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Anke Gleber examines one of the most intriguing and characteristic figures of European urban modernity: the observing city stroller, or flaneur. In an age transformed by industrialism, the flaneur drifted through city streets, inspired and repelled by the surrounding scenes of splendor and squalor. Gleber examines this often elusive figure in the particular contexts of Weimar Germany and the intellectual sphere of Walter Benjamin, with whom the concept of flanerie is often associated. She sketches the European influences that produced the German flaneur and establishes the figure as a pervasive presence in Weimar culture, as well as a profound influence on modern perceptions of public space....
Moritz Föllmer traces the history of individuality in Berlin from the late 1920s to the construction of the Berlin Wall in August 1961. The demand to be recognised as an individual was central to metropolitan society, as were the spectres of risk, isolation and loss of agency. This was true under all five regimes of the period, through economic depression, war, occupation and reconstruction. The quest for individuality could put democracy under pressure, as in the Weimar years, and could be satisfied by a dictatorship, as was the case in the Third Reich. It was only in the course of the 1950s, when liberal democracy was able to offer superior opportunities for consumerism, that individuality finally claimed the mantle. Individuality and Modernity in Berlin proposes a fresh perspective on twentieth-century Berlin that will engage readers with an interest in the German metropolis as well as European urban history more broadly.
This book provides a study of the social and cultural history of Germany through written, visual and oral sources during this important period.
At the turn of the eighteenth century, selfhood was understood as a “tabularasa” to be imprinted in the course of an individual’s life. By the middle of the nineteenth-century, however, the individual had become defined as determined by heredity already from birth. Examining novels by Goethe, Jean Paul, and E.T.A. Hoffmann, studies on plant hybridization, treatises on animal breeding, and anatomical collections, Romanticism, Origins, and the History of Heredity delineates how romantic authors imagined the ramifications of emerging notions of heredity for the conceptualization of selfhood. Focusing on three fields of inquiry—inbreeding and incest, cross-breeding and bastardization, evolution and autopoiesis—Christine Lehleiter proposes that the notion of selfhood for which Romanticism has become known was not threatened by considerations of determinism and evolution, but was in fact already a result of these very considerations. Romanticism, Origins and the History of Heredity will be of interest for literary scholars, historians of science, and all readers fascinated by the long durée of subjectivity and evolutionary thought.
By the 1930s over two-thirds of Germans lived in towns and cities, and those who did not found themselves inexorably affected by the ever-growing urban vortex. The German Urban Experience 1900 - 1945 surveys the social and cultural history of Germany in this crucial period through written, visual and oral sources. Focusing on urbanism as one of the major forces of change, this book presents a wide range of archive sources, many available for the first time, as well as film scenes, literature and art. Exploring the German experience of 'urbanism as a way of life' in cities from Berlin and Dresden to Hamburg and Leipzig, this book discusses: the concept of the urban experience the development of urban infrastructure and transport the social conditions of the urban poor health and the effects of the city on the body production and commerce in German cities the city as a challenge to traditional gender hierarchies
An entertaining cultural history of music during World War I, covering all the major European nations as well as the United States, in both classical and popular genres. The book is lavishly illustrated and includes a CD.
Examining how the past has influenced current domestic and foreign policy in Germany, this book explores topics such as the unification of east and west, the founding of the Berlin and Bonn republics, the legacies of national socialism and how the unified Germany's political culture continues to evolve.
The Weimar Republic was born out of Germany's defeat in the First World War and ended with the coming to power of Hitler and his Nazi Party in 1933. In many ways, it is a wonder that Weimar lasted as long as it did. Besieged from the outset by hostile forces, the young republic was threatened by revolution from the left and coups d'états from the right. Plagued early on by a wave of high-profile political assassinations and a period of devastating hyper-inflation, its later years were dominated by the onset of the Great Depression. And yet, for a period from the mid-1920s it looked as if the Weimar system would not only survive but even flourish, with the return of economic stability and the gradual reintegration of the country into the international community. With contributions from an international team of ten experts, this volume in the Short Oxford History of Germany series offers an ideal introduction to Weimar Germany, challenging the reader to rethink preconceived ideas of the republic and throwing new light on important areas, such as military ideas for reshaping society after the First World War, constitutional and social reform, Jewish life, gender, and culture.
In spite of having been short-lived, “Weimar” has never lost its fascination. Until recently the Weimar Republic’s place in German history was primarily defined by its catastrophic beginning and end - Germany’s defeat in 1918 and the Nazi seizure of power in 1933; its history seen mainly in terms of politics and as an arena of flawed decisions and failed compromises. However, a flourishing of interdisciplinary scholarship on Weimar political culture is uncovering arenas of conflict and change that had not been studied closely before, such as gender, body politics, masculinity, citizenship, empire and borderlands, visual culture, popular culture and consumption. This collection offers new perspectives from leading scholars in the disciplines of history, art history, film studies, and German studies on the vibrant political culture of Germany in the 1920s. From the traumatic ruptures of defeat, revolution, and collapse of the Kaiser’s state, the visionaries of Weimar went on to invent a republic, calling forth new citizens and cultural innovations that shaped the republic far beyond the realms of parliaments and political parties.
‘World Cinema and the Visual Arts’ combines new analyses of two subjects of ongoing research in the field of humanities: cinema and the visual arts. Originally presented at the American Comparative Literature Association Conference 2010 in New Orleans, the papers of this volume have been expanded and extended from their original points of enquiry, and analyse films from the diverse cultural traditions of China, Germany, the United Kingdom, America, Northern Ireland and India.