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THE STORY: Neville, Gordon, Angus and Roy, a middle management team from Pennine Spring Water, Ltd., are sent on a business outbound team building weekend in the Lake District. What should have been a run-of-the-mill orienteering exercise turns i
Madness were true originals who mixed ska and reggae rhythms with social comment and music hall humour to become a British group like no other. They were the most successful UK singles band of the 80s, offering a larky down-to-earth take on Thatcher’s Britain through hits like ‘My Girl’, ‘One Step Beyond’, ‘House Of Fun’ and ‘Baggy Trousers’. Their appeal endures to this day, Madness’ latter-day concerts having become fun-packed celebrations of one of the best-loved songbooks in British pop. Like most bands Madness had their trials and tribulations, including band disputes, accusations of racism and an eventual split. But by then they had become a unique part of British pop history. In this book, John Reed tells their colourful story with a perceptive industry eye and the help of insights from many insiders and colleagues of the band.
This colorful souvenir songbook for the hit Broadway musical contains sheet music for every song on the show's original cast recording! Singers and pianists will delight in bringing the unforgettable songs from Cyndi Lauper's score to life with these impeccable piano/vocal arrangements. Several pages of dazzling color photos from the original Broadway production are included, making this book a must-own collectible for every fan of musical theatre. Titles: *Price and Son Theme *The Most Beautiful Thing in the World *Take What You Got *Land of Lola *Charlie's Soliloquy *Step One *Sex Is in the Heel *The History of Wrong Guys *Not My Father's Son *Everybody Say Yeah *What a Woman Wants *In This Corner *Charlie's Soliloquy (Reprise) *Soul of a Man *Hold Me in Your Heart *Raise You Up / Just Be
Mag lives in a rustic cabin in the Canadian wilds, far from neighbours and further from her past. It's an unremarkable life, save for the enormous bear carcass on the kitchen table. But when her estranged daughter Beth turns up on the doorstep having been freshly released from prison, the past becomes terrifyingly present - and the bear isn't the only thing with a dangerous bite.
THE STORY: GOOD AS NEW follows the disintegration of an educated, affluent Chicago family--parents and teenage daughter--following Mom's face-lift. Devastated by what she views as a violation of who her mother is--an enlightened feminist--the daughter
THE STORIES: In THE CHIROPODIST, the doctor and nurse are embroiled in yet another chase scene around the office. As the nurse says, this chiropodist is over-drawn, over-wrought and oversexed. Tired of this perennial scene, the nurse takes the si
Dialogue between film and theatre studies is frequently hampered by the lack of a shared vocabulary. Stage-Play and Screen-Play sets out to remedy this, mapping out an intermedial space in which both film and theatre might be examined. Each chapter’s evaluation of the processes and products of stage-to-screen and screen-to-stage transfer is grounded in relevant, applied contexts. Michael Ingham draws upon the growing field of adaptation studies to present case studies ranging from Martin McDonagh’s The Cripple of Inishmaan and RSC Live’s simulcast of Richard II to F.W. Murnau’s silent Tartüff, Peter Bogdanovich’s film adaptation of Michael Frayn’s Noises Off, and Akiro Kurosawa’s Ran, highlighting the multiple interfaces between media. Offering a fresh insight into the ways in which film and theatre communicate dramatic performances, this volume is a must-read for students and scholars of stage and screen.
Confusions, a series of plays for four-to-five actors, typifies Alan Ayckbourn's particular brand of black comedy on human behaviour. The plays are alternately naturalistic, stylised and farcical, but underlying each is the echoing problem of profound loneliness. From a devoted and isolated mother, to her unfaithful travelling salesman husband, through a solicitous waiter to well-heeled diners and an utterly shambolic garden fete, human frailty is laid bare as one hilarious situation after another unfolds. Each of the plays connects to the next through one of its characters until the final one is reached when four people sit alone on park benches. From high farce to poignant observation; the laughs, however dark, keep coming. This new edition was published to coincide with the first ever revival of the play, staged at the Stephen Joseph Theatre, Scarborough, on 9 July 2015.
Educating Rita, about a working-class Liverpool girl's hunger for education, is 'simply a marvellous play, painfully funny and passionately serious; a hilarious social documentary; a fairy-tale with a quizzical, half-happy ending.' Sunday Times Educating Rita premiered at the RSC Warehouse, London, in June 1980. Voted Best Comedy of 1980, it was subsequently made into a highly successful film with Michael Caine and Julie Walters.