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The fourth volume of a celebrated translation of the classic Chinese novel This is the fourth and penultimate volume in David Roy's celebrated translation of one of the most famous and important novels in Chinese literature. The Plum in the Golden Vase or, Chin P’ing Mei is an anonymous sixteenth-century work that focuses on the domestic life of Hsi-men Ch’ing, a corrupt, upwardly mobile merchant in a provincial town, who maintains a harem of six wives and concubines. The novel, known primarily for its erotic realism, is also a landmark in the development of the narrative art form—not only from a specifically Chinese perspective but in a world-historical context. This complete and annotated translation aims to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth.
The contributors contrast this world-polity perspective to other approaches to understanding globalization, including realist and neo-realist analyses in the field of international relations, and world-system theory and interstate competition theory in sociology.
One of the flashpoints of international relations is the tortuous relationship between established 'status quo' powers and revolutionary states such as China, North Korea, Iran, Nicaragua and Iraq. This textbook bridges the gap between analyses of revolutions, which tend to concentrate on their domestic causes, and the study of the impact of 'renegade' states on the international system. It sees revolutionary states as a central dynamic of modern international society, rather than as aberrations damaging an otherwise stable international body politic. The authors provide a series of historical and contemporary case studies, and theoretical analyses. They contribute significantly to a debate on the nature of international politics that has foundered into complacency and self-congratulation about the 'end of history'.
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