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A Vocabulary and Hand-Book of the Chinese Language
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
The Cinema of Tsui Hark
Tsui Hark, one of China's most famous film artists, is little known outside of Asia even though he has directed, produced, written, or acted in dozens of film, some of which are considered to be classics of modern Asian cinema. This work begins with a biography of the man and a look at his place in Hong Kong and world cinema, his influences, and his thematic obsessions. Each major film of his career is then reviewed, production details are provided, and comments from Tsui Hark himself are given.
A Vocabulary and Hand-book of the Chinese Language, Romanized in the Mandarin Dialect
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An English and Chinese Pocket Dictionary, in the Mandarin Dialect
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Liang Ch’i Ch’ao and the Mind of Modern China
The distinction between “history” and “value” is the ground of this penetrating work. Liang Ch’i-ch’ao began writing in the 1890’s, as one who was straining against his tradition intellectually, seeing value elsewhere, but still emotionally tied to it, held by his history. How history contrived such a tension, how its release in Liang went together with the release of Confucian China from life, is the grand subject. And in drawing the times out of Liang’s intellectual life, Mr. Levenson contributes much of more general interest—a new understanding of the concepts of anachronism, analogy, contemporaneity, the generation, historical relativism, historical context, cultural an...
China Fictions, English Language
The world is anything but unfamiliar with diaspora: Jewish, African, Armenian, Roma-Gipsy, Filipino/a, Tamil, Irish or Italian, even Japanese. But few have carried so global a resonance as that of China. What, then, of literary-cultural expression, the huge body of fiction which has addressed itself to that plurality of lives and geographies and which has come to be known as “After China”? This collection of essays offers bearings on those written in English, and in which both memory and story are central, spanning the USA to Australia, Canada to the UK, Hong Kong to Singapore, with yet others of more transnational nature.This collection opens with a reprise of woman-authored Chinese Ame...
