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Set during the dawn of the twenty-first century, The March is the story of Justin Jaeger, a man who inspired a nation with the promise of brilliant leadership into the new millennia.
Networks, Labour and Migration among Indian Muslim Artisans provides an ethnography of life, work and migration in a North Indian Muslim-dominated woodworking industry. It traces artisanal connections within the local context, during migration within India, and to the Gulf, examining how woodworkers utilise local and transnational networks, based on identity, religiosity, and affective circulations, to access resources, support and forms of mutuality. However, the book also illustrates how liberalisation, intensifying forms of marginalisation and incorporation into global production networks have led to spatial pressures, fragmentation of artisanal labour, and forms of enclavement that persi...
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Even in the midst of the Civil War, its battlefields were being dedicated as hallowed ground. Today, those sites are among the most visited places in the United States. In contrast, the battlegrounds of the Revolutionary War had seemingly been forgotten in the aftermath of the conflict in which the nation forged its independence. Decades after the signing of the Constitution, the battlefields of Yorktown, Saratoga, Fort Moultrie, Ticonderoga, Guilford Courthouse, Kings Mountain, and Cowpens, among others, were unmarked except for crumbling forts and overgrown ramparts. Not until the late 1820s did Americans begin to recognize the importance of these places. In Memories of War, Thomas A. Cham...
Labeled as a traveling American folk artist when he was rediscovered in the mid-20th century, the mysterious Thomas Chambers here receives a fresh and creative reassessment. Although his distinctive sea- and landscapes appear in many American collections, little is known about this English-born painter, who arrived in New Orleans in 1832 and disappeared from record in the mid-1860s, leaving many paintings that later resurfaced in rural New York and Massachusetts. In this richly illustrated work, Kathleen A. Foster shows, however, that far from being simply an itinerant painter of folk art, Chambers actually enjoyed a professional, even entrepreneurial, relationship to the art world. Foster p...
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