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A Poetics of the Press
Literary Nonfiction. Poetics. Art. The publication of Donald Allen's The New American Poetry in 1960, as well as the Vancouver and Berkeley poetry conferences, sparked a poetic renaissance. It was an era rich in exploration and innovation that articulated a new relationship between form and content. Simultaneously, American artists began working with the book as a creative medium that rivaled the European tradition of the early twentieth century. This book is the first collection of interviews with some of the pioneers working at the intersection of the artists book and experimental writing that continues to this day. Includes interviews with Keith & Rosmaie Waldrop, Tom Raworth, Lyn Hejinian, Alan Loney, Mary Laird, Jonathan Greene, Alastair Johnston, Johanna Drucker, Phil Gallo, Steve Clay, Charles Alexander, Annabel Lee, Inge Bruggeman, Matvei Yankelevich, Anna Moschovakis, Aaron Cohick, and Scott Pierce. Co-published with Cuneiform Press.
Lowly
Poetry. LOWLY is part invocation, part invitation. The poems in this debut collection consider death, rebirth, and love, while exploring the symbols that make life bearable. Here, ancient mythology and philosophy are examined through contemporary situations, brought forth by a voice that oscillates between humorous and plaintive tones--"I invent stories. Out of other stories. I can only repeat what I have heard. // A scruple is the enemy of a moment." LOWLY is a restorative work with rhythmic lines that will resonate with the reader long after the book is closed. "Alan Felsenthal's LOWLY is quietly oracular. With feeling and purpose, these poems move through precise intensities of thought to lay bare an integrated sense of a possible world. With such paradoxes and subtleties, we might call Felsenthal a new Metaphysical Poet."--Susan Howe "The poems disrupt without feeling artificial. They manage an opacity in background only, as the language is clear and careful...LOWLY is a collection of mysteries, each one more confounding and comforting than the last." --Daniel Moysaenko
Sonnet(s)
A lost gem of permutational conceptualism from a key figure in artist's book culture, available again Known internationally as one of Mexico's most important conceptual artists, Ulises Carrión (1941-89) played a decisive role in defining and conceptualizing the genre of the artists' book through his manifesto, "The New Art of Making Books" (1975), which he wrote soon after the 1972 publication of SONNET(S) and his move from Mexico City to Amsterdam, where he opened the legendary bookshop gallery, Other Books and So, the first space dedicated exclusively to artists' publications and an important precursor to such artists' book hubs as Printed Matter. One of Carrión's earliest "bookworks," SONNET(S) represents a landmark shift in the artist's output from poetry to artists' books. Here, Carrión takes a single poem by Dante Gabriel Rossetti through 50 typographic and procedural permutations. This republication is supplemented by new essays on Carrión's bookworks by contemporary artists, writers, and scholars from Mexico, Europe and the US.
Manual of Woody Plants
Poetry. The product of years of investigation and husbandry, Phil Cordelli's MANUAL OF WOODY PLANTS is a field guide to the workings of memory and perception within the creeping and ebbing of the natural world. The poems, each named for a type of North American flora, move with a light precision through the myriad intricacies and immensities that combine to form each human ecosystem and explore how these systems blend from one person to the next."
The Ugly Duckling
For over one hundred years The Ugly Duckling has been a childhood favorite, and Jerry Pinkney's spectacular new adaptation brings it triumphantly to new generations of readers. With keen emotion and fresh vision, the acclaimed artist captures the essence of the tale's timeless appeal: The journey of the awkward little bird -- marching bravely through hecklers, hunters, and cruel seasons -- is an unforgettable survival story; this blooming into a graceful swan is a reminder of the patience often necessary to discover true happiness. Splendid watercolors set in the lush countryside bring drama to life.
Princess Ugly Duckling
"I challenge you Prince Aditya, though this wedding was without our consent, I would make sure that you would fall in love with me. You would crave to have me as your soulmate. I will make sure that I would win your heart and soul. Inspite of my average looks" Grinned Princess Naintara as she made that promise to herself. The princess, a former Commander in General, a rebel and a warrior had to marry the heroic and arrogant warrior Prince Aditya due to unfavourable circumstances. Because of her strong will and brains, Prince Aditya realises that he has a fatal and undeniable attraction towards her. Will both of them try to make their marriage work and rule the kingdom successfully despite their differences? (P.S: Do NOT have high emotional rollercoaster rides. There are very positive characters and women are not the sufferers. They are self empowered and motivated. You can read these chapters with smile on your face and positivity in your heart)
G-point Almanac
Poetry. "So much in g-point almanac: id est (9.22-12.21) is ventured; so much here is profound. Kevin Varrone meets, dares, slips past what is assumed to be reality; language, volant, 'fails, too,' leaving us with 'what's beyond the said thing.' His poetry shivers with hairline fractures, the same as the cities he describes, with familiarities folded into oddnesses. Over and over, he moves us to spaces where we find ourselves surprised that we are so moved. 'How to put it all in,' he asks, 'the hollow earth, three cities, one sheet of paper?' But he does"--Marcella Durand. Varrone is co-founder of Beautiful Swimmer Press. He teaches at Temple University and the University of the Arts in Philadelphia. This is his first full-length collection.
Ventrakl
Envisioned in the form of a scrapbook, Ventrakl folds poetry, prose, biography, translation practices, and photographic imagery into an innovative collaboration with the 19th/early 20th century Austrian Expressionist poet Georg Trakl. Like Jack Spicer's After Lorca, translation is the central mode of composition in this book, and it is also the book's central theme, which Hawkey explores in a surprising array of different genres and modes of writing. What evolves is a candid and deeply felt portrait of two authors--one at the beginning of the 20th century, the other at the beginning of the 21st century, one living and one dead--wrestling with fundamental concerns: how we read texts and images, how we are influenced and authored by other writers, and how the practice of translation--including mistranslation--is a way to ornament and enrich the space between literature and life. "Ventrakl will speak resonantly to anyone who has fallen for the work of someonelong dead and wants desperately to reach out both to it and to its creator." --Laird Hunt, Bookforum
The Ugly Duckling
An ugly duckling spends an unhappy year ostracized by the other animals before he grows into a beautiful swan.
The Ugly Duckling
Today's youngsters will be equally moved by the hapless ugly duckling, who, ridiculed and rejected by all, suffers terrible hardships. And they will celebrate along with him when he finally emerges triumphant as the most beautiful swan of all!Bernadette Watts's detailed illustrations chronicle the bittersweet story with charm and poignancy. Copyright © Libri GmbH. All rights reserved.
