idea was to allow chance to be her guide. Dean researched randomly, picking out boxes from the collections without knowing their contents, meandering through objects and images from sources as varied as medieval alchemy books to twentieth-century artist letters. Monet Hates Me features reproductions of fifty artworks she created from Getty’s archival holdings along with enlightening texts that expand on her method of research and illustrate her encounters with the archives.
Flo comes beautifully printed in a linen cover, with a slipcase, and each copy of the book is signed and numbered by the artist.
Published to accompany the exhibition held at the Tate Gallery, London, 15 February - 6 May 2001.