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Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June)
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This work examines reserves in the recently revised Swiss Code of Obligations, which will enter into force 1 January 2023. The analysis focuses on their creation and dissolution, and distinguishes between reserves formed by the board and reserves formed by the general assembly. By focusing on an instrument in the banking sector, the reserves for general banking risks, this work investigates the general assembly’s possibility to delegate the power to form further reserves to the board of directors based on the articles of the association. This question is analyzed in the context of companies limited by shares, limited liability companies, and cooperatives. Finally, the effects of such a delegation and the consequences in a practical view of going to court are analyzed through the Federal Supreme Court’s judgment in a similar topic of delegation.
Why would a smart New York investment banker pay twelve million dollars for the decaying, stuffed carcass of a shark? By what alchemy does Jackson Pollock’s drip painting No.5 1948 sell for $140 million? 'The $12 Million Dollar Stuffed Shar'k is the first book to look at the economics of the modern art world, and the marketing strategies that power the market to produce such astronomical prices. Don Thompson talks to auction houses, dealers, and collectors to find out the source of Charles Saatchi’s Midas touch, and how far a gallery like White Cube has contributed to Damien Hirst becoming one of the highest-earning artists in the world.
You wouldn’t know it was there, the unnumbered house behind the iron-grille gate, just below the craggy rocks of Northcliff ridge. To the untrained eye the rambling property might seem neglected, with its tangle of trees and untamed indigenous bush. But there is purpose here, and a peaceful, subterranean, focus on all that withers and dies. Five strangers – a model, a former nun, a couple in crisis, and an offender newly released from prison – have come here, to this place, to discover an end to life as they’ve known it. Placing their trust in their hosts, the Mortician and Mustafa, the five open their minds and bodies to an alternative experience. Not all of them will survive – or at least not in the way they imagined – but all of them will be shown the limits of their living. The Institute for Creative Dying is vivid and visceral, unique in its bold and imaginative exploration of mortality and the interconnectedness of all forms of being.
A General History of Horology describes instruments used for the finding and measurement of time from Antiquity to the 21st century. In geographical scope it ranges from East Asia to the Americas. The instruments described are set in their technical and social contexts, and there is also discussion of the literature, the historiography and the collecting of the subject. The book features the use of case studies to represent larger topics that cannot be completely covered in a single book. The international body of authors have endeavoured to offer a fully world-wide survey accessible to students, historians, collectors, and the general reader, based on a firm understanding of the technical basis of the subject. At the same time as the work offers a synthesis of current knowledge of the subject, it also incorporates the results of some fundamental, new and original research.
This volume contains the proceedings of the International Conference on Technology, Arms Race and Disarmament which took place at Castiglioncello, Italy, in September 1987. The papers examine strategic defence policies, nuclear weapons proliferation and arms control among many other topics.