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No city in the world is more associated with boxing than New York. So take a ringside seat on the city's greatest ever fight nights. Join the roaring crowds at iconic venues including Madison Square Garden, the Yankee Stadium, the Polo Grounds and the Long Island Bowl - in the company of boxing historian Thomas Myler. Soak up the atmosphere and enjoy all the inside stories, including the riot following the Riddick Bowe-Andrew Golota farce, and the human buzzsaw that was Henry Armstrong against Barney Ross. James J Braddock shocked the boxing world to become boxing's 'Cinderella Man' by taming Max Baer, while Tommy Farr upset all predictions by staying 15 rounds with the feared Joe Louis. New York Fight Nights is a wide-ranging, exciting trip through boxing history which enables you to follow Floyd Patterson's historic battle with Ingmar Johansson, to witness Randolph Turpin's tragic downfall against Carl Bobo Olson - and the Harry Greb-Mickey Walker slugfest that continued outside on the sidewalk.
From Jack London to Joyce Carol Oates, The Hurt Business is the ultimate boxing book covering a century of the greatest fighter and the writers who have followed 'the sweet science'. Beginning with Jack London's account of the 1910 championship bout between Jack Johnson and James Jeffries (for which the Call of the Wildman called for and coined the term "The Great White Hope"), and ending with Carlo Rotella's 2002 homage to Larry Holmes ("Champion at Twilight"), The Hurt Business is a near century's worth of rip-roaring reveal. Some of it comes ringside, like Norman Mailer et; some of it comes from the gym, like Pete Hamill's "Up the Stairs with Cus D'Amato"; and some of it comes from so far behind the scenes you feel as if you've been eavesdropping - Thomas Hauser's excerpt from The Black Lights. For fans of Norman Mailer's The Fight or George Kimball's Four Kings: Leonard, Hagler, Hearns, Duran and the Last Great Era of Boxing, The Hurt Business belongs on the shelves of any fan of boxing or sublime sports writing.
A collection of essays by James Baldwin, Norman Mailer, and other beloved American writers on the primal contest in the boxing ring—and the crazy carnival world outside it From neighborhood gyms and smoke-filled arenas to star-studded casinos and exotic locales, American writers have chronicled unforgettable stories about determination and dissipation, about great champions and punch-drunk has-beens, about colorful entourages and outrageous promoters, and, inevitably along the way, about race, class, and violence in America. Like baseball, boxing has a vivid culture and language all its own, one that has proven irresistible to career journalists and literary writers alike. The Library of A...
And in this corner, hailing from Black Bottom, Detroit by way of Harlem, with more victories than Joe Louis and Muhammad Ali combined, the greatest fighter-pound for pound-of all time: Sugar Ray Robinson. If imitation is truly the sincerest form of flattery then there should be little doubt Sugar Ray Robinson is the greatest and most influential American boxer of all time. Fighters (and the occasional alt-rock band) have been adopting his name, and trying to imitate his inimitable fighting style for decades. Sugar Ray Robinson transcended race and sport to become a celebrity athlete in a way that no one-white or black-had accomplished before him. From his business empire to his prized flamingo pink Cadillac, described as the Hope Diamond of Harlem, Kenneth Shropshire shows Sugar Ray was the trailblazer whom every athlete since has been trying, consciously or otherwise, to emulate.
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