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Like a Film
In this stimulating collection of theoretical writings on film, photography, and art, Timothy Murray examines relations between artistic practice, sexual and racial politics, theory and cultural studies. Like a Film investigates how the cinematic apparatus has invaded the theory of culture, suggesting that the many destabilising traumas of our culture remain accessible to us because they are structured so much like film. The book analyses the impact of cinematic perceptions and productions on awide array of cultural practices: from the Renassance works of Shakespeare and Caravaggio to modern sexual and political fantasy; and the theoretical work of Lyotard, Torok, Barthes, Ropars-Wuilleumier, Zizek, Silverman and Laplanche.Like A Film responds to current multicultural debates over the value of theory and the aim of artistic practice.
Digital Baroque
In this intellectually groundbreaking work, Timothy Murray investigates a paradox embodied in the book's title: What is the relationship between digital, in the form of new media art, and baroque, a highly developed early modern philosophy of art? Making an exquisite and unexpected connection between the old and the new, Digital Baroque analyzes the philosophical paradigms that inform contemporary screen arts. Examining a wide range of art forms, Murray reflects on the rhetorical, emotive, and social forces inherent in the screen arts' dialogue with early modern concepts.
Drama Trauma
In this engaging cross-disciplinary study, Timothy Murray examines the artistic struggle over traumatic fantasies of race, gender, sexuality, and power. Establishing a retrospective dialogue between past and present, stage and video, Drama Trauma links the impact of trauma on recent political projects in performance and video with the specters of difference haunting Shakespeare's plays. The book provides close readings of cultural formations as diverse as Shakespearean drama, the Statue of Liberty, contemporary plays by women, African-American performance, and feminist interventions in video, performance and installation. The texts discussed include: * installations by Mary Kelly and Dawn Dedeaux, * plays by Ntozake Shange, Rochelle Owens, Adrienne Kennedy, Marsha Norman and Amiri Baraka * performances by Robbie McCauley, Jordan, Orlan, and Carmelita Tropicana * stage, film and video productions of King Lear, Othello, Romeo and Juliet and All's Well that Ends Well.
Life Is No Coincidence
I am very ill. I sense my deceased grandfather's presence. He is trying to tell me something. Am I about to die? Has he come for me? I shout into the dark, 'I cannot hear you!" He tells me I must write something for my father. Thirty-six hours later, I learn my father just passed away. I am to write his eulogy. That visitation opened wide swaths of understanding for author, Sheryl Glick. She ultimately learned we all have the ability to communicate with our guides.spirits of loved ones, guardian angels, saints, or just 'coincidences" that show us the way. Life Is No Coincidence relates that journey - you will find it similar to your own. 'Sheryl Glick's book will inspire you to go beyond coincidences of your daily life and see the bigger picture of why we all are here." --Dr. Carmen Harra 'A generous and healing Spirit herself, Sheryl now shares her journey with all who read this book." --Rev. Robert Brown "Sheryl Glick opens her heart and soul to an extraordinary dimension and enlightens us how every encounter guides us from the start of this life to passing to the next." --Dr. Bea Carson
Textual Patronage in English Drama, 1570-1640
Through an investigation of the dedications and addresses from various printed plays of the English Renaissance, David Bergeron recuperates the richness of these prefaces and connects them to the practice of patronage. The study includes discussion of plays by Shakespeare and his contemporaries, among them Marston, Jonson, and Heywood, as well as a chronological checklist of the dramatic prefaces here analyzed. The book contains an Appendix that lists the plays with prefatory dedications and addresses analyzed.
The Commonwealth Block, Melbourne
This groundbreaking book reports on almost three decades of excavations conducted on the Commonwealth Block – the area of central Melbourne bordered by Little Lonsdale, Lonsdale, Exhibition and Spring streets.
Gender and Political Psychology
This book showcases new work done by gender politics scholars and political psychologists, covering a variety of political psychology topics. These include stereotyping and prejudice, intergroup conflict, social identity, attitude formation, group affinity, group decision-making, anxiety, contextual effects on individual behaviour, and the evolutionary roots of political behaviour. Political psychological insights are applied to address topics of longstanding concern within the field of gender and politics. Among the citizenry, gender differences in political ideology, responses to partisan conflict, Hispanic identity formation, and symbolic racism are explored. Other chapters pose the follo...
Detailed Report of Contributions ... to the O'Connell National Annuity, for the Year 1832(-1834).
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Heads of Families at the First Census of the United States Taken in the Year 1790
This schedule represents a complete list of the heads of families in the United States at the time of the adoption of the Constitution. Under law, the marshals were required to ascertain the number of inhabitants within their respective districts, omitting Indians not taxed, and distinguishing free persons (including those bound to service for a term of years) from all others; the sex and color of free persons; and the number of free males 16 years of age and over. The object of the inquiry last mentioned was, undoubtedly, to obtain definite knowledge as to the military and industrial strength of the country.
